I'm not particularly tactile.

I want my films to be very tactile, visually and sonically.

I'm very much a fan of having something tactile you can hold.

I'm very tactile. I'm a big hugger, one of those huggy people.

The British tend to be uptight; they shy away from being tactile.

There's something very satisfying about creating a tactile product.

I try to make songs visual and tactile to kind of put you into the action.

Writing has always had a tactile quality for me. It's a physical experience.

Writing has always had that tactile quality for me. It's a physical experience.

I'm interested in people's relationship to objects, so I think a lot of my work is very tactile.

My sense of view became tactile not colourful, immediate not distant. Something within arms' reach

Welsh women aren't the most tactile unless they're your relatives. And then you don't want them to be.

This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.

Print is very important because I think there is nothing like the tactile sense of picking up a magazine.

Because I loved dance, I always need to be physical and moving, so photography that is more tactile made more sense.

I'm tactile, very tactile. A woman who has really nice, looked-after skin is such a turn-on for me. It's always sexy.

The guy who sits in front of the TV set with headphones on has lost the capacity to react to the tactile environment.

I still enjoy the tactile sensation of holding a book. But when I need to read fast for work, I use the Kindle App on my iPad.

I want to make things of quality. I'm a big believer in handmade, tactile, crafted pieces. I want to keep that tradition alive.

I've always been so interested in both the visual beauty of mollusks and the tactile feel of them. As a kid, I collected them all the time.

My love of books - not just of their tactile pleasures but of their astonishing variety - was born in a book-filled house; my father is a scholar.

'Happy Days' is the type of show that represents the best we can be. It's something warm, something tactile when life was good and life was simple.

The world we live in is not purely visual. For me it's totally poly-sensorial so the tactile, sensual aspect of living in the work that I do is brought to the fore.

Some directors don't get involved in the cinematography and are just about story, but I'm definitely more tactile than that in terms of my involvement in the minutiae.

I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels.

I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.

I'm a very physical person. I'm very tactile. I wrestled in college, so a lot of my communication with the world comes through physicality - what I take in and what I put out there.

I don't want technology to take me so far that I don't have to use my brain anymore. It's like GPS taking over and losing your internal compass. It's always got to be tactile, still organic.

I really love to write about food, crafts, and fashion, so those details will always be a part of my books. I think they inject stories with color and flavor, providing a tactile experience.

There's been a fragmentation of how the market functions, but I believe printed books are here to stay. People like the tactile experience, the smell of them; there's a great romance to them.

A guitar is so tactile, and when you're playing bends - and bending notes is a big part of my style - there are so many notes within the note you're bending from and the note you're bending up to.

The power of elegy, even in the face of an unbounded grief, to provide a containing form is vividly embodied by Anne Carson's 'Nox,' a nocturne with carefully controlled visual and tactile properties.

When I write, I'm still imagining a kid reading it on paper. I read e-books when I travel, but in general I still prefer holding an old-fashioned book in my hands. There's a special, tactile experience.

I love building spaces: architecture, furniture, all of it, probably more than fashion. The development procedure is more tactile. It's about space and form and it's something you can share with other people.

Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print.

There's something so inspiring about being in real locations, where you can feel the tactile qualities from the layer of paint that has been chipping off and the hundreds of years that have been lived in the space.

Well, everybody faces the fact there really aren't many records stores around to just go and browse. Maybe browse online, yet that tactile feel of flipping through a stack of vinyl remains one of life's simple pleasures.

Live music is incredible because you get to be with people, and you get to have this tactile, real-world experience, but at the end of the day, if your eyes are closed and you're getting swept away, it's like... I don't know.

I'm quite tactile, so I like fabrics that feel good. I try to avoid fabrics that crease - especially with my son. When you have a child, that's important. A great pair of a jeans, a t-shirt and some loafers, that's what I always wear.

I grew up with vinyl records and remember the pleasure and the kind of buzz that I got from buying a beautiful vinyl record with the sleeve and the lyrics - all that kind of tactile experience that you could get from an old vinyl record.

Semiotics is a general theory of all existing languages... all forms of communication - visual, tactile, and so on... There is general semiotics, which is a philosophical approach to this field, and then there are many specific semiotics.

All of us who grew up reading comics love the memory of sitting under an apple tree with a comic book in one hand and a peanut butter sandwich in the other; the tactile sensation of the paper on the skin and so forth is part of the experience.

Hat-making is laborious and time-consuming. It's a very tactile medium, and you can develop the skills, but it's one of those things: you either have it, or you don't. I love bringing something to fruition with my hands that gives people pleasure.

If you look at an old piece of sheet music, there's all kinds of text on it, there are ads, there are proclamations of the greatest songs' success, there's artwork. So there is a tactile, physical experience of learning the song and the way it's notated.

I've done work wearing full cold-weather gear hanging off of scientific towers in the Antarctic and the Arctic. Having to actually do small, delicate tasks on scientific equipment while you have no dexterity or tactile feedback is something that's very transferrable.

I think newspapers shouldn't try to compete directly with the Web, and should do what they can do better, which may be long-form journalism and using photos and art, and making connections with large-form graphics and really enhancing the tactile experience of paper.

I think there are definitely two types of student: the academic kids and the 50% who fail. It's very clear to see - it's fact. We're not doing enough for those who fail; they need a more physical, tactile approach, involving people skills, team-building, problem-solving, building things.

I want children who can make eye contact. I want children who know how to resolve conflicts with their peers. I want children who understand the dynamics of interpersonal relationships that are physical and tactile. I do not want children that only know how to interface with the world through a screen.

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