To try to teach ignoring technology is to ignore the progress that we have made over the last century. If school is preparation for the real world - a real world that is increasingly technology-driven - then to ignore technology is to become obsolete.

They tend to be civil servants, often diplomats drawn from the Foreign Office, who may be very pleasant, intelligent people, but once they get inside the Palace they're riveted to the status quo and they lose track of public opinion in the real world.

Games are quite shy at talking about different things. Most are about facing hordes of monsters or saving the world or whatever; few games actually talk about the real world, about real people, about their relationship, their emotions, their feelings.

The Internet is a seemingly unreal environment where we think we are anonymous. It's a potentially provocative place. As a result, we may not behave the way we would in the real world. Some of us are drawn into what could become a dangerous situation.

You know that moment in 'The Matrix' when Neo takes the red pill and is plunged into the real world? That's what it felt like when I first read 'Watchmen' - like someone was taking a can opener to my head to make room for Moore's audacious brilliance.

I don't know if people feel this way, but I think by nature that when you start off as a young pop singer, they assume that you're a bit pampered, prissy, and precious, or that you live in a bubble and not in the real world. For me that's not the case.

In medical school, it's quite possible to get taught that you can diagnose everybody and treat everything. But then you get out in the real world and find that for most patients walking through your door, you have no idea what's causing their symptoms.

I liked lots of 'Doctor Who' books, but my favourite tale was a spooky story about two invalid children - who've never met in the real world - who get trapped in a shared dreamscape when they fall asleep. It's called 'Marianne Dreams' by Catherine Storr.

Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.

All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.

I don't think it should be allowed for people to start working at a young age and not take the time to just be living as themselves in the real world, especially now in this new age of new media and the obsession with celebrity. I think it's a real crime.

Virtual-reality researchers have long struggled to eliminate effects that distort the brain's normal processing of visual information, and when these effects arise in equipment that augments or mediates the real world, they can be that much more disturbing.

I created 'America's Next Top Model' one-hundred percent. I was in my kitchen making tea one morning, and I looked out the window, and the idea popped into my head. I wanted it to be 'American Idol' meets 'Ford Supermodel of the Year' meets 'The Real World.'

When you are a people's movement, you have one thing. Your only asset is people. And you have to deal with real people. Not the people of your imagination. Not the people you wish people would be. But people as they exist actually out there in the real world.

Science fiction is essentially a kind of fiction in which people learn more about how to live in the real world, visiting imaginary worlds unlike our own in order to investigate, by way of pleasurable thought-experiments, how things might be done differently.

To start your working life after you've graduated from school and university, it takes you a long time to get started in the real world. Today, kids are not out into the workforce until 27 or 30 years of age. By the time I was 30, I had six kids and 60 trucks.

Choose what you actually want to do rather than what you think will impress people on Facebook. Ironically, when you do this, something amazing happens; what you produce stands a better chance of getting recognition. Not just on Facebook, but in the real world.

I kept a steel wall around my moral and sexual instincts - protecting them, I thought, from the threats of the real world. This gave me a tremendous advantage in politics, if not in my soul. The true me, my spiritual core, slipped further and further from reach.

If we are ever to cross the 100-nano barrier in electronics, we need to develop nano structures that let electrons move through, as they do through wires and semiconductors. And these structures must survive in the real world of air, water, boiling temperatures.

I just think too many nice things have happened in string theory for it to be all wrong. Humans do not understand it very well, but I just don't believe there is a big cosmic conspiracy that created this incredible thing that has nothing to do with the real world.

Maths is fundamentally a different process in education than it is in the real world. There is an insistence that we do maths by hand when most of it is done by computers. The idea that you have to do everything by hand before you can operate a computer is nonsense.

It's really hard coming of age in today's society, where society wants you to make the decision of what you want to do with your life by the time you're 16 years old. Most kids don't know what they want to do. How could they? They haven't lived in the real world yet.

There's this assumption that all children have the luxury of a childhood where their innocence is always respected and their main occupation is pleasant play - at the age of 18 or 21, they are then thrust into the real world and shown its uglier side, but not before.

Music can provide a much-needed break from life's harsh moments, but Eddy Current Suppression Ring has no interest in creating a sonic fire escape for the distraught. Instead, the band embraces the real world, wrapping its arms around the beautiful and the ugly alike.

Long ago, I became more interested in the real world than in make-believe.

I did a lot of research on real serial killers, and they're not Hannibal Lecters. They're cruel men who are given the opportunity to do something terrible, and a lot of the time it's about impotence. They feel powerless in the real world.

The 'Real World' made me realize that I could do anything I want to more with my life.

People on both sides of any conflict believe they are right, whether it's on a TV show or in the real world.

I do not believe in the concept of good and evil in my personal life, in the real world. I just don't believe it. I never try to judge.

There is a presumption made among nationalists that constitutional change is the answer to all the questions that are problematic in our communities, and my job is to talk about what is happening in the real world.

We all dream things into being; you imagine yourself having a child, and then you have a child. An inventor will think of something in his mind and then make it actual. So things are often passing from the imagined realm into the real world.

People are looking for a simplicity in their fictional worlds where good and evil are clearly delineated, that you can't find in the real world, and that provides an enormous comfort - and that, I think, has an awful lot to do with the reason fantasy is so popular.

But in fantasy, you can make a complete break, and you can put people in a situation where they are confronted with things that they would not confront in the real world.

Most people don't remember the guy from 'The Real World.' They know the guy who is a professional, a father, and a friend that gives great advice.

I think it's so important that, if I'm writing about the real world, I stay true to it. I think that kids do compartmentalize, and they're hopefully able to see it from a safe place of their own lives and, through that, learn something about empathy.

My stories are pretty simplistic, but the characters are always complex and always right, and that comes from the script and my research and reverse-engineering what I find in the real world.

The power that you have as a storyteller is to be able to tell stories that are at once entertaining but also never lose sight of what's going on in the real world.

Donald's ego has been and is a fragile and inadequate barrier between him and the real world, which, thanks to his father's money and power, he never had to negotiate by himself.

If you were to ask me what the No. 1 lesson I learned from being on 'The Real World', and I challenge you to go back to the episodes and you will see that I'm right: I learned the myth of liberal tolerance.

Old-school viewers remain adamant that 'The Real World' has deteriorated, as if the original enterprise were some pristine experiment that got sullied as the conditions in the lab got sloppier.

If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.

When times are tough and people are frustrated and angry and hurting and uncertain, the politics of constant conflict may be good, but what is good politics does not necessarily work in the real world. What works in the real world is cooperation.

I don't really like politics that much. And I like the order and simplicity of sports. They have an ending. You can argue with your friends about it, but in the end you still like sports. I almost love the fantasy world of sports more than the real world.

If you black out the background in AR, you could make an immersive VR experience, and if you make the view translucent so you can see through it, you just have an augmented view of the real world. I think that's the ultimate and best form of display tech we'll have.

The 'Real World Challenges' were amazing. However, Hollywood, back when I was on reality shows, did not like reality shows.

In 2007, I discovered I was a father to a little boy who I did not know about. After being on MTV's 'The Real World' and traveling the world, I was greeted by a stack of papers on my doorstep informing me that I had a child.

Rooming with six strangers and having my life taped for MTV's groundbreaking reality series, 'The Real World', in the nation's most liberal city was a formative experience for a young, Hispanic, conservative, Catholic girl from the Southwest.

Ultimately, criticism that 'The Real World' has devolved into a lesser enterprise comes from the viewers who came of age alongside it, not the teens of the moment that MTV has always existed for.

When I was on 'The Real World,' I moved back to Cleveland, and I had a choice: My dad was like, 'You should stay in Cleveland and be the big name out here.' I was like, 'But no, Dad, I wanna be a WWE superstar.'

I remember sitting on my couch on a Saturday watching reruns of 'The Real World.' And it said, 'Do you want to be on 'The Real World?' Go to MTV.com, and you can try out there.' And I said, 'I want to be on 'The Real World.'' And I sent in my tape.

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