Quotes of All Topics . Occasions . Authors
I seem to get totally wrapped up in teaching and working with students during the school year. During the summer, I try to spend time in the real world, writing code for therapy and perhaps for some useful purpose.
I was totally absorbed in the real world, the politics, the history, the news, and I just couldn't find my way into the fictional world... When I finally could return to writing the novel, it was in fits and starts.
I'm a big fan of good grades. But I am going to suggest to you that you will find that the skills of a student are of somewhat less use to you once you get out into what is sometimes referred to as 'the real world.'
'The Real World' is the most predictable arc ever. They get on the show, they're all excited, we're gonna be best friends, then people start drinking and get hammered, and say stupid stuff, and that's pretty much it.
When I would hear the rabbi tell about some miracle such as a bush whose leaves were shaking but there wasn't any wind, I would try to fit the miracle into the real world and explain it in terms of natural phenomena.
I believe in education, but I think the balance has to be right between theory and practical experience. I think from secondary school onwards it should be more about preparing you for life and work in the real world.
In the real world, as lived and experienced by real people, the demand for human rights and dignity, the longing for liberty and justice and opportunity, the hatred of oppression and corruption and cruelty is reality.
I get bitter, angry and disbelieving and I tell my kids there a lot of idiots out there. I also want them to know that being successful is not the real world - that their parents get treated better because they're on TV.
I watch the weirdest things. I watch old episodes of 'Golden Girls' because my mom watches it, so I grew up watching that. Sometimes I watch reruns of 'Futurama,' which is a cartoon and not based in the real world at all.
I did well in school, was the captain of the wrestling team and the football team, and always got along well with people, so I'm sure I would have gotten a job in the real world. I probably wouldn't have liked that, though.
I was in theater school playing Lady Macbeth and doing these great dramatic parts, and then I got out into the real world and was auditioning for commercials, and just not getting to do anything that felt remotely meaningful.
That is what I'm looking forward to the most, practical learning. I want to be a registered nurse so getting to talk to people who already work in those jobs can really teach me what to expect when I get out in the real world.
I tried out for another show while I was in college so I could pay off my student loans, and it sort of led to The Real World. The same people that were casting that show were casting The Real World, so they asked me to do it.
Most great entrepreneurs I know are nothing like the other kids. They're almost like tangent lines - those lines that seem to go nowhere. Nothing connects them, until they get out in the real world. Then they connect just fine.
If I have to travel, I'm going to travel my way and travel in the real world. And I'm going to have conversations every day with people in rest stops and people in gas stations and people in hotels and diners. That nourishes me.
What I loved about my partnership with 'Quarterly' was the fact that it bridges the online world with the real world. Sometimes we see these two worlds as separate entities, and to be able to establish a bridge is very exciting.
There have been a lot of events that have made me really look at the real world, like September 11th. There are so many things that just make you realize that you're not going to live forever and that you have to enjoy every day.
All fiction relies on the real world in the sense that we all take in the world through our five senses and we accumulate details, consciously or subconsciously. This accumulation of detail can be drawn on when you write fiction.
In the real world, I see conservatives volunteering at adoption agencies, at churches, at bake sales and the local American Legion Post while the only charity a progressive sends is a smug sermon on fair share and what fairness is.
I think it's sad to me that I had to make a decision to not play the game that I feel like I'm best at and that I love. But if it was just about the game itself, I'd be there in a heartbeat. But that's not how the real world works.
I think for anything to change, in the real world, people have got to change on the inside and that's what we want to start, to get people to think and do more themselves and get involved in whatever they want to get involved with.
My fiance and I had a few problems working through some of the things that he saw me say and do on the 'Surreal Life.' Considering the company that I was in, Ron Jeremy and Trishelle from 'The Real World,' I think I was pretty tame.
'Lost' was filmed in Hawaii, so we stayed there and loved it, so we thought, 'Why would we leave?' It is a bit like growing up in a bubble, but I don't think that's a bad thing, as you will eventually get out and see the real world.
Do we believe that there is equal economic opportunity out there in the real world, right now, for each and every one of these groups? If we believed in the tooth fairy, if we believed in the Easter Bunny, we might well believe that.
I would like my kids to go to college and be exposed to the real world and to make their own decisions and find their own path instead of sending them somewhere where they would be creatively conditioned for one life path or another.
When I go on stage man I just want people to have fun, I don't want people to think about their problems, I want people to get energy and nutrition and food from that so they can go back into the real world and work on their problems.
By the time I received my doctorate in American studies in 1957, I was in the twisted grip of a disease of our times in which the sufferer experiences an overwhelming urge to join the 'real world.' So I started working for newspapers.
In the film world, we can all be heroes. In the real world, where heroism can cost you your life or the life of the ones you love, people aren't so willing to make those sacrifices. When they do, they are set apart from the rest of us.
The real world is far too complex and unpredictable to make something like the idea of humanity controlling its own evolution or engineering itself - well, I wouldn't say impossible but it should be approached with a degree of caution.
I'm not a fan of simulations. Where, 'Oh, we'll go play a simulation of world peace and figure out how to make peace' and then somehow magically that will get translated into the real world. No, that's not the kind of games that I make.
Sometimes films might not work, but you as an actor should keep working. Because no matter how much you panic about how your film didn't work, eventually, when you step out in the real world, there are people who value you as an artist.
In the real world, I kind of, like, thrived a little bit. The things that were awkward about me at school, like being hyper passionate... I realized, 'Oh I'm my own person, and I have my own idiosyncrasies and nuances that I don't mind.'
It started getting too crazy with 'Earth A.D.' The concepts started becoming too brutal and violent. It was less about fiction and more about the real world, the past, present, and future. I think a lot of people got freaked out by that.
Popstars really draws you in. It's fascinating. It's interesting to watch people thrown together in that kind of a situation. Even if the egos weren't involved and they weren't trying to be world famous. It's the Real World, only better.
I used to hate iPhones. Before I got an iPhone, I used to be like, 'What are you doing, sitting there on your phone. Join the real world, man.' I categorically disliked iPhones. When my friends got an iPhone, I was like, 'Oh, we lost him.'
If you look at why people are paid to do things, it's because they're creating a good or delivering a service that's valuable to somebody. There's just as much potential for that in these virtual environments as there is in the real world.
People who are in politics to be right all the time would be better off taking up fly-fishing. It's less dangerous. Politics that is not applied in the real world and doesn't address the real challenges and paradoxes and agonies is a hobby.
The argument about the need to regulate the digital space has to be weighed against freedom of expression in our society, whether we are interacting in a virtual world or in the real world where we have the growth of so-called 'safe spaces.'
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
As with real reading, the ability to comprehend subtlety and complexity comes only with time and a lot of experience. If you don't adequately acquire those skills, moving out into the real world of real people can actually become quite scary.
College is supposed to be a place that prepares its students for the real world. That's the entire purpose of attending! Learning how to be an engaged citizen is something that should be encouraged in this kind of environment, not restricted.
There's a little bit of protocol in the real world which is quite important. If you speak to me, we understand that we've entered into a social contract. But sound that you haven't given permission to receive is noise, and generally unwelcome.
Hard work, years of sacrifice, and dedication are necessary to succeed in the real world. Snowden's most notable accomplishment was lying about his military service, his experience, and education to procure a job with the NSA in the first place.
I've written a detective series myself, set in an imaginary, and slightly futuristic, Chinese city. The novels have an extremely tenuous relationship with the real world, since the hero is the city's Hell and ends up with a sidekick who is a demon.
My life could have easily gone another way. But I had this one teacher who gave me direction and got me into performing. She got me into touring with an educational play called 'The Inner Circle' along with Pedro Zamora from MTV's 'The Real World.'
I have nothing but the best memories of growing up in New Jersey. Of course, I grew up in a nice town, a suburb. But Tenafly was right next to Englewood, which had a tremendous amount of racial tension in the '60s. So I was aware of the real world.
If you want to send a manuscript, send it to an agent. And send a letter first, asking permission. Launch it into the real world of cold-blooded commercial response, not into the fantasyland of wishful thinking, cowardice and surrender to Resistance.
What does the future of 'Westworld' look like? I don't necessarily think that we've seen the last of these artificial worlds that are central to the concept of our series as a whole. But the major lens that we will have is going to be the real world.
A lot of the surreal writing that I love is really dreamlike. Like Murakami. He uses the real world, and it's pretty recognizable, but its populated by these strange visitors, or it has these underground spaces. I was always really compelled by that.
I would vote for the man who's lived life, who's done different occupations, who's been out in the real world and struggled to make a living, struggled to raise a family, struggled with life as it exists. So I'd vote for experience, honest experience.