Quotes of All Topics . Occasions . Authors
I think what drives me is a sense of, well, who is going to do it if you don't do it? I think that one of the things that we've seen over time, especially with progressive social movements, is most of them - it's surprising to people - are sort of driven by that.
I think any film that is based on life or real events you want it to be accurate but what really matters is that it's truthful. That is not always the same thing. You really want to convey the spirit of the enterprise rather than ticking every single factual box.
The most critical case in a corporation, especially a big one, is when everything goes well, when you have accomplished your objectives. When the temptation is to work twice as hard instead of saying, "We have accomplished our objectives, we have to think again."
I think Prince should open up a little more to other artists. Just because we love Prince. Especially the old stuff - we love him to death. But if he opened up he would be something to deal with. Imagine Kanye West producing a Prince track? It would be banoodles!
I think it's the next thing, getting out of the comfort-zone readership, that at some point you have to try and break out of that and see if you can go in new directions. I wanted to do something that felt a lot bigger than a book that's going to sit on a toilet.
Maybe because we're women, we have a very high respect level for each other. And when you do have ownership, you're going to make it the best it can be. And I think that's a really - although subtle - very important point in - when you're doing anything creative.
Everyone in my life thinks I'm competitive because I want to win, but it comes from me wanting everyone to have a good time. And when I see that people aren't enthused, I try to make it really uncomfortable for everyone so they get enthused and want to play hard.
Now, more then ever, we have the ability to make films for almost nothing and that's broken down all barriers of entry. I think it's a new golden age of film-making. With that, there needs to be the ability to recoup investment dollars, people need to make money.
Even though I was painted, even though I had on seven layers of paint - to the point that I got a tan, it was as thick as a fabric - I think I felt the most naked because I couldn't cover myself at all. I didn't have to, so I had to be much more open and relaxed.
One thing you think about when you do get nominated is that there is a coalition of people that think you performed okay in the role. You start to think about how much of a blessing it is to have your peers and then people outside of your peer group to say bravo.
I think that lawyers are terrible at admitting that they're wrong. And not just admitting it; also realizing it. Most lawyers are very successful, and they think that because they're making money and people think well of them, they must be doing everything right.
I don't have anything against either of the Dead movies, The Texas Chainsaw Massacre, none of those movies. If it scares somebody, I think that it is serving a valid purpose. It is doing what the filmmaker intended. But, it is not something that you hand to kids.
I think a good study of music would be indispensable to the animators - a realization on their part of how primitive music is, how natural it is for people to want to go to music - a study of rhythm, the dance - the various rhythms enter into our lives every day.
Critics of consumer capitalism like to think that consumers are manipulated and controlled by those who seek to sell them things, but for the most part it's the other way around: companies must make what consumers want and deliver it at the lowest possible price.
I think it's obvious why someone wouldn't personally want to see these words on their feed, but I'm also concerned about the overall negative environment created when the comment section becomes a battleground for people to bully each other. I signed up for this.
A narrative thread gives people permission to think about other things whilst being carried by its flow. It does not mean that one has to compromise one's vision, or question formal concerns. It's just being more subtle and clever by having one accessible thread.
I think everything we do, on one level or another, as writers, most of our writing is informed by our world view. It's informed by our own understanding of spirituality; things that matter, things that are important to us. I write about things that matter for me.
I still do one song by myself onstage. it gives people the extremely personal thing where it's just me on guitar. But, I think the songs are better as a band. I think with all of the extra little hooks and backing vocals, it just adds to what my initial idea was.
It was so big, that view. I’ll never remember it properly. How can anyone remember something that big? I don’t think people’s brains are designed for memories like that. They’re designed for things like phone numbers, or the color of someone’s hair. Not hugeness.
I was studying with Stella Adler, who was a great, great teacher who encouraged me to be an actor. I had thought I would just write or direct or whatever. I wasn't thinking very much of Hollywood. I was thinking only of the legitimate theatre. But then I changed.
I think people imagine that I have about five scripts sitting in front of me and I say, 'I think I'm going to go with the super hero thing and after that I'll wrap it up with some more sci-fi and then do a romantic comedy.' But it doesn't quite work out that way.
It's true that I wouldn't have written the first book had my sister and mother been alive. It was my way of continuing our conversation. It's also this Jewish thing of naming and remembering people, and I think there is a sense of keeping that side of life going.
I think that now is the moment for us to rededicate ourselves to learning the truth about what happened on February 21st [when Malcolm X was killed]. The place to begin is to make all evidence public, and we have to begin with the federal government, and the FBI.
People really want to believe that there is no fiction. I think they find it much easier to imagine that novelists are writing memoirs, writing about their lives, because it's difficult to conceive that there's a great imaginary life in which you can participate.
You start at a young age, going on auditions, and you think you did a good job and expect to get that role, and you don't, and it's a letdown, a disappointment. So you tell yourself to just do the work and disconnect, because you have no control over the outcome.
I believe devoutly that the national election is the closest thing we have to a civic sacrament of democracy. And I really do think that heed must be paid, and when people make a decision, those who are on the other side, including me, accept it, for that reason.
Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.
Nobody is perfect, though. We all want everyone to think we are, but perfection is some crazy mythical state that we can never achieve. It is a goal beyond our grasp, always shifting and changing and taunting us, because it knows...it knows we can never reach it.
I would have issues with directions songs were taking, but I never heard one of Carlos' [Dangler] basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.
I think that films or indeed any art work should be made in a way that they are infinitely viewable; so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
Terence McKenna says, "The culture is not your friend." I am not sure we can change this culture. But I think we can rise above it and create a new world. That's why I so deeply believe in alternative spaces. That's why I believe in the power of art and activism.
I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him forever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it.
My hearing has suffered seriously; just now I am obliged to have the assistance of an ear trumpet. Think of that, my beauty! - There 's a state for your old Lover to be in! - No more tender whisperings! Imagine sweet confessions to be made through an ear trumpet!
I think everybody has a point where they're not going to cross that line. There were a couple of things with Comedy Central that we had to fight for. They were pretty cool about everything. I don't think there was anything we really fought for that didn't happen.
When I get the strength to leave, you always tell me that you need me. And I'm weak cause I believe you and I'm mad because I love you. So I stop and think that maybe you could learn to appreciate me, and it all remains the same that you ain't never gonna change.
When I make a documentary I shoot very little but I hang around with my camera for a long time. I look at the people for a long time through the loop and then when I see something interested then I shoot. I think that I have become very sensitive to these things.
I really didn't know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde. I was born with religion. At the age of six I was already sure I was the last prophet. This was few years before the revolution.
There is no international problem that can be addressed or solved without the engagement and leadership of the United States and everybody in the world knows that, its just fact of life. So sometimes I think we could conduct ourselves with a little more humility.
What hasty preparations we make for our future. Think of it: it seems almost tragic, the things we're sure we ought to bring along. We pack too heavy with what we hope we'll use, and too light of what we must. We thus go forth misladen, ill equipped for the dawn.
If anything, it's a little intimidating because there's usually a lot of brilliant work and a lot of brilliant ideas out there that you wish you had thought of, or that you just admire for the originality of it or the difference from what you've been thinking of.
Thus, when the lamp that lighted The traveller at first goes out, He feels awhile benighted, And looks around in fear and doubt. But soon, the prospect clearing, By cloudless starlight on he treads, And thinks no lamp so cheering As that light which Heaven sheds.
She silenced him with her mouth, then pulled back. "You can't change what I think of you." He reached up and brushed her lower lip with his thumb. "If you truly knew me, everything you believe would change." "Your heart would be the same. And that is what I love.
I think that that Davis Cup final made me much stronger mentally. And this preseason, I was working really hard. So today, I was really believing in myself that I can win the match anyway, that I'm going to five sets. That's so important, no, believe in yourself.
Having a kid, it makes you slow down; when you're walking with a toddler to pick up a leaf it can take a half hour. You've never spent that time looking at a leaf before, having that kind of interaction. So I think it does make you change the way you look things.
The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.
I think we have to be accepting of one another, and we have to appreciate what every culture has given us and name that and accept that and empower and encourage that. I really think that's what it comes down to. The images won't change until we make them change.
I would say that I'm a really eclectic music lover, so I love the fact that one month I will be doing one kind of music and the next month I will be doing something very different and I think that really works for me in terms of my own personal tastes and styles.
I think the way the greens are, you need to be very accurate with your irons. Whether there's wind or not, the most important thing out here is being able to control the distance of your irons and the direction. I've done that pretty well the last couple of days.
What art should do, I think, is advance the generation into the next era. It should be one step ahead of the ordinary, ahead of what is already known. Art is what pulls on the next age. I’m not saying that my art is that, but that it would be good if it could be.
It would be a nice way to finish my career by remembering that I batted cleanup in the game in which my team won the World Series. But I now am convinced that I can still help, and if the right situation presented itself, I would have to think seriously about it.