Quotes of All Topics . Occasions . Authors
I don't have to go back to Australia until next year to finish shooting [the "Matrix" sequels]. It actually works out great, because I have the time needed to support the album and tour. ... It's kind of hard juggling both of them, because it's double the workload. But the way I look at is I just let it work itself out, let it flow. If I don't think about it, it won't drive me crazy.
Girls are freer to express their femininity and their sexuality and we're not tamping that down or denying it anymore. But it ends up putting them, first of all, in this box. And secondly, premature sexualization of girls actually does the opposite of what people think it might; it actually disconnects them from their sexuality and makes for decreased sexual health as they get older.
Marriage isn't a contest to see who is most often right. Marriage requires being what the Japanese call 'the wise bamboo,' which means you bend so you don't break. Treat your spouse with the flexibility and respect you would give to a top client. Think how we treat clients; We smile, we are polite, we listen to their ideas. Never forget that your spouse is your most important client.
Every coach, every executive, every leader: They all know right from wrong. Even those Enron guys. When someone uncovers a scandal in their company, I don't think they can say, "I didn't know that was going on." They're just saying they're too dumb to do their job! And if they really are too dumb, then why are they getting paid millions of dollars to do it? They know what's going on.
I want to tell everyone, 'You're perfectly fine right now.' No one told me that.. I hope people can think, 'I'm great the way I am. I'm doing fine. Even if I can't reach the criteria of success measured and necessitated by society, even if I'm weeded out, I'm beautiful the way I am. I'm pretty, I'm perfectly fine without having to think about other people's opinions and stereotypes.'
Recently it's become much to my surprise, something that does happen. For example, I used to get almost all of my stories, and it's probably still true, from newspapers. Primarily from The New York Times. No one ever really thinks of The New York Times as a tabloid newspaper and it isn't a tabloid newspaper. But there is a tabloid newspaper within The New York Times very, very often.
It’s not the body that people love, but the soul. The body is a temporary vehicle. Without the soul, the body is like a car without a driver. I see through my eyes, smell through my nose, taste through my tongue, hear through my ears, feel through my skin, think through my brain, and love through my heart. But who am I? Who is the witness, enjoyer and sufferer that activates my body?
I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.
I think there seems to be a need for escapism at the moment. Maybe that's the type of world we're living in. It's a sanctuary, in a way, where you can immerse yourself in something that doesn't exist, whether that's TV shows or comic books or novels. it's not solely down to magic and vampires - that's in at the moment. but escapism, being a part of other worlds, is very good for you.
I want to be the person that is the first person there and the last person to leave. That's who I want to be, because I think the road to success is through commitment, and through the strength to drive through that commitment when it gets hard. And it is going to get hard and you're going to want to quit sometimes, but it'll be colored by who you are, and more by who you want to be.
I'm still exploring. As I look back, Nénette Et Boni had a massive effect on the album we made after it, Curtains. I think it's been like that all the way through. Trouble Every Day had a massive effect on Can Our Love... I think it's allowed us to raise our heads, take a bit of a left turn, explore different avenues, and then come back to our own thing and see it in a different way.
Placing a time limit on affirmative action would in all likelihood blunt the orchestrated politics of controversy that now bedevils it. And thinking about phasing it into a class-based entitlement program may at long last bring Americans around to a consideration of the growing inequality that threatens the harmony of our democracy far more than the alarmist cry of 'racial division.'
Every record we do there are always two camps. There's the camp that's like, "I love it. It sounds different than the last one." There are the people that are like, "I want it to sound like the last one." You can't please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
I think my image gets distorted in the public's mind. They don't get a clear or full picture of what I'm like, despite the press coverage I mentioned early. Mistruths are printed as fact, in some cases, and frequently only half of a story will be told. The part that doesn't get printed is often the part that would make the printed part less sensational by shedding light on the facts.
The idea that God will pardon a rebel who has not given up his rebellion is contrary both to the Scriptures and to common sense. How horrible to contemplate a church full of persons who have been pardoned but who still love sin and hate the ways of righteousness. And how much more horrible to think of heaven as filled with sinners who had not repented nor changed their way of living.
I think that we need to begin talking about what does it mean to create these safe spaces in our communities, to begin welcoming one another into our homes and into our communities when they're returning home from prison, people who are on the streets. We need to begin doing the work in our own communities of creating the kind of democracy that we would like to see on a larger scale.
Euphemisms are not, as many young people think, useless verbiage for that which can and should be said bluntly; they are like secret agents on a delicate mission, they must airily pass by a stinking mess with barely so much as a nod of the head, make their point of constructive criticism and continue on in calm forbearance. Euphemisms are unpleasant truths wearing diplomatic cologne.
It's hard to say. Whenever you play with a group of people for a long time it influences the way that you play with others. They were all very defining in their own way and all affected the band in one way or another. I don't think they are so obvious in the music. The fact is that The Lawrence Arms is the culmination of a long search of trying to find people who play well as a unit.
And all that weirdness isn't just going on outside. It's in you too, right now, growing in the dark like magic mushrooms. Call it the Thing in the Cellar. Call it the Blow Lunch Factor. Call it the Loony Tunes File. I think of it as my private dinosaur, huge, slimy, and mindless, stumbling around in the stinking swamp of my subconscious, never finding a tar pit big enough to hold it.
I think people are drawn to characters that break the rules. I think there is something about a good person doing bad things for what they consider to be a good reason. Then the battle is on to almost prove to the audience that it's justified. How far can you go with that? How far can that character go before people won't accept it? Trying to walk to edge of that line is a challenge.
I realized that if I went snowboarding, you can't think of anything else when you're snowboarding. You can't hesitate or think about anything other than not falling off and breaking your neck. If you want a holiday where you're not gonna think about work and you're not gonna think about anything, snowboarding is the best way to do it. Or skiing, I guess. I don't ski, so I don't know.
We're so screwed up with our principles. We used to mock Japanese game shows where they ate bugs. Now we're doing the same, if not worse. It's terrifying... It seems the better the quality, the more you're penalised... There are some very good people in television, but a lot of fools running it. They put fame ahead of talent and think someone from 'EastEnders' will put bums on seats.
I don't know what's going to happen. But I will say this, you're going to have a lot of very unhappy people. And I think, frankly, for the Republicans to disenfranchise all those people because if that happens, they're not voting and the Republicans lose. If they - if the Republicans embraced these great people that are showing up, the Republicans are going to have a massive victory.
Nations do not think, they only feel. They get their feelings at second hand through their temperaments, not their brains. A nation can be brought -- by force of circumstances, not argument -- to reconcile itself to any kind of government or religion that can be devised; in time it will fit itself to the required conditions; later it will prefer them and will fiercely fight for them.
The earth is for joy, and dancing is a big part of that. And you dance with nature. Nature is always dancing. If you're not harassing it and killing it and mutilating it, nature is dancing. That's what the leaves are doing when the wind blows through them. We live in a magical wonderful universe. And just spoil it while thinking we can at some point go to heaven or some other planet.
Something you hear a lot is that feminism dead. But if feminism is dead, why do people try so hard to kill it? Something just isn't making sense there. So I think when young women hear like, hey, someone's trying to get something over on me, you know, someone's trying to deliberately keep me away from a movement that could make my life better, I think that really resonates with them.
What I've always wished I'd invented was paper underwear, even knowing that the idea never took off when they did come out with it. I still think it's a good idea, and I don't know why people resist it when they've accepted paper napkins and paper plates and paper curtains and paper towels-it would make more sense not to have to wash out underwear than not to have to wash out towels.
You don't have to fit into a particular box. You fit into a box that you're comfortable in, and you'll attract people with like minds. It took me a while to figure this out, but there are many ideals. You have to figure right what's best for you and that will radiate out of you. I think a certain amount of letting go and being brave and not being afraid to make mistakes to get there.
Maybe in my personal life, but as far as my career, I've been offered some humongous things in my career and didn't take them. I look back and think, oh man, well I'd have been well off monetarily wise, but artistic wise I don't know. I'd have to say, personally, in my personal life, yeah, but in my musical life, on twenty-twenty hindsight I would say just take the good with the bad.
[Marla, Shar and I] all have had very public breakups, so I think people know they can relate with us in one way or another. And this is one of the few reality shows where they didn't have the cameras right in people's faces. Like when we were sitting around the table talking with the divorced people, the cameras were way back. And we just listened. Sometimes people just need an ear.
American culture has a lot of great moustaches in its history. Mark Twain had a great moustache, Charlie Chaplin, Ben Turpin ... but Zappa, he's got the best moustache in American history. Got the moustache, right, and he's got that little thing on his chin, I think it's called an imperial, that is, like, the coolest thing. That's like one of the great icons of the twentieth century.
The best reason to paint is that there is no reason to paint... I'd like to pretend that I've never seen anything, never read anything, never heard anything... and then make something... Every time I make something I think about the people who are going to see it and every time I see something, I think about the person who made it... Nothing is important... so everything is important.
I pictured the two of them alone. Perhaps showering together, as Rome and I liked to do. My stomach clenched painfully, amusement forgotten. “Cody, will you take me to the nearest clinic? I need someone to dig the knife out of my back. Lexis might need it again. And the good doctor might want to give me a tetanus shot. I think she bled on me.” Stunned silence. I often had that effect.
The only dating advice I have to offer is: Expect the guys in your life to be kind and respectful. Don't make excuses for garbagey behavior-'Oh, that's just what guys are like.' It isn't true. Expect them to be good, treat them like they're good. And if they're garbagey, move on. Don't let your world get cluttered up with people who think they have some gender-based right to be awful.
Any black person who clings to the misguided notion that white people represent the embodiment of all that is evil and black people all that is good remains wedded to the very logic of Western metaphysical dualism that is the heart of racist binary thinking. Such thinking is not liberatory. Like the racist educational ideology it mirrors and imitates, it invites a closing of the mind.
In my first class at the University of Kentucky, my American Literature professor came in, and the first sentence out of his mouth was "The central theme of American Literature is an attempt to reconcile what we've done to the New World." wrote that down in my notebook, and thought, "What is he talking about?" But that's what I think about now. The New World and what we've done to it.
When you start doing comedy, you think to yourself, "I want to be a headliner." And you become a headliner, and you're like, "Oh wait, this isn't what I meant. I meant I want to be a headliner that's famous enough that people come see me specifically." And that's a huge leap, because most of the time most of the audience is there to see comedy in general. They're not there to see you.
Marriage is a really scary thing. I'm excited about it. I know it's not a mistake, it's the absolute right thing to do. I'm really happy about it. I really, really love my fiancee. We're good friends and I think it's going to work. But that's just the point - it's going to take work. It does make me feel vulnerable to be like, wow, I'm committed to this person for the rest of my life.
You know, when Arnold Palmer came on TV with an old tractor and told me to buy Pennzoil, I bought that, and when Dale Jarrett advertises UPS, I can go along with that, too. But I don't think having an 18-year-old, somebody who's probably gotten five packages in his life and they were all 'Girls Gone Wild' videos, tell me what delivery service I should use would have much effect on me.
I think they [TV productions] were just kind of drying up. I'd done a couple of episodes, but nothing was happening. So I went to Vancouver to visit a buddy and see what was going on, and that year was crazy. Vancouver was on fire at that point. It was all these Stephen J. Cannell productions - The Commish being one of them - and in one I was a bartender, and I think I had five lines.
Ordinary Americans, and especially the small minority active in Democrat and Republican primaries, must learn more of what people across the globe are thinking and saying about the US. For if you follow that, you realise that the erosion of American power is happening faster than most of us predicted -- while the politicians in Washington behave like rutting stags with locked antlers.
I think if you look at the things that Donald Trump has done that has satisfied conservatives. The fact that he still believes that he is their guy and then add to that the fact that Democrats don't have any sign of a competent effective leader that can marry their cultural left and the economic left going into 2020, I think Donald Trump stands a pretty good chance of being reelected.
Oh yeah brother I was right they started in with that mormon vudo right off the bat as soon as we walked in everybody was friendly. One of them who later became known to my family as the amazing Mr. Plastic Man even told me that he loved us. Please there are times I don't even like us how could you possibly love us. I was thinking spend some time with me pal and I'll cure you of that.
My only talent is that I have a so-called big engine. I can attack on successive days - well maybe now not so often - or ride tempo at the front of the peloton for a week. I'm not a climber or a sprinter. Whatever makes the race sticky, fast and difficult is good for me. I'm just a big motor - I think I'm allowed to say that - and a fighter. I'll do whatever it takes to make the race.
In general, American life is more easy-going. And civic pride, national pride in a cultural sense, is great in America. I think what they esteem in America is character and energy, and being different and superior to other peoples. Of course, every nation feels itself to be superior, but in America it's a jaunty feeling, and in some cases a rather ominous one among the super-patriots.
I don't see a lot of studio executives caring at all about what the culture is telling us. They think they make the culture. They're not out taking the temperature of things and using the results of whatever sort of cultural surveying they're doing to make movies. They're interested in doing things that people are already comfortable with, and taking those properties and filling them.
I definitely had one guy come up to me and ask if I knew where to get DMT. He had a crewcut and he didn't look like he'd ever done a drug in his life. He didn't seem curious he seemed like he wanted to get me to do something. Like "You're the laziest narc ever dude. This is ridiculous. What, do you think I bring drugs around with me? Are you retarded? Why don't you go find gangsters?"
I think movies in general should have more respect for the audience than they do. Too many films are afraid to confuse people, so all the information is given to them right away, and there's nothing left for the film to do. It ruins many stories, because everything becomes obvious and predictable. I want my films to engage people more and make them more actively involved in the story.
I think you want to do as much as you can for your fans. I take as many opportunities as I can when it comes to media and interviews and autograph sessions and things of that nature - as long as it's not interfering with the schedule and how much inexperience you can get on the track. When it starts to cut into that, it's kind of defeating the purpose. So that's where I draw the line.
I think that one of the positions we have taken around the question of race, is that we already know. We know. We know. We know. And so we don't need to look at it again. And yet everybody is still upset. Everybody is still being driven by their outrageous imagination to the point of killing people because they feel that a black man in front of them is a demon, or the Incredible Hulk.