Quotes of All Topics . Occasions . Authors
I love Brooke Shields. She's developed into a wonderful actress and a wonderful person. We were all babies then in Brenda Starr. That's why when people say, "What did you think of that film?" I can't do what people do and say, "I hated it." I can't speak ill of a film, because it's so hard to make a film. Everybody thinks we're sitting by a pool peeling grapes, and this is not the case. It's hard. It's hard to do this stuff - and getting harder!
Sorrow is God's plowshare that turns up and subsoils the depths of the soul, that it may yield richer harvests. If we had never fallen, or were in a glorified state, then the strong torrents of Divine joy would be the normal force to open up all our souls' capacities; but in a fallen world, sorrow, with despair taken out of it, is the chosen power to reveal ourselves to ourselves. Hence it is sorrow that makes us think deeply, long, and soberly.
I don't know about [Rex] Tillerson, but I do know that John Bolton doesn't get it. He still believes in regime change. He's still a big cheerleader for the Iraq war. He's promoted a nuclear attack by Israel on Iran. He wants to do regime change in Iran. So, I think John Bolton is so far out of it and has such a naive understanding of the world. If he were to be the assistant or the undersecretary for Tillerson, I'm an out automatic no on Bolton.
I suppose in some ways, all over the world "crazy" is a term of abuse and I think that is something that should be stopped. In Ireland "crazy" is a term of abuse and people are terrified of anything that they conceive to be crazy. And the people believed to be crazy won't be treated compassionately, they will treat you horribly and use it as a reason to dismiss anything you would think, do, say or feel, so you're rocking into a self esteem trap.
I think a lot of people don't take you seriously if they hear it's a video-game-based movie, and a lot of press people don't write about you. With BloodRayne, a lot of serious newspaper people didn't actually even see the movie. They went online to see other reviews, and then wrote their own. I think comic-book-based movies have a better image. We see it with 300, Sin City, Spider-Man - they are A-list features, and video-game movies are B-list.
When you make a record, you probably are not going to hit exactly what you were aiming for. You also have to let go at a certain point, and just trust it. I remember feeling we had fallen short, or that it had fallen short. At the same time it was great to see a good critical reaction to it, and to hear people were enjoying it, which made me think, "Well, maybe it's a good thing I didn't get exactly what I wanted." Now we're testing that theory.
When Christopher finished, there was a moment of silence. Leo looked at Cam expectantly. “Well?” “Well what?” “Now is the time when you dredge up one of your blasted Romany sayings. Something about roosters laying eggs, or pigs dancing in the orchard. It’s what you always do. Let’s have it.” Cam gave him a sardonic glance. “I can’t think of one right now.” “By God, I’ve had to listen to hundreds of them. And Phelan doesn’t have to hear even one?
We've been growing our readership every month, and we're kind of like, where are they all coming from? This is wonderful! And I think one of the best surprises was that you hear so often that young women don't care about feminism, that young women don't identify as feminists. But really, the majority of our readers are young women. So to see so many young people kind of get involved and really take to Feministing.com was a really exciting thing.
What I try to do is to make your face look like it did when you were younger. I always tell people it's not just about filling in the lines, but re-creating the shape of your face as it was in your early- or mid-twenties. People see the lines as they age but they don't see how their shape is changing. I think it's all about restoring the contours. You can fill in a line and it makes you look a little better, but it doesn't make you look younger.
I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.
Everyone who's been in space would, I'm sure, welcome the opportunity for a return to the exhilarating experiences there. For me, a flight in a shuttle, though most satisfying, would be anticlimactic after my flight to the moon. Plus, if I pursued a flight myself, people would think that was the reason I am trying to generate interest in public spaceflight. And that's not the purpose - I want to generate interest in long-range space exploration.
Cultural speciation had been crippling to human moral and spiritual growth. It had hindered freedom of thought, limited our thinking, imprisoned us in the cultures into which we had been born. . . . These cultural mind prisons. . . . Cultural speciation was clearly a barrier to world peace. So long as we continued to attach more importance to our own narrow group membership than to the ‘global village’ we would propagate prejudice and ignorance.
The word 'ivory' rang in the air, was whispered, was sighed. You would think they were praying to it. A taint of imbecile rapacity blew through it all, like a whiff from some corpse. By Jove! I've never seen anything so unreal in my life. And outside, the silent wilderness surrounding this cleared speck on the earth struck me as something great and invincible, like evil or truth, waiting patiently for the passing away of this fantastic invasion.
It's amused me the writers who have assumed that I was referring to a hateful quality of society in the '80s. I think that degree of hatefulness is pretty much steady throughout human history. To me, it's just an amusing sense of self-deprecation - my hateful years. It was entirely personal; it was my personal, hateful years, when I most overtly tried to lash out at society. As I used to say: it was an attempt to burn society down to the ground.
I think it's so important that you understand what you're trying to accomplish, what you're trying to say. Timelessness is never a thing I think about. If you try to make things timeless, you can end up with things that are neither exciting nor timeless. It's sort of like aiming for the middle in a way. At the same time, I never want to have to use the word trendy because it's not really what interests me. That's something that is gone tomorrow.
The idea of human rights and freedoms must be an integral part of any meaningful world order. Yet, I think it must be anchored in a different place, and in a different way, than has been the case so far. If it is to be more than just a slogan mocked by half the world, it cannot be expressed in the language of a departing era, and it must not be mere froth floating on the subsiding waters of faith in a purely scientific relationship to the world.
It is odd to think that there is a word for something which, strictly speaking, does not exist, namely, "rest." We distinguish between living and dead matter; between moving bodies and bodies at rest. This is a primitive point of view. What seems dead, a stone or the proverbial "door-nail," say, is actually forever in motion. We have merely become accustomed to judge by outward appearances; by the deceptive impressions we get through our senses.
For me, coming to a fashion house and bringing my love and respect to it - and, hopefully, earning the love and respect of the house - is the only way to do it. I think of it as my own house in that sense as well. So I like not working from a blank piece of paper. I like that there's something from the past, some kind of identity that I have to work with. There are these good ghosts around, these good energies that kind of reinforce what you do.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
It's hard for comic actors used to pulling faces just to be on screen, but Tina Fey does a good job. I liked watching her. The part, though, isn't filled in. When Baker announces that she's gotten too used to the madness of Afghanistan, that she's worried she's thinking of it as normal, the sentiment comes out of nowhere. The dramatic arc in "Whiskey Tango Foxtrot" is nonexistent. The movie evaporates in the mind like water in the Afghan desert.
I think there's always pieces of yourself that bleed into your character. That's inevitable. In some ways, we have similarities, but in other ways, we're completely different. It's hard to say because I'm an actor living in a world where we're all pretty privileged, and this guy is fighting for his life. They're very different circumstances. Within those circumstances, there are probably ways that we react to certain situations that are similar.
Starting now, you're just starting to see a glimmer of what the idea of West will mean. So right now, at this age and with this visibility and with the skill sets that Kim is now giving me, I think I have a good chance of success in building something that has longevity, high integrity, high success rate, and is very fulfilling, not only for me creatively but also in adding fulfillment to people's lives. Adding ease. Adding wonder. Adding magic.
With my career, everything I do is me. There's no one that handles telling me what I should be about or how I should dress or anything. I'm hands on with absolutely everything. When I'm writing a song, I'm already thinking of the visual for the song and I'm already thinking of what I'm going to wear in that visual and what I'm going to wear when I perform. It all goes hand in hand. Everything I do is just me expressing different sides of myself.
I think that when you're writing plays, and I think it's also true with novels, it helps to have an ear for the music of language, for what we call poetry, for the sound effects and the way that the sound can produce sensual feeling at odds with or consonant with the content of the work. Your work is also gorgeous writing. It's very unfortunate when you open a novel that everybody's loving and it's just, you know, an excruciatingly bad sentence.
I guess I've always had such an identity crisis when it comes to other people's understanding of me. I don't feel it in myself but from an outsider's point of view, I can see they must be thinking, "Who the hell does this guy think he is?" But recently I've been thinking, okay, a white guy can't sing soul, but would a black person be made exempt from singing opera because it's not a tradition that belongs to them? It's the same kind of argument.
I found myself thinking about the distance between the 60s and today through certain moments. Like the Henry Flynt interview with Ubuweb founder Kenny Goldsmith, where he talks about how he was scarred by how proud John Cage was to be ignorant of popular music. Goldsmith says, "Nobody thinks twice nowadays about listening to everything!" Something that had seemed so uniquely, radically syncretistic in Flynt's day seems much more commonplace now.
I think a woman's opinion on what her man smells like is very important, so I like to let a man know what I think about how he smells. I think going by personality is hard when trying to find a fragrance for someone else. It should come down to what smells good to you. I would tell my man, "Hey babe, I bought this new cologne for you," in the nicest possible way. But a man has to smell good. And not too much - just a little, that's all you need.
Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.
What work do I have to do then?" said Will, but went on at once, "No, on second thought, don't tell me. I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you might say, I'll always be thinking about it. And if I do end up doing that, I'll be resentful because it'll feel as if I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
I think that the whole idea of ‘no regrets’ was always a silly idea to me, because of course I regret all the places I went wrong, but that’s what creating anything, and being human, is all about. Of course if I could go back and knew what I know now, I absolutely would do it differently, I’d do it the right way, but part of being human is that we can’t go back, we can only hope that if we come across that moment again, we’ll do it the right way.
Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.
When I was 16, my friends and I were all starting to think about what we were going to do with our lives, and I started picturing myself majoring in dance at college traveling around with a contemporary dance company, and it didn't excite me as I thought it would all those years. I was just thinking about the things that I loved most about dance, which was entertaining and telling a story, and that's when I kind of opened my eyes again to acting.
If this being is omnipotent, then every occurrence, including every human action, every human thought, and every human feeling and aspiration is also His work; how is it possible to think of holding men responsible for their deeds and thoughts before such an almighty Being? In giving out punishment and rewards He would to a certain extent be passing judgment on Himself. How can this be combined with the goodness and righteousness ascribed to Him?
We must see ourselves in community with all other people at local, national and global levels. While this may seem superficially easy, it is actually not. Western culture, now globally dominant, has systematically trained us to think and act as though we are separate individuals, often in competition with each other for scarce resources of one sort or another, primarily money, which has be-come the perceived means to all we want and need in life.
We think of prices as simply the notation of how much we must pay for things. But the price system accomplishes far more than that. Hundreds of millions of people buying and selling, and abstaining from buying and selling, generate a system of signals - prices to producers and consumers about relative scarcities and demand. Through this system, consumers can convey to producers their subjective priorities and entrepreneurs can invest accordingly.
My mother gave me a piece of bread, which was love and encouragement. The correction was the meat, the substance. And then she would sandwich that, sandwich that with another piece of bread, which was love and encouragement. That was very important in shaping and molding our morality, our understanding of ourselves, making sure that we didn’t think we were better than or less than anyone, feeling no more worthy or no less worthy than anyone else.
Each part of the mind sees only a little of what happens in some others, and that little is swiftly refined, reformulated and "represented." We like to believe that these fragments have meanings in themselves - apart from the great webs of structure from which they emerge - and indeed this illusion is valuable to us qua thinkers - but not to us as psychologists - because it leads us to think that expressible knowledge is the first thing to study.
Condemn no man for not thinking as you think. Let every one enjoy the full and free liberty of thinking for himself. Let every man use his own judgment, since every man must give an account of himself to God. Abhor every approach, in any kind or degree, to the spirit of persecution, if you cannot reason nor persuade a man into the truth, never attempt to force a man into it. If love will not compel him to come, leave him to God, the judge of all.
Business people face increasing pressure from local and global competitors. They face customers who have more and more information about alternatives and more and more access to suppliers from all over the world. Given these pressures, business people are looking for approaches that make sense and will continue to make sense. I think many are fed up with management fads that may or may not provide any benefit and don't continue to work over time.
Nature has many scenes to exhibit, and constantly draws a curtain over this part or that. She is constantly repainting the landscape and all surfaces, dressing up some scene for our entertainment. Lately we had a leafy wilderness; now bare twigs begin to prevail, and soon she will surprise us with a mantle of snow. Some green she thinks so good for our eyes that, like blue, she never banishes it entirely from our eyes, but has created evergreens.
For me, I just like to be as fun as possible, but I do like to bring a lot to a character. Given the script or the show, I know my boundaries, limits, and how far I can go with it. As far as me choosing these characters that have a lot of personality, I don't necessarily think it's intentional. I just think that I try and come up with a backstory of who they are, depending on the script or how rounded these characters are, and just go from there.
I do feel that I’ve managed to make something I could maybe call my world…over time…little by little. And when I’m inside it, to some extent, I feel kind of relieved. But the very fact I felt I had to make such a world probably means that I’m a weak person, that I bruise easily, don’t you think? And in the eyes of society at large, that world of mine is a puny little thing. It’s like a cardboard house: a puff of wind might carry it off somewhere.
I think, oddly, that the world of the amateur is quite self-contained, and it depends on "likes" from other amateurs to perpetuate itself. Of course an awful lot of my colleagues are involved with Instagram - they get likes and dislikes, maybe just likes, I don't know - but I think that it's far less self-contained, the world I work in. It goes off in different directions, and is dependent on responses different from a tick or a like or whatever.
There is no greater power on this earth than story.” Will paced the length of the room. “People think boundaries and borders build nations. Nonsense—words do. Beliefs, declarations, constitutions—words. Stories. Myths. Lies. Promises. History.” Will grabbed the sheaf of newspaper clippings he kept in a stack on his desk. “This, and these”—he gestured to the library’s teeming shelves—“they’re a testament to the country’s rich supernatural history.
Money is not the issue. Having the courage to give your highest gift is the issue. There is no security in doing something for a living when you are dying inside while doing it. That is taking care of the body at the expense of the soul. And a withering soul cannot help but produce a withering body. So do not think you are 'taking care of yourself' by killing your spirit to keep your body alive. How long will you put off what you are dying to do?
Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.
Whatever thought grips the mind at the time of death is the one which will propel it and decide for it the nature of its future birth. Thus if one wants to attain god after death, one has to think of him steadfastly... This is not as simple as it sounds, for at the time of death the mind automatically flies to the thought of an object (i.e. money, love) which has possessed it during its sojourn in the world. Thus one must think of god constantly.
What nonsense it is, this desire to be without limitations, this wish always to be seen in the most flattering light. We are anxious, not because we think so little of ourselves, but because we think so much of ourselves. We are anxious, not that we may appear in the worst light, but that we may not appear in the best light. Anxiety is born of self-consciousness, and it is alleviated to the exact extent that we can drop consciousness of the self.
Vague promises of savings from cutting waste, enhancing prevention and wellness, installing electronic medical records and improving quality are merely ‘lipstick’ cost control, more for show and public relations than for true change... Savings will require changing how doctors think about their patients: Doctors take the Hippocratic Oath too seriously, “as an imperative to do everything for the patient regardless of the cost or effects on others.
I don't think I have a favorite chess move, other than checkmate, because each move is part of a combination of other moves. Just like I don't have a favorite piece, because they all work together. I mean, I love myself; I am the king on the board, but other pieces do different things and they all work together, so it's not one particular move unless it's checkmate because usually there's an answer. You know, chess is about questions and answers.