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When you start to meet with ordinary people you understand that a Russian person, really any person from Russia, a Tatar, a Mordvin, a Chechen, a Dagestani, they are very open people, even a little naive. But there's one defining trait that probably all peoples have, although it comes out especially strongly in us. That's a drive toward fairness. It's one of the dominating, I think, traits in the mentality of a person from Russia, a Russian person.
When you're pregnant, you can think of nothing but having your own body to yourself again; yet after giving birth you realize that the biggest part of you is now somehow external, subject to all sorts of dangers and disappearance, so you spend the rest of your life trying to figure out how to keep her close enough for comfort. That's the strange thing about being a mother: Until you have a baby, you don't even realize how much you were missing one.
I've been a little disappointed in directors in America. I'm really after a theater that doesn't just deal with the actual texts that I brought in. But with a director that really deals with images too, that takes the play to another level. We have to remember that theater takes place in the third dimension, and we have to take into consideration the visual aspect of the play. I think images are important for the theater. Because I do write images.
The economy in the next 20 to 25 years is going to change more than they did in the last 20, 25 years. And that's because exponential trends are affecting a bigger and bigger share of the economy. So we have some huge disruptions in store, and I can't predict exactly what the innovations are going to be. If I did, I would have already invented them. But I think they'll be comparable to the innovations we saw in the past 20, 25 years if not greater.
Where we start to lose it is when we start to grasp onto what we think is ours. No, this is mine. No, that's my career. That's my money. That's my platform. But really, no, it's yours, God. It's not mine. You might lend it to me for a little while. You might let me hold onto it. You might let me use it for a little bit, but that's not mine; it's yours. Thank you for letting me use that for a little while. I think that's what staying grounded means.
You are meant to think before you speak. How many times is your heart involved in what you are doing? Every act should be a spiritual one involving your total being - soul, mind and body - done for the sake of the doing, given for the sake of the giving, worked for the sake of the working, not for the sake of what you can get out of it. The more you do this, uniting all the aspects of your being, the more you will create harmony, balance and peace.
People know that both my parents were shrinks so I was sort of raised in an atmosphere where there was that interest in the human mechanism and the human psyche and what makes people tick. And yes, I think I'm particularly creative and adventurous and improvisational and spontaneous in my inner impulses and patterns and deeply curious and appetized in the unfathomably mysterious and delicious phenomena that is the human being and who we really are.
I was still owed an explanation, I thought, but so what? What good was it going to do me? It wouldn't have made me any happier. It was like scratching when you have chicken pox. You think it's going to help, but the itch moves over, and then moves over again. My itch suddenly felt miles away, and I couldn't have reached it with the longest arms in the world. Realizing that made me scared that I was going to be itchy forever, and I didn't want that.
Andrius turned. His eyes found mine. I'll see you he said. My face didn't wrinkle. I didn't utter a sound. But for the first time in months I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away. The NKVD called the bald man's name. Look at me wispered Andrius moving close. I'll see you he said. Just think about that. Just think about me bringing you your drawings. Picture it because I'll be there.
If you read philosophical texts of the tradition, you'll notice they almost never said 'I,' and didn't speak in the first person. From Aristotle to Heidegger, they try to consider their own lives as something marginal or accidental. What was essential was their teaching and their thinking. Biography is something empirical and outside, and is considered an accident that isn't necessarily or essentially linked to the philosophical activity or system.
We all know that each generation has its own test, the contemporaneous and current standard by which alone it can adequately judge of its own moral achievements, and that it may not legitimately use a previous and less vigorous test. The advanced test must indeed include that which has already been attained; but if it includes no more, we shall fail to go forward, thinking complacently that we have "arrived" when in reality we have not yet started.
I think the American people should see that the corporations abandoned them long ago. That people will have to build their own economies and rebuild democracy as a living democracy. The corporations belong to no land, no country, no people. They have no loyalty to anything apart from the base-line - their profits. And the profits today are on an unimaginable scale; it has become illegitimate, criminal profit - profits extracted at the cost of life.
I took Alexey Brodovitch course at the New School. He taught me something that I've always remembered: After we did the initial assignment, he contradicted what he had said the first week, and I said, "Okay." The next week, he contradicted what he had said the second week. We went through 10 weeks of contradicting, and I thought maybe he was drunk. At the end, he said, "You may think I've contradicted myself, but there's no one way to do anything."
Sometimes people have sympathized with me because long years of my life were spent in jail and in exile. Well, those years ... were a mixed experience. I hated them because they separated me from the dearest thing in the world-the struggle of my people for rebirth. At the same time, they were a blessing because I had what is so rare in this world-the opportunity of thinking about basic issues, the opportunity of examining afresh the beliefs I held.
I think the Bhagavad Gita is about both the forces of light and the forces of darkness that exist within our own self, within our own soul; that our deepest nature is one of ambiguity. We have evolutionary forces there - forces of creativity, and love, and compassion, and understanding. But we also have darkness inside us - the diabolical forces of separation, fear and delusion. And in most of our lives, there is a battle going on within ourselves.
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go. I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.
Fortunately, the time has long passed when people liked to regard the United States as some kind of melting pot, taking men and women from every part of the world and converting them into standardized, homogenized Americans. We are, I think, much more mature and wise today. Just as we welcome a world of diversity, so we glory in an America of diversity -- an America all the richer for the many different and distinctive strands of which it is woven.
I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.
I think there are basically two kinds of musicians: some are extroverted and some are introverted. I think extroverted musicians are more in the entertainer kind of camp, which is just as valid, but you're going to be more apt to make music that is of the moment - whereas if you're coming from a more introverted place, the music is going to end up being more about the past or more personal. It's not going to be about the people in the room, per se.
We became Homo sapiens not that long ago, from the scientific perspective, and we've retained a lot of our beast nature. We've done all these amazing things in terms of our knowledge base and technology, and now we're flying around and using the internet. But we're still very animalistic. So, I think about hierarchies. I think about evolution. I think about how we stack up, how we sit on top of each other. How we pray that we know what we're up to.
There's nobody for me to attack in this matter even with soft and gentle ridicule-and I shouldn't ever think of using a grown up weapon in this kind of a nursery. Above all, I couldn't venture to attack the clergymen whom you mention, for I have their habits and live in the same glass house which they are occupying. I am always reading immoral books on the sly, and then selfishly trying to prevent other people from having the same wicked good time.
Well, I know from some of my own experience, and many of my friends' experiences, when going through that sort of program. The whole addiction game really forces you to focus on what brings you there and accept the only way out. So once you really put this focus on getting better and figuring out what your flaws are, that's what brings you back. I think she could've been more reckless and shown up earlier, but I wasn't really available to come back.
I think the things that are more painful to me are not the intrusion of paparazzi, it's the lack of civility that I find more intimidating and far more painful an experience. It's the lack of critical thinking. It's the endless snarky, mean way we talk about each other, we approach each other. The anonymity of being cruel, the delight in tearing people down. The tabloid era that we find ourselves in is a cultural boneyard, and that is painful to me.
I would think we have a trajectory of failure on the Republicans' part. When you think about how they managed to make John Kerry look bad during the last election for actually serving in Vietnam, and testifying in Congress after he'd gotten medals, and said that he didn't believe in them or that he didn't believe in the war and that it should stop . . . That they could turn that in negative when their guy, George W. Bush, never even went to Vietnam.
We have to think about what the future is going to look like for people. People are afraid of robotization; they're afraid of globalization; they're afraid of all these things. And Trump's solution to that is: shut the borders; America first; everything's got to be made here, which is of course, not realistic - in his own companies everything's not made here at all - but I think we have to engage in issues that do cross these demographic boundaries.
Art is not politics. The glory of the novel is that in its essence, it is a democratic form, because it treats individuals as worthy of scrutiny. That alone is a kind of political act. A good novel about a tea party of rich women can be just as galvanizing and important to the soul as War and Peace, so I think it's not really the job of artists to do anything. They can have their opinions as private citizens, but they must continue making their art.
I think we need leadership that can gently and with affection remind us of what we Americans mostly agree upon: civility, kindness, tolerance, humour, et cetera. The current Trump administration seems to thrive on trying to enforce a very odd, fearful agenda, that it tries to disguise in a false garment of fondness for the working-class - despite the fact that its policies seem designed to continue the decades-long habit of marginalizing that group.
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
If, while I'm painting, I distort or destroy a motif, it is not a planned or conscious act, but rather it has a different justification: I see the motif, the way I painted it, is somehow ugly or unbearable. Then I try to follow my feelings and make it attractive. And that means a process of painting, changing or destroying - for however long it takes - until I think it has improved. And I don't demand an explanation from myself as to why this is so.
That's why I think death is the most wonderful invention of life. It purges the system of these old models that are obsolete. I think that's one of Apple's challenges, really. When two young people walk in with the next thing, are we going to embrace it and say this is fantastic? Are you going to be willing to drop our models, or are we going to explain it away? I think we'll do better, because we're completely aware of it and we make it a priority.
I see myself, in terms of the question of capitalism, as I would support democratic socialism over a capitalist system, because any approach... or participatory economics, which is another great model that people like Michael Albert are putting out there... any system that encourages us to think about interdependency, and to be able to use the world's resources in a wiser way, for the good of the whole, would be better for the world than capitalism.
Why do I feel so exercised about what we think of the people of the Middle Ages? ... I guess it's because so many of their voices are ringing vibrantly in my ears - Chaucer's, Boccaccio's, Henry Knighton's, Thomas Walsingham's. Froissart's, Jean Creton's... writers and contemporary historians of the period who seem to me just as individual, just as alive as we are today. We need to get to know these folk better in order to know who we are ourselves.
Basically, I've reached the point where I've lost any direct relationship to any of the editors I used to have. I suspect I'll have to pay to publish this myself, and I think a lot about about putting out fifty copies. I used to think about hogwash like my legacy and silly things like that. But I feel like if I never have another book out, I've done okay, I've had like twelve or thirteen little books, and I won't be upset about this on my death bed.
The new iPhone has encryption that protects the contents of the phone. This means if someone steals your phone - if a hacker or something images your phone - they can't read what's on the phone itself, they can't look at your pictures, they can't see the text messages you send, and so forth. But it does not stop law enforcement from tracking your movements via geolocation on the phone if they think you are involved in a kidnapping case, for example.
I do think we're in a little bit of a bubble and I think you saw it this year primarily in the fact that everyone was surprised by Donald Trump's success. He was saying things and he was tapping into feelings and resentments in the electorate that the media was almost completely blindsided by. And that suggests we are not spending enough time talking to people out there who are living the lives and feeling the problems that led them to Donald Trump.
My job as a reporter, my job as a senior White House correspondent for CNN, is to report the news, but also to highlight and put a microscope on episodes of presidential hypocrisy. And you know, if Donald Trump was going to come after us out on the campaign trail, and as president of the United States through his tweets, I think we are well within our rights to defend ourselves, and also provide that kind of critical coverage to the American people.
Poetry is a way of being alone without feeling alone. It allows you to experience another mind, I suppose. And it does that more fully than other art forms, I think. It doesn't simply describe an experience, or a feeling, or a moment: it evokes it through, say, rhythm or tone or diction or metaphor. It creates a mood. A poem communicates before it is understood; it's not a fully paraphrasable form, which distinguishes it from other forms of writing.
In a study we did of bereavement, we found that rather impressive numbers of widows and widowers had not simply gone back to their pre-loss functioning, but grown. This was due to a kind of increased existential awareness that resulted from this confrontation with the death of another. And I think it brought them in touch with their own death, so they began to experience a kind of preciousness to life that comes with an experience of its transiency.
As an actress, there's a lot of waiting. You wait for a script to come in that you want to do. You get to a point where you decide that if you want good things to be made, you're going to have to start making them yourself as an actress. You can't just wait around for it. But you can also just enjoy the breaks, and use them to kind of refuel. I've been working so long at this point that I don't mind the breaks. I think they make me better, actually.
The nice thing about a documentary, I think, is that so much of it is editing, too. You sort of get to keep making decisions. It's not as much like when you do a narrative, fictional piece, and you have a certain number of shooting days, and you're like, "Well, that's what it is." You can continue to seek out more photographs or try to find more footage. The genre gives you the ability to keep working on it, which is great for a first-time director.
It's basically the same in all periods of societies. If you belong to the majority, you can avoid thinking about lots of troubling things.' 'And those troubling things are all you /can/ think about when you're one of the few.' 'That's about the size of it,' she said mournfully. 'But maybe, if you're in a situation like that, you learn to think for yourself.' 'Yes, but maybe what you end up thinking for yourself /about/ is all those troubling things.
I think that one of the things that my dad was grappling with towards the end was how that shift had happened now and he would go on a book tour and do his shows and it would be you know fulfilling and good, but he wouldn't have the same impact that he used to and it wasn't because people were less interested. It's just because people are distracted by the million different sources of entertainment and information in front of them at any given time.
I think it's very important, and I think that what young people will learn from my experience is that even presidents have to do that and there are consequences when you don't. But I also think that there will be a box score, and there will be that one negative, and then there will be the hundreds and hundreds and hundreds of times when the record will show that I did not abuse my authority as president, that I was truthful with the American people.
I don't think it's possible for the Fed to end its easy-money policies in a trouble-free manner. Recent episodes in which Fed officials hinted at a shift toward higher interest rates have unleashed significant volatility in markets, so there is no reason to suspect that the actual process of boosting rates would be any different. I think that real pressure is going to occur not by the initiation by the Federal Reserve, but by the markets themselves.
I said, "Well, why do you believe in the Klein Bottle?" He said, "Because I can imagine it." I said, "You don't have to imagine a Mobius strip. It's right there in front of you!" But [Buckminster Fuller] couldn't see how that could involve a cross cap, meaning something that couldn't be reduced to a two-dimensional surface. Which it does. It's because he was thinking that the matrix was the thing that a fly could walk over the edge of, like a torus.
She really is a completely different First Lady. Eleanor Roosevelt was not going to suffer and withdraw in the White House. And I think he's a very different President. He does not want his wife to suffer and withdraw in the White House. And they really are partners. They're partners in a big house where there are two separate courts, and they both know they have two separate courts. But these are courts that are allied in purpose, united in vision.
The average mind requires a change of environment before he can change his thought. He has to go somewhere or bring into his presence something that will suggest a new line of thinking and feeling. The master mind, however, can change his thought whenever he so desires. A change of scene is not necessary, because such a mind is not controlled from without. A change of scene will not produce a change of thought in the master mind unless he so elects.
I’m not going to let my insecurities keep me from having a good time. I think that if you don’t loose your self-consciousness, you can’t really be present in a situation. For example, if you’re at The Louvre, but you’re thinking about how much you hate your jeans, you’re not really at The Louvre. So in your memory, when you look back, you’re always going to be like, “I was wearing those jeans I hated”. And you’re not going to remember anything else.
Envy is the most universal passion. We only pride ourselves on the qualities we possess, or think we possess; but we envy the pretensions we have, and those which we have not, and do not even wish for. We envy the greatest qualities and every trifling advantage. We envy the most ridiculous appearance or affectation of superiority. We envy folly and conceit; nay, we go so far as to envy whatever confers distinction of notoriety, even vice and infamy.