I think rappers spend a lot of time trying to figure out what is new. 'How can I say this in a way that no one has ever said it before?'

I auditioned for Julliard because I wanted to live in New York, and I wanted to be on Broadway at the time. Julliard seemed like right way to get there.

It was sort of assumed, from the time I was born, really, that I would go to college. That's sort of the way that Jewish families in New Jersey handled things; that was the norm.

The Meters are, I think, the most influential group in our time to come out of New Orleans, to have changed and introduced us all to a way of playing, and to a groove and a level of feel in playing funk-jazz.

Your time is spent making records, planning, touring - not counting the days until another guy's concert. There are some newer artists I like in a casual, passing way, but I couldn't tell you the bass player's name or name two songs off of their new record.

The reason we didn't acquire WCW is an incoming, rotating door, new head of Turner at that time, took prime time television literally out of the deal that we had already negotiated. Once that happened, there was no way to make any sense of it. It was really just a video library and some ring mats.

What I noticed, in the short time I've been in Chickenfoot, we wound up doing a tour and a live DVD with basically that scoop sound. I was using OD2 for that entire tour. When we went out on this new tour and made the new record, I used the amp in an entirely different way. It was already modified.

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