Quotes of All Topics . Occasions . Authors
I am never going to stop playing the villain. I would be foolish to do so because the audiences apparently enjoy watching me, and who am I to say no?
What am I responsible for? Who am I responsible to? Everybody? How come when Archie Bunker nailed everybody, it was funny - but when I do it, it's not?
It's hard for people to see you one way, but you're really the other way, so it's kind of like, 'Who am I, who are you?' Sometimes, I confuse even myself.
There's an identity thing that goes on where you spend so much time caring for your child that, after a year or so, you have to shake it off and go, 'Who am I?'
Wonderful things happen when you turn 50: you change perspective. You ask, 'Who am I? What do I want to do with my life? What have I not done that I want to do?'
If someone is gay and he searches for the Lord and has good will, who am I to judge? We shouldn't marginalise people for this. They must be integrated into society.
I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked.
My dream is to one day just be me and my guitar. I'm working myself to the core. Who am I, underneath everything else? I'm still on that journey, to find that core.
Mourinho is very intelligent; he knows what he's doing. He has the right to act like he wants to act, and he's very successful with it, so who am I to criticise him?
There's some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it?
I'm happier on the runway than I am on the red carpet. Because then I am not being myself. I think, on the red carpet, it's a weird, like, 'Who am I? Am I me? Am I them?'
When girls are asking themselves 'Who am I?' for the first time and they hear all this bad PR about math, they think, 'Well, whoever I am, I'm not somebody who likes math.'
Who am I? I'm a man, an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.
So the point is, I don't have a right to tell anybody what's right or wrong about their lives. Who am I to tell you at any given moment of the day what would be right for you?
I believe love at first sight is possible. Centuries of literature and art and beauty has been dedicated to that idea, so who am I to argue, even if I've never experienced it?
I worry about how accessible cosmetic surgery has become. Of course, if it has genuinely helped people, and their confidence has grown as a result; who am I to form an opinion?
Every teenager feels like a freak. It's part of being a teenager, part of the individuation from child to adult - those teenage years are who am I? What am I? Where am I going?
Teenagers are asking, 'Who am I?' and 'How do I fit in?' in every aspect of their lives, and the best YA romances appreciate that there is more to a teen's life than finding love.
When I first came to college, it was a time that I was trying to figure out, 'Who am I? What makes me special?' and I started to find most of my value in the fact that I was thin.
You do have to continue, as you grow as a human, checking in and going, 'Is this what I want? Am I giving away things that I don't want? Who am I and what do I want to keep doing?'
I always felt culturally adrift as a child because I'm mixed race. I've had to deal with that since I was little. Who am I? What makeup do I have? What are the black and the white?
We want to answer this classical question, who am I? So I think that most of our works are for art, or whatever we do, including science or religion, tried to answer that question.
There are so many things to think about when you make an album. Like, who am I trying to impress? Am I going to get respect, critical acclaim? Or am I going to sell lots of records?
Who am I? Not the body, because it is decaying; not the mind, because the brain will decay with the body; not the personality, nor the emotions, for these also will vanish with death.
If I love a comic but they have an off night, who am I to say they should have taken out this or added that? It doesn't work that way... I have no interest in hurting people's feelings.
If I think something is heinous, but the person feels amazing in it, who am I to critique it? If they think that those bell-bottom, cropped, shredded jeans look good, then good for them!
I wouldn't necessarily say she is a country artist. I mean, obviously Taylor Swift started in country, but she morphed into somewhat of a cultural icon, so, who am I to judge what she is?
George Foreman. A miracle. A mystery to myself. Who am I? The mirror says back. The George you was always meant to be. Wasn't always like that. Used to look in the mirror and cried a river.
I wasn't used to people critiquing how I looked. And then always hearing, 'God she looks like Ric Flair.' Yes, he's my dad. Who am I supposed to look like? I took it so serious and to heart.
Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness. 'What is my purpose? Who am I?' I had a big identity crisis.
There's no greater feeling in the world than when you can put a smile on somebody's face just by walking into a room. It's unbelievable. And if I have that power, who am I to waste it, you know?
I lost myself in the process and I realized how much I had identified myself with Maria Shriver, newswoman. When that was gone, I had to really sit back and go, 'Well, actually, who am I today?'
Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!
I'm not interested in who am I. I'm interested in what's gone, the disinheritance, what I've been able to become or learn or fuse with or not fuse with. A certain freedom comes... I like it that way.
If the Loki in 'Thor' was about a spiritual confusion - 'Who am I? How do I belong in this world?' - the Loki in 'Avengers' is, 'I know exactly who I am, and I'm going to make this world belong to me.'
It's asking that never-ending question, 'Who am I?' which motivates me and takes me on a constant journey of self-discovery that teaches me so much. Will Everest make me more cautious? In reality, probably not.
I think it's pretty clear that the Internet as a whole has not had a strong notion of identity. And identity means, 'Who am I?' Fundamentally, what Facebook has done has built a way to figure out who people are.
I am a marked person, and no one who's unmarked is going to understand that. It's very intimidating. I don't even know what my place is anymore. What's my role in society? Who am I, after everybody has branded me?
I've had people hang around me because I'm Bruce Lee's daughter, and it's kind of a blow. You start to ask yourself, 'Who am I?', 'What's valuable about me?', 'Is what's valuable about me that I'm Bruce Lee's daughter?'
It wasn't until I could get out of Stanford that I could sit down and think about my life, to do the things that most kids do, which is to ask who am I, what do I want to be when I grow up. I never got to do Dan Pintauro.
I was conveniently bisexual for a long time, and then I went, 'Come on, who am I kidding?' And I have to say, it was the single biggest step I took toward emotional well-being, to stop feeling like I had to hide who I am.
When you start to find balance, then you start to ask more important questions, like, 'Who am I really?' That's when you start seeing that every single person around you is a human being just doing the best that they can.
I tend to deal with characters who are sort of at that same point of wrestling with, 'Who am I going to be as an adult? What do I believe? How am I defining myself in the context of my culture and my peer groups, my family?'
For me, the audition process always starts with a few questions: Who am I? What am I trying to get across? Why am I trying to get that across? Where am I emotionally? It's a lot to do with my foundation, and I go from there.
I work more now because at this time of my life I am not disturbed from my aim by outside pressures such as family, passionate relationships, dealing with 'who am I?' - those complications when one is searching for one's self.
For the most part, if somebody approaches me and says, 'I'd like to interview you,' who am I to say no, when I spend all my days going, 'Hello, you don't know me. I'd like to ask you some questions. Do you have a little time?'
I never want to sell my soul for something I don't believe in. Because guess what? Somebody somewhere in the world would have believed in that part and should be playing it - who am I to not allow that person that opportunity?
The advantage of age is that you swap youth for wisdom. You're so full of insecurities when you're young. 'Who am I? What do I have to do for people to like me?' You get caught up in things. You get very emotional about things.
I don't think of it so much as the shows I did or the film sets. I mean, sometimes you'll get a nice location, but it's more, 'Who am I meeting on a day-to-day basis?' Often the rehearsals are a lot more fun than the show itself.
Once I actually get in the studio and I start working, I'm fine, but it's just getting there and these hours of torment with myself and self doubt, thinking 'I'm useless' and 'Who am I, conning myself into thinking I can do it again.'