I was at Woodstock. In the mud.

I was barely in 'Taking Woodstock.'

I'm higher than a hippie at Woodstock.

Woodstock was a business. A very poorly run business.

I like to head upstate to the Catskills, to Woodstock.

Woodstock had a tremendous impact on American artistic life.

Woodstock was both a peaceful protest and a global celebration.

I was invited for the first Woodstock. Actually, I started the programme.

The only reason Woodstock was necessary is because they didn't have iTunes.

Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock.

I was living in Woodstock for a long time, and I thought, I got to get out of here, man.

I'd have to say that the 1994 Woodstock completely destroyed anything that came after it.

Even Woodstock turned out to be a disaster. Everybody was stuck in the mud and people got sick.

Describing something as the 'Woodstock of...' has taken to mean a one-of-a-kind historic gathering.

The Woodstock dove on the iconic poster is really a catbird. And it was originally perched on a flute.

Woodstock was about the closest thing to anarchy I've ever seen in my whole life, and I didn't like it.

If every vampire who said he was at the crucifixion was actually there, it would've been like Woodstock.

My first film that I got right after 'Spring Awakening' was called 'Taking Woodstock,' and Ang Lee was the director.

When they said "Make love, not war" at Woodstock, they never imagined that one would become as dangerous as the other.

I have held Jimi Hendrix's Woodstock guitar and imagined what it would be like to play it, but that's the extent of it.

I've always felt like if I was going to be born any other time that it would be during the '60s or definitely during Woodstock.

I was admired by all these hippies, and it was wonderful playing at Monterey and Woodstock, performing for half a million people.

I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.

A few performances have been left out of the various Woodstock soundtracks and film edits over the years, most notably The Grateful Dead.

I always say that even though my dad was alive during Woodstock, he was just not invited. He just seemed like he was from a different generation.

When my mother was raising me, she moved us upstate to the Woodstock area. Our closest neighbor was a mile away. She planted all her own vegetables.

Of all the '60s - there was Elvis, there was the Beatles, there was the British invasion, Jimmy Hendrix, and Woodstock - the No. 1 record was 'The Twist.'

We can't recreate Woodstock, nor do we want to. We want to turn its notoriety into a place where we can shape controlled, scaled-down musical events of all sorts.

When Woodstock ended on Monday morning, over 600 acres of garbage was left behind on Max Yasgur's farm. It took over 400 volunteers and $100,000 to remove it all.

I met Jimi Hendrix and Janis Joplin when I hung out with Michael Lang just before the Woodstock Festival. They were as charismatic in person as they were on stage.

Woodstock is well known because this country is so hyped on amount. It was big. Half a million people doesn't necessarily mean something is good. It just means it's big.

Woodstock was the antithesis of what the music industry turned into. And if anyone tries to tie another Woodstock festival to an obnoxious sponsor, I'll be out protesting again.

Everyone here seems to appreciate the sunshine way more than we do in California. We tend to take it for granted, but in Chicago, it's like Woodstock love every time it gets above 70 degrees.

In the Woodstock movie, you see Justin, my son, who is now a filmmaker, being carried off by my wife at the time to the helicopter. He's just this little bundle of joy in her arms. And it's 1969.

But, what did happen is I went to Woodstock as a member of the audience. I did not show up there with a road manager and a couple of guitars. I showed up with a change of clothes and a toothbrush.

When they said there was gonna be about 100,000 people at Woodstock, and it went up to 200,000, I just blanked off and thought, 'I don't want to do this.' If they're filming it, it's too nerve-racking.

My dad just left high school in '69, went to Woodstock, and after half a year of college for architecture, just took off for Alaska. He bought a van and went straight into the mountains and built a cabin.

Woodstock didn't define a generation because everyone showed up or those who did were a perfectly representative sample. It defined a generation because, for a few days, it bottled its peculiar zeitgeist.

The 'rock world' is a lot smaller than it used to be. It's doing a lot less things than it used to be. From Woodstock back in the day and Rage Against the Machine, no one sells millions of records anymore.

I'm from the '60s, but no one has ever accused me of being a hippie. I never had much interest in the Woodstock crowd, which partied to change the world, while real people were starving to death in Africa.

Woodstock - I didn't see anybody play, except when I was standing backstage waiting to go on, because it was so muddy. And the weather was so horrible, you literally couldn't get there except by helicopter.

Chaplin was my idol. I remember watching those movies at this little theater in Woodstock, N.Y., when I was probably 6 and laughing so hard at the surprises, like Keaton suddenly being dragged by a streetcar.

Woodstock is the only thing we have going for us in this part of the state in terms of national recognition. The idea is to extract what was good about Woodstock, repackage it, and present it to Middle America.

Chicago '68 was a relatively small demonstration for its time, but I've talked to millions of people who claim they were there because it felt like we were all there. Everyone from our generation was there and was at Woodstock.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.

I grew up with the Woodstock generation. I went to Woodstock, and like everybody in my school, I wanted to be in a rock-and-roll band, and most of us were. But I also grew up with a lot of piano lessons and a lot of classical music training.

I opened the Woodstock Festival even though I was supposed to be fifth. I said, 'What am I doing here? No, no, not me, not first!' I had to go on stage because there was no one else to go on first - the concert was already two-and-a-half hours late.

There's always been an element of 'right time, right place' to Nine Inch Nails. When we stepped onstage at Woodstock '94, I could sense it. I get goosebumps thinking about it now. Like, 'I don't know how we did this, but somehow we've touched a nerve.'

Woodstock happened in August 1969, long before the Internet and mobile phones made it possible to communicate instantly with anyone, anywhere. It was a time when we weren't able to witness world events or the horrors of war live on 24-hour news channels.

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