Quotes of All Topics . Occasions . Authors
When I was a player, I worried only about myself. Good money and easy work.
It's not about the fame and the money because if you do good work all that stuff comes.
Money is just a low priority for me. I'm more interested in good work than a big bank account.
I was impressed by the Taj Mahal. A good bit of work, well looked after, worth paying money to see.
In Canada, good waitresses are tipped well. I learnt that the harder you work, the more money you make.
All the work built my fame and certainly made me more money, but the toll it took in my home was not good.
Money is a good thing and it's obviously useful, but to work only for money or fame would never interest me.
We have got a - we've got a good federal work force, but we have too many people, and we're paying them too much money.
The notion of making money by popular work, and then retiring to do good work, is the most familiar of all the devil's traps for artists.
Two of my sons are themselves filmmakers, and we can't afford them nor they us. They work in the real world and earn money and are pretty good at it.
The Dodgers told me a big bonus was no good, and they said other players would resent it. Better for me to take a small amount of money and work my way.
A lot of people don't know this: when I was young, I wanted to be a garbage man. I asked my mom, and she said they made good money, and it was steady work.
I still manage to spend around 40 hours a week at work but it is a lot more focused on what can make money as opposed to what makes me look good in the papers.
My mother drilled into me the importance of hard work. She had good talent at school but did not have the money to attend. She left at nine years old and started working.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
I could have made a lot of money doing 'Golden Girls,' and I would have been good. But the image of it! And for me to work with Betty White every day would be like taking cyanide.
There are massive clubs with massive amounts of money, and Liverpool were always a little bit behind. But if you create a good team, a good atmosphere, and work hard, you can get there. You can win trophies.
The three things I said when I came out of school were I want to work consistently, I want to do good work and I want to be paid fairly, and that's happened. But I didn't become an actress for the money. I do it for other reasons.
I started out from a pretty modest background, so I always had a pretty good sense of money. I always had to work for my money, save my own money, I always bought my own stuff with my money... trying not to waste money unnecessarily.
I'm very choosy when it comes to work. It's not like whatever comes my way, I will agree to do it. But if I'm getting good money and exposure and if the content is satisfying, what's the harm in doing it, even if it's yet another reality show?
If you play cricket for India, money is bound to come, and with IPL in and match money of the Ranjhi trophy, I think money is there. There's no good reason why you should not work hard, because at the end of the day, you want to play for your country.
I believe that if you work hard and you never get to enjoy it then what's the point. You can't take any of this with you, the money or nothing. The only thing you can take is experiences, memories and good times, so I like to get amongst it as much as I can.
I've worked since it was basically legal to work. I was a waitress on and off for eight years. I worked at Sears; I worked at Abercrombie folding clothes. My dad really instilled good money management habits, and I've saved 10 percent of my paycheck, every paycheck, since I was 15.
When I go back to theater, I feel good about myself. When I do films or TV, it's to make a little bread to pay my mortgage or whatever, and when I've made the money, I do theater again. And when I get a part I like, a part I can work on, that satisfies me. I feed good about myself.
I was never very good at picking cotton, and then I only made fifty cents or $1 a day. People would work for $1 a day during the Depression. So we would get $2 for playing music and just having fun. I think that as a result of that it was not just the money, but we enjoyed doing it.
My parents instilled a really good work ethic from when I was little - if you want to have money to spend on holidays, you earn it. So I've always been someone who wanted to be able to survive by myself, but I think you have to let down the barriers a little bit - let other people in.
After every fight, I knock myself down. I start from scratch again. I say, 'I'm not as good as I thought.' It makes you work harder. It makes you push harder. It's more than money. It's more than the title. It's my pride, and it can be scary thinking about it. I could lose. It's scary.
When you work on big commercial movies, of course there's more money involved and you can still do some good work. But with an independent, you get films that are really close to the writers' and directors' heart. Somehow it becomes a little deeper. A little more meat and not as much flash.
When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
In the whole course of our work at the theatre we have been, I may say, drenched with advice by friendly people who for years gave us the reasons why we did not succeed... All their advice, or at least some of it, might have been good if we had wanted to make money, to make a common place of amusement.
I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.
In films, you work for three to six months, and you're out of the character. But for a daily soap, you don't have that luxury. So the character has to be convincing. Otherwise, your mind is not in it, and you're just working for money, which is a good amount in serials. But I want both: good acting and good money.
There's exceptional work being done on television. Some of our great writers are writing for television. When you have things to choose from, you typically go after the writing - unless you're going after the money. There are fewer opportunities in film to make money with good writing, unless you're an action hero.
In an era when party fundraising is badly tainted, dinners are a really good way of raising cash for campaigning. Lots of people giving very small amounts of money through ticket sales and raffle prizes: yes, it's much harder work than big donations, but I think it's a more democratic and transparent way of fundraising.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
There's a lot of guys that made big money in wrestling because they just projected such a realistic character. And they weren't necessarily great athletes. Junkyard Dog played football, Junkyard Dog the wrestler, mechanically in the ring he was just not that good. His gift was, unbelievable work on the mic. He had charisma coming out of his ears.