I'm rather kind of old school, thinking that when an artist does his work, it's no longer his... I just see what people make of it.

That was something that shaped my thinking regarding Estonia: the idea that we should be getting our young people to work with computers.

I try to get people thinking, to consider their pasts and presents, ultimately encouraging them and giving them the tools to embrace the work of reshaping their lives.

I don't want to go around like some kind of bleeding giant or whatever, or thinking I'm a big deal, because it doesn't help you do your work. I think people like Hemingway got into an awful lot of trouble that way.

My favorite thing to hear from people is, 'I left the theater and couldn't stop thinking about it.' You want your work to have an impact after they leave the theater. It's the equivalent of leaving a musical humming a show tune.

I work a lot, and it's kind of like, you meet people, and you just click. It's not like I'm looking at something and thinking: 'South Park' - how do I get on that?' I just became friends with those guys first. They're nice guys.

There is something to be said for people who have to work hard, be creative, produce what they have with little - or no - means. Those of us from poor homes have the advantage of thinking for ourselves and of knowing that when times get hard, things could always be worse.

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