Quotes of All Topics . Occasions . Authors
While we were working, we were writing about a tall girl and a short girl, which we thought was funny, because Alison's [McGhee] tall and I'm short.
IT is difficult to speak or write with becoming moderation or propriety, on topics to which we are biased by prejudice, interest, or even principle.
I write about power, that's my real subject - how you get it, what you do with it, how you abuse it. I'm equally wary of liberals and conservatives.
I wonder now what Ernest Hemingways dictionary looked like, since he got along so well with dinky words that anybody can spell and truly understand.
Your character that you create in your writing not only represents who you are, but also represents a number of people who you've met along the way.
Sometimes a song can take up to a year to write, and because I waited that year and waited to work on it that day, it came up that extra 50 percent.
I went through a big Alice Cooper phase, which was probably a major influence on my writing style later, especially after Plastic Surgery Disasters.
I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.
Rage is ... This is Breslin's full quote: Rage is the only quality which has kept me, or anybody I have ever studied, writing columns for newspapers
I have observed that vulgar readers almost always lose their veneration for the writings of the genius with whom they have had personal intercourse.
When I don't make any progress, it is because I have bumped into the wall of language. Then I draw back with a bloody head. And would like to go on.
The thing is, with writing, it's form or content. You need to write about something interesting or you need to write about it in an interesting way.
You don't push the button that says "Now I will write something that resonates in time." You don't know. It's what happens after a play is finished.
"War gives men a plain-and-simple something to do ... Women write diaries in the hope that their words will beckon fate." It's a romantic manifesto.
Most of my work is done before we start shooting, preparation work, so my normal day begins when I start writing, it might even be the night before.
I don't intend to simply go away and write my plays and be a good boy. I intend to remain an independent and political intelligence in my own right.
I have brothers and was a tomboy, if that's still a designation. It wasn't a stretch for me to think and write as a 13-year-old boy - it is freeing.
I will never understand people who think that the way to show their righteous opposition to sexual freedom is to write letters full of filthy words.
Wouldn't that be wonderful if I could do that? And that way, I could walk with the muse, rather than walk without her. The novel would write itself.
Do nothing to merely interest, assume or attract. This is not your province. Do only that wins the people you are after in the cheapest possible way
I just don't know how to write a love letter. What can you say to a girl that shows you really like her?" "How about, enclosed please find a cookie?
Why can I write 'South' with some assurance that you'll know I mean Richmond and don't mean Phoenix? What is it that the South's boundaries enclose?
Although my other ambition was to be a musical theater star (and I would attend college on a voice scholarship), writing was never far from my mind.
I was first introduced to Kafka's writing during my compulsory army-service basic training. During that period, Kafka's fiction felt hyperrealistic.
Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
I don't get writer's block. I don't try to write anything; when something comes, I write it. I just practice and when I get an idea I write it down.
I think that writing and publishing are different. I think I will always write; I might not always publish. The idea of not publishing is wonderful!
I like heist movies. I like action movies that set all the elements into one and a chance to do something that comes from a great stable of writing.
It was always a false assumption that white American writers cannot write novels about race unless they're approaching it from a very oblique angle.
I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.
If we write our dreams and goals down, we dramatically increase our odds of realization. If we share them with others, they become potent and alive.
A literary agent is nothing but a cheap salesman (or woman); while a writer is a cheap salesman (or woman) who also has to actually write the books.
As I was not a good singer - I have started to sing. And because no one could write an appropriate song for me - I started to write songs by myself.
I've been approached many times by many different people, and most people want to do something that I write and produce, and I'm just not into that.
I was not born into the world of the stuntman and the daredevil; I was born into the world of theater and writing and sculpting and classical music.
The short story, I should point out, is perforce a labor of love in today's literary world; there's precious little economic incentive to write one.
I'm always reading. I have four books on my nightstand right now. The same is true with writing, I tend to work on several varying projects at once.
The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book.
Writing is literally transformative. When we read, we are changed. When we write, we are changed. It's neurological. To me, this is a kind of magic.
I mainly get my inspiration for writing from everyday situations and I come up with hypothetical scenarios and I can usually write a lot about that.
I'm never sure if I'll ever write another song, what the song will be about and if what initially sparked the beginning of a song might complete it.
Aren't all these notes the senseless writings of a man who won't accept the fact that there is nothing we can do with suffering except to suffer it?
College isn't in everyone's hearts. I am living proof, though, that school doesn't mess up your plans. It gives you more experiences to write about.
Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject.
Early on, it's good to develop the ability to write. Learning to write is a useful exercise, even if what you're writing about is not that relevant.
Things like guitars and ukuleles, you should never part with it, because there will probably be good, healthy times spent, just playing and writing.
I used to be an obsessive outliner - figuring that writing without an outline was like jumping off a cliff and building a parachute on the way down.
I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.
The critics suppose that it is easy to write a play. They aren't aware that writing a good play is difficult and writing a bad one is twice as hard.
My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them.