As somebody who's been writing about this subject for getting on twenty years now, it's astonishing how the climate has changed in the last five years.

I'm not sure that I have a favorite either on-screen or in the books! Whenever I'm writing, I'm always really excited to dive back into each character.

I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.

Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.

If I take a less defensive tone, I'd admit that I couldn't write today a very jazzy, contemporary look at America as I did in 1979 in States of Desire.

A writer lives, at best, in a state of astonishment. Beneath any feeling he has of the good or evil of the world lies a deeper one of wonder at it all.

The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.

History is life; he who has not lived, or has lived only enough to write a doctoral dissertation, is too inexperienced with life to write good history.

The world is so full of ill-nature that I have lampoons sent me by people who cannot spell, and satires composed by those who scarce know how to write.

Rock stars are like prophets. There's something about somebody who can get up on a stage and sing. And then when they write you songs, forget it, okay?

I wanted to do Playboy to get across the same ideas I'm singing and writing about these days. It's all about proving that a woman can defy stereotypes.

There's always things that you know about that nobody else, because everybody's life is different. So you write about what you know. That's number one.

Unless you're writing for a humorous effect, elves or space aliens and all creatures who aren't human should at least be as strange as, oh, the French.

I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.

There is no better feeling than when you write something you know is a piece of you and that, at some point, is going to communicate with someone else.

Paradoxically, in fantasy for young people I was able to express my own deepest feelings and attitudes more than I had ever done in writing for adults.

Listen to advice. You don't know how many writer's conferences I've taught at where at least half the audience fights all the conventions of the field.

It is always difficult to get across to people who are not professional writers that a talent to write does not mean a talent to write anything at all.

When I'm about to start writing, I pull up some of my all-time-favorite re-reads to feel inspired and fall headfirst into the world of beautiful words.

When I began writing, the words that inspired me were these: A writer is someone who has written today. If you want to be a writer, whats stopping you?

I began writing in the 4th grade. As a matter of fact, I produced a play for the entire school. It was about Leif Ericson and the discovery of America.

In the experience of art, time seems not to exist. When I'm writing and think, "I've been working for two hours," I've actually been working for seven.

Sometimes writing is running downhill, your fingers jerking behind you on the keyboard the way your legs do when they can’t quite keep up with gravity.

I am compulsive about writing, I need to do it the way I need sleep and exercise and food and sex; I can go without it for a while, but then I need it.

When I'm writing, I think about the garden, and when I'm in the garden I think about writing. I do a lot of writing by putting something in the ground.

I'd rather work on my radio show, which no one hears but I put about eight hours of programming and writing into it for those 30 people who do tune in.

A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate.

I had given up on being beautiful. But I thought I could kind of inspire boys to write songs about me. So I became a music journalist at the age of 16.

When I began, the guitar was en-closed in a vicious circle. There were no composers writing for the guitar, be-cause there were no virtuoso guitarists.

I was left with myself and had to do the one thing I could to survive. I knew it would be difficult to write, very difficult, but I set about doing it.

The writing you allude to is a form of dissent, but it's also expressive of the need to evolve beyond what is turgid and stale in contemporary fiction.

If something happened where I couldnt write music anymore, it would kill me. Its not just a job. Its not just a hobby. Its why I get up in the morning.

A lot of writers that I know have told me that the first book you write, you write about your childhood, whether you want to or not. It calls you back.

We are all looking for something of extraordinary importance whose nature we have forgotten; I am writing the memoirs of a man who has lost his memory.

I've been writing for myself since I was a teenager - I got into top-lining for some other artists/producers, but the focus was always on my own stuff.

When I write, I disturb. When I show a film, I disturb. When I exhibit my painting, I disturb, and I disturb if I don't. I have a knack for disturbing.

Feeling is always first for me in anything. I think the only way for sure that I know how do that is to write songs about things I feel strongly about.

I guess we all have some sort of Rubicon that we haven't crossed in our lives and we've thought about for who knows how long. And for me, it's writing.

I don't like to write a script unless I know who the artist is. A lot of people can do it without that, and that's cool, but I like to look at the art.

In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.

As a younger man I wrote for eight years without ever earning a nickel which is a long apprenticeship, but in that time I learned a lot about my trade.

You know, as somebody who writes op-eds and appears on the television, I appreciate as well as anybody that…there is a limit to what that accomplishes.

I don't care who you are. When you sit down to write the first page of your screenplay, in your head, you're also writing your Oscar acceptance speech.

So it was just a case of getting a bunch of songs that I had been writing for years but hadn't recorded together, and the result was My Own Best Enemy.

I'm not a writer. I think I can write short stories and poetry, but film writing, brilliant film writing, is a talent - you can't just do it like that.

We all rely on technology to communicate, to survive, to do our banking, to shop, to get informed, but none of us knows how to read and write the code.

After the journey around the world, writing Hope's Edge, I began to see that it is not possible to know what's possible - and therein lies our freedom.

It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.

No reader owes me anything - I am owed nothing for my noble efforts, because my writing was always unconditional, always coming out of inner necessity.

I hope to write someday and that’s even more terrifying than performing. You don’t just entertain the audience, you give them little bits of your soul.

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