Quotes of All Topics . Occasions . Authors
I am not fully forgiven until I allow God to write his new dream for my life on the blackboard of my mind. .. God has a great plan to redeem society. He needs me and wants to use me.
One writes what one lives, even if not in a literal way. Someone who has gone through an unhappy love tends to describe unhappy loves, even if they have nothing to do with their own.
Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
I've been very blessed to make a living in stuff I love and am totally passionate about, music and writing. So I'm eager to see what the day will bring, how I will feed that passion.
Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.
When I first began writing In the Country of Men all I had was the voice of the protagonist. He intrigued me and my desire to want to know him and his world became almost compulsive.
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
I cite in my book countless examples of the foundational documents of the colonial period in America and the writings of the leaders, that this was intended to be a Christian nation.
I am trying to make, before I get through, a picture of the whole world--or as much of it as I have seen. Boiling it down always, rather than spreading it out too thin. (On Writing.)
To write good SF today...you must push further and harder, reach deeper into your own mind until you break through into the strange and terrible country wherein live your own dreams.
It’s not just the adage ‘write what you know,’ it’s about gathering up all of the knowledge and experience you’ve collected up to now to help you dive into the things you don’t know.
You have to know human behaviour … And the quality of your writing is absolutely capped at your understanding of human behaviour. You’ll never write above what you know about people.
I don't like writing for myself to sing. I prefer to have other people's voices to dispose of in some way that they'll like or not like or flatter them or not flatter them. It's fun.
Basically, when I'm writing something, I think about what is the subject of the piece. The subject of the piece is our fear of getting old, which is a variation on our fear of dying.
You don't really have to believe what you write in a blog for more than the moment when you're writing it. You don't bring the same solemnity that you would bring to an actual essay.
I think it's important to be sincere. And I could be the most sincere just staying in [my] mother language actually. And that's the reason why I stay composing and writing in French.
Holding women to the idea of 'write what you know' subtly reinforces the status quo. Writing is a chance to celebrate who we are. But it's also a chance to celebrate who we could be.
I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.
I wrote because I had to. I couldn't stop. There wasn't anything else I could do. If no one ever bought anything, anything I ever did, I'd still be writing. It's beyond a compulsion.
To say that I have an undisciplined mind would not be incorrect overall, but it's a little off the mark because I have great discipline when I write - but only for about ten minutes.
I don't hire any companies or ask any of my friends to write reviews for me on Amazon when I have a book come out so they can drive up my ratings on Amazon. I don't have a publicist.
I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.
The public takes from a writer, or a writing, what it needs and lets the remainder go. but what they take is usually what they need least and what they let go is what they need most.
When the writing is good and it suits your character, you don't have to memorize anything, because it just makes sense. You read it and you go, "Oh, that makes sense." And it's easy.
Moving around is good for creativity: the next line of dialogue that you desperately need may well be waiting in the back of the refrigerator or half a mile along your favorite walk.
My employer was never at any time aware of anything in my past beyond the writing I did, because, frankly, it isn't relevant to the job I was asked to do, which was to be a reporter.
Language the most forcible proceeds from the man who is most sincere. The way to speak with power, or to write words that pierce mankind to the quick, is to speak and write honestly.
I'm out here to bomb, period. That's what I started for. I didn't start writing to go to Paris, I didn't start writing to do canvases. I started writing to bomb... destroy all lines.
I'd say, don't listen to what anyone says: you're good. Go put your anorak on. Get your thick bottle-top specs. Draw your little cartoons and your comics and keep writing to the BBC.
My writing is a process of rewriting, of going back and changing and filling in. in the rewriting process you discover what's going on, and you go back and bring it up to that point.
The real joy is in constructing a sentence. But I see myself as an actor first because writing is what you do when you are ready and acting is what you do when someone else is ready.
It's what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I'm about.
I have two writer daughters, and a psychoanalyst daughter, and a lawyer daughter, and they wish we didn't write, I'm sure, but we write. If we were a painting family, we would paint.
In writing advertising it must always be kept in mind that the customer often knows more about the goods than the advertising writers because they have had experience in buying them.
The science fiction I write comes from a pretty deep pool of literature, not just from the reflection of other science fiction films, and I think that gives me somewhat deeper roots.
The historian ought to be an educated person, writing for other educated people about something which they don't know about, but wish to know about in a way that they can understand.
I like to write about things that are dark or twisted. Where the poetry seems to be is when you start in the dark and reach for the light - that's what makes it not depressing to me.
As actors, we were fighting that tooth and nail because of fear, because language is a crutch and dialogue is a crutch, and it's so easy to just have a great writer write you a line.
I'd think of a topic and just rant on it and transfer it to the computer, upload it. It's such a quick thing. You post it on your website and after an hour, 10 people write comments.
As I grew older I found that I really had a knack for rhyming and I pursued that. So by thirteen I got serious about using my writing and rhyming skills. I did it everywhere I could.
A mixtape is for the street, it's something you without necessarily thinking about it, because you have to stay in the game. It's like writing an e-mail saying hello to your friends.
Life does not seem to present itself to me for my convenience, to box itself up nicely so I can write about it with wisdom and a point to make before putting it on a shelf somewhere.
I write for young girls of color, for girls who don’t even exist yet, so that there is something there for them when they arrive. I can only change how they live, not how they think.
I write books and either people read them or they don't read them. The rise of Facebook or e-books doesn't change the difficulty level of writing sentences and thinking up new ideas.
I'm half-black, half-white, so I basically put it like this: I can fit in anywhere. That's why I write so many stories from so many different perspectives, because I've seen so many.
The fiction I tend to like is nothing like my own work. I like the kind of writing that shows me things I don't know about, and what I don't know about is the everyday, normal world.
Songs are like myths. Myths are useful because they allow you to cast yourself and your life and your own experience. And for some people, 'Fire and Rain' speaks to them in that way.
I usually get my lyrics when I let my mind wander, when you're not really awake, but not yet fully asleep. I keep an open notebook by my bed and then just write whatever comes to me.
When I decide to write a story, I don't think too much about what I want it to be, I just let things come naturally and this is how it turns out. It's just how my subconscious works.
When I started writing screenplays, as early as I started writing anything, I hadn't seen any ordinary screenplays. I saw movies and figured out how I thought they should be written.