Quotes of All Topics . Occasions . Authors
Every serious man in dealing with really serious subjects carefully avoids writing. ... There does not exist, nor will there ever exist, any writing of mine dealing with this subject.
I'm not writing for fundamentalists. I'm writing for the people who have been repelled by that kind of thinking and yet who think there might be something they haven't yet discovered.
There is probably no greater idler than myself. And I would consider myself a lazy-bones if I did not write so many volumes, and if I did not admire my diligence once I begin writing.
In the meantime [1965-67], [Bob] Dylan was again writing some of the best love songs in the genre, like "Visions of Johanna," "Just Like a Woman," and "Sad-Eyed Lady of the Lowlands."
If you write something the White House doesn't like, they take you in and say, 'If you ever write something like you did today, nobody from the White House will ever talk to you again
A petty reason perhaps why novelists more and more try to keep a distance from journalists is that novelists are trying to write the truth and journalists are trying to write fiction.
One of the things that has always motivated me to write is the desire to get it out and look at it in an objective way, so that it doesn't cause me any serious pain by staying inside.
I'm not bashing people who write songs that are just 'get on the dance floor and party party', I understand why people need those songs too, but I don't really write lyrics like that.
Because I write realistic fiction, I generally don't think about fixing anyone - I just think about how I want to feel at the end of the book - And I try to write toward that feeling.
It's easier for me to sit with the producers and the writers and I give them my feelings and my thoughts and what I think I feel like singing about and then they go away and write it.
our finest writing will certainly come from what is unregenerate in ourselves. It will come from the part that is obdurate, unbanishable, immune to education, springing up like grass.
I try to be upbeat. I read this book which tells you to write down everything that you're grateful for each day. Now I'm constantly noticing all the little things that make me joyful.
The changes are part of my writing process. When I write, I imagine scenes. I write things down. I take photographs. I do some casting. I rewrite. It's a permanent making or remaking.
I didn't like writing just articles and things. So then I wandered around. I tried my hand at film and television and that was a worse fit because I don't really have a mind for that.
Most science fiction seemed to be written for people who already liked science fiction; I wanted to write stories for anyone, anywhere, living at any time in the history of the world.
Trying to write music, be in a band and keep it all happening is one of the hardest, morale-destroying, heartbreaking things you will ever try to do - and that's when it's going well.
My writing is progressing slowly, but at least it's moving forward. I'm sure that's the case. The only problem is that I'm never absolutely certain that what I've written is any good.
I always run into these Ph.D.s. They write and write and write about sustainable development. Then these guys ask me, 'But, how do you do it?' They are scared to death to do anything.
Some of my affectionate envious friends say, "You write too much." Maybe, I answer. But as long as the best of your little is worse than the worst of my much, I will keep on doing so.
If you're a writer, you don't serve genres. Genres serve you. Like, if you're writing a science fiction story set on a spaceship, you don't have to have someone thrown out an airlock.
The nuts and bolts of shooting a film and writing a film are still really difficult. But what makes it easier is the fact that you know you're going to go to work with your best mate.
Culture is everything. Culture is the way we dress, the way we carry our heads, the way we walk, the way we tie our ties - it is not only the fact of writing books or building houses.
And I do think that great fiction, even when it's comedic, has an urgency or an inevitability to it, a sense that the writer absolutely had to write this particular story in this way.
And I refuse to feel guilty about not letter-writing either. There are times when one can, times when one can't. In the times when an enormous amount of living is going on, one can't.
As a musician, you write and make music as you go. It's definitely in a great sequence. When you release songs, you think, "Let me make sure this goes with this so it's like a story."
Strum your guitar sing it kid Just write about your feelings not the things you never did Inexperience, it once had cursed me But your youth is no handicap it's what makes you thirsty
I probably spent more time listening to albums than writing songs. But I think that gave me all the tricks in terms of wordplay, from how I pronounced my words to the actual delivery.
I honestly just love being in my studio working on music. That's all the inspiration I need. And I don't write with an end result in mind, I just write for the simple love of writing.
Another thing that's good about writing to describe a situation or a state of consciousness is that you can finally get it right. That was my intention, and that's always interesting.
Meddling, smug, stupid little..." "She likes me! They always play hard to get when they like me!" "No. You do not understand. I could not have done it because I can not read or write.
Most of the time I've worked with directors who write their own scripts. The story is more important to me than the part. The project of the film has always been more important to me.
I always thought we had an environmental problem, but I hadn't realized how urgent it was. James Lovelock writes that by the end of this century there will be one billion people left.
It is from the middle class that writers spring, because, it is in the middle class only that the practice of writing is as natural and habitual as hoeing a field or building a house.
Thanks to my solid academic training, today I can write hundreds of words on virtually any topic without possessing a shred of information which is how I got a good job in journalism.
Reading a book is like re-writing it for yourself. You bring to a novel, anything you read, all your experience of the world. You bring your history and you read it in your own terms.
The walls are covered -crammed- with writing. No. Not writing. They are covered with a single four-letter word that has been inscribed over and over, on every available surface. Love.
We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians.
That's a rather flippant quote "drinking and writing bad poetry" from me. I mean, I said it, but I was doing other stuff too. I certainly didn't manage the full stretch of four years.
I take something that happened to me in 1983, and I make it happen to somebody else in 1943. I pick my life apart that way, try to understand it better by writing straight through it.
The world is full of novels in which characters simply say and do. There are certainly legitimate genres in which this is sufficient. But in real and lasting writing the character is.
I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
I think that good writing is based on good reading. Maybe it's not about writing today, maybe it's about reading today. Maybe it's about finding the sort of book you would never read.
Never forget, the press is the enemy. The establishment is the enemy. The professors are the enemy. Professors are the enemy. Write that on a blackboard 100 times and never forget it.
I think people who write programs do have at least a glimmer of extra insight into the nature of God... because creating a program often means that you have to create a small universe
We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings.
Nobody can write such ironic things unless he has a deep sense of injustice-injustice to those members of the race who are victims of the stupid, the pretentious and the hypocritical.
No blur of inexactness, no cloud of vagueness, is allowable in good writing; from the first seeing to the last putting down, there must be steady lucidity and uncompromise of purpose.
In a novel, the author gives the leading character intelligence and distinction. Fate goes to less trouble: mediocrities play a part in great events simply from happening to be there.
Any writer who has difficulty in writing is probably not onto his true subject, but wasting time with false, petty goals; as soon as you connect with your true subject you will write.
I'll do what little I can in writing. Only it will be very little. I'm not capable of it; and if I were, you would not go near it at all. For if you did, you would hardly bear to live