It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.

What I couldn't help noticing was that I learned more about the novel in a morning by trying to write a page of one than I'd learned in seven years or so of trying to write criticism

You don't necessarily have to write to be a poet. Some people work in gas stations and they're poets. I don't call myself a poet, because I don't like the word. I'm a trapeze artist.

I'd say my religious life has shaped my worldview; my writing, I'd say too, is an extension of the pulpit...it reaches folks who don't care for organized religion in a different way.

From the time I could play the piano, I remember trying to write tunes. They were in my head, and I would just sit down and start noodling. Next thing I knew, I had written a melody.

The fact of the matter is that you should really stop concerning yourself with writing a book because anyone can write a book that totally sucks. There is nothing special about that.

I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.

When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.

My favorite subject in high school was English. I love reading and writing, and I felt really supported in this subject, and my least favorite was math, since I felt completely lost.

I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.

Writing I think, out of what all of us do, writing is the hardest. You're the only who start with nothing except what's up here. You do that. It's really hard I think, acting is not.

My writing, such as it is, grows out of my sense of discolation, I mean, dislocation. Having lost my place, I write to find my place, or to find once again that I have lost my place.

To say, "Well, I write when I really get into it" is a bunch of bull. Put the paper in the typewriter, stare at it a long time, get snowblindness if you have to, but write something.

Well, one of the things I discovered in the course of looking back and writing about what I saw in my memory is that I was a closely observant person long before I became a reporter.

The essays are very solipsistic and self-absorbed, I'm totally conscious of that. To me, book writing is fun, and I basically just write about things that are entertaining to myself.

I can't write my life story without Emmitt and Troy. They can't write their life stories without me. We're tied together forever. This is a day to remember for the rest of our lives.

The first draft is just a skeleton-just bare bones. It's like the very first rehearsal of a play, where the director moves the actors around mechanically to get a feel of the action.

If you can write a character who is attractive but morally reprehensible, then you've got a character. It's got to feel like people I know and it doesn't just become a bag of tricks.

The last thinkg I want to do is spend the rest of my life pretending to be 17 or 27. Now it's pretty interesting to me to see what can be said in the point of view of where I am now.

My life's goal is not to write books; my life's goal is to know God better today. The neat thing about a goal like that is you can achieve it. Faith is constant; it's a relationship.

I want to make books. I want to take pictures and then write all over the pictures. And then I don't have to say a complete story, because I have the picture, and I have just a word.

When you have that first flash of what you think is going to be a great idea-from the mouth, from the hands-that's an amazing feeling. I don't think anything's quite as good as that.

I wouldn't just have other people write songs and me go out and sing it. I would sit down with a guitar and write 11 or 12 good songs for an album and that is gonna take a long time.

Whenever I write a part, I think there's this person somewhere in the world that this part is specifically for and all I have to do is go searching to find that particular individual.

I was one of several songwriters I think interviewed [for Moana]. I'm a huge fan of Disney animated movies, and I've always wanted to write an animated score since I was a little kid.

Well, I think every film student goes into film school thinking they want to write and direct their own movies, and they don't realize how much goes into it, and what a process it is.

You lose your anonymity just like a helium balloon with a string. Therefore people are going to have their own opinion and they're going to write in whatever clever manner they desire

One minute I was playing chess and doing maths all the time, the next I had been rerouted into more 'normal' girls' activities: reading, writing stories and worrying about my clothes.

It's a very organic process, and it has a specific order to it. I love to write, and once you've written, then you arrange. After the arrangement, you record it, and then you tour it.

Writing has laws of perspective, of light and shade just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.

Though there is one part of writing that is solid and you do it no harm by talking about it, the other is fragile, and if you talk about it, the structure cracks and you have nothing.

It's very hard to be an experimental woman writer. If I had been writing under a pseudonym, just initials, I might have a different reputation - but, then I couldn't be myself either.

Every week for me was the same audience, and every week they heckled me. The better I got at comedy, the better the audience was at heckling me. But it helped me with my joke writing.

I always write and create. I'm never not creating. I'm always creating a show, every year, whether it gets picked up or not. I always sell a pilot or an idea. I like to be in control.

I would like to emphasize again that right prayer leads to right action, that faith without works is dead. An excellent way to put thoughts into action is to write a letter for peace.

My little notebooks were beginnings - they were the ground into which I dropped the seed... I would work in this way when I was out in the crowds, then put the stuff together at home.

I can see myself wanting to write a historical novel - you don't need to worry about references to reality TV or pop music, you can just get on with the basics of story and character.

When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."

Life is easier when you can write off others as monsters, demon, as horrible threats that must be hated and feared the thing is you can't do that without becoming them, just a little.

I like to write about women who are talented and capable, but most important, retain their femininity. Women have tremendous power - their femininity, because men can't do without it.

The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it.

Dialogue, contrary to popular view, is not a recording of actual speech; it is a semblance of speech, an invented language of exchanges that build in tempo or content toward climaxes.

I think the only person a writer has an obligation to is himself. If what I write doesn't fulfill something in me, if I don't honestly feel it's the best I can do, then I'm miserable.

I think it's more about trying to just focus exclusively on writing music and making that a viable, sustainable lifestyle. It's difficult because it forces you to really get creative.

Despite my solitary life, I have found infinite joy in books and writing, and am by far too much interested in the affairs of the world to quit the scene before Nature shall claim me.

I never know the endings when I write. It's a turnoff when you know the ending. You lose much of your incentive to write when you already know. It's like seeing a movie a second time.

I was twenty-nine years old and I wasn't a very good poet and I wasn't a very good novelist, [so] I thought I would try writing a play, which seems to have worked out a little better.

I refuse to write the same story twice. I keep experimenting. I keep learning how to work. I've been at it pretty much 50 years, and I'm now beginning to learn how to do the job well.

Then the writing became so fluid that I sometimes felt as if I were writing for the sheer pleasure of telling a story, which may be the human condition that most resembles levitation.

When I write lyrics, I really do go into an automatic folk appropriation mode... I see the vernacular register of 20th century song as being a bunch of forms to adapt and reconfigure.

Share This Page