The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away.

No man, even though he be Shakespeare, can write perfectly when his web is woven of threads that have been spun in many lands.

Out of Ireland have we come, great hatred, little room, maimed us at the start. I carry from my mother's womb a fanatic heart.

Now must we sing and sing the best we can, But first you must be told your character: Convicted cowards all, by kindred slain.

Once you attempt legislation upon religious grounds, you open the way for every kind of intolerance and religious persecution.

The poor have very few hours in which to enjoy themselves; they must take their pleasure raw; they haven't the time to cook it.

Fairies in Ireland are sometimes as big as we are, sometimes bigger, and sometimes, as I have been told, about three feet high.

Come near; I would, before my time to go, Sing of old Eire and the ancient ways: Red Rose, proud Rose, sad Rose of all my days.

Thought is a garment and the soul's a bride That cannot in that trash and tinsel hide: Hatred of God may bring the soul to God.

While man can still his body keep Wine or love drug him to sleep, Waking he thanks the Lord that he Has body and its stupidity.

The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed Gray Truth is now her painted toy.

Come Fairies, take me out of this dull world, for I would ride with you upon the wind and dance upon the mountains like a flame!

Fair and foul are near of kin And fair needs foul," I cried. "My friends are gone, but that's a truth Nor grave nor bed denied."

Somewhere beyond the curtain Of distorting days Lives that lonely thing That shone before these eyes Targeted, trod like Spring.

Ecstasy is from the contemplation of things vaster than the individual and imperfectly seen perhaps, by all those that still live.

Imagining in excited reverie That the future years had come, Dancing to a frenzied drum, Out of the murderous innocence of the sea.

I have read somewhere that in the Emperor's palace at Byzantium was a tree made of gold and silver, and artificial birds that sang.

Though logic-choppers rule the town, And every man and maid and boy Has marked a distant object down, An aimless joy is a pure joy.

The years like great black oxen tread the world, and God, the herdsman goads them on behind, and I am broken by their passing feet.

If Michael, leader of God's host When Heaven and Hell are met, Looked down on you from Heaven's door-post He would his deeds forget.

The fascination of what's difficult Has dried the sap out of my veins, and rent Spontaneous joy and natural content Out of my heart.

Earth in beauty dressed Awaits returning spring. All true love must die, Alter at the best Into some lesser thing. Prove that I lie.

Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while.

Things thought too long can be no longer thought, For beauty dies of beauty, worth of worth, And ancient lineaments are blotted out.

And I will find some peace there, for peace comes dropping slow,/ Dropping from the veils of the morning to where the cricket sings.

There where the course is, Delight makes all of the one mind, The riders upon the galloping horses, The crowd that closes in behind.

Style, personality - deliberately adopted and therefore a mask - is the only escape from the hot-faced bargainers and money-changers.

All think what other people think; All know the man their neighbor knows. Lord, what would they say Did their Catullus walk that way?

Everything that man esteems Endures a moment or a day. Love's pleasure drives his love away, The painter's brush consumes his dreams.

Nor law, nor duty bade me fight, Nor public men, nor cheering crowds, A lonely impulse of delight Drove to this tumult in the clouds.

From dream to dream and rhyme to rhyme I have ranged / In rambling talk with an image of air: / Vague memories, nothing but memories.

His element is so fine Being sharpened by his death, To drink from the wine-breath While our gross palates drink from the whole wine.

I know that I shall meet my fate somewhere among the clouds above; those that I fight I do not hate, those that I guard I do not love.

Bid imagination run / Much on the Great Questioner; / What He can question, what if questioned I / Can with a fitting confidence reply.

The desire that is satisfied is not a great desire, nor has the shoulder used all its might that an unbreakable gate has never strained.

My curse on plays That have to be set up in fifty ways, On the day's war with every knave and dolt, Theater business, management of men.

I cast my heart into my rhymes, That you, in the dim coming times, May know how my heart went with them After the red-rose-bordered hem.

I broke my heart in two So hard I struck. What matter? for I know That out of rock, Out of a desolate source, Love leaps upon its course.

We have fallen in the dreams the ever-living Breathe on the tarnished mirror of the world, And then smooth out with ivory hands and sigh.

Why should we honour those that die upon the field of battle? A man may show as reckless a courage in entering into the abyss of himself.

There are a few of the open-air spirits; the more domestic of their tribe gather within-doors, plentiful as swallows under southern eaves.

A mouth that has no moisture and no breath Breathless mouths may summon; I hail the superhuman; I call it death-in-life and life-in-death.

May we two stand, When we are dead, beyond the setting suns, A little from other shades apart, With mingling hair, and play upon one lute.

Mock mockers after that That would not lift a hand maybe To help good, wise or great To bar that foul storm out, for we Traffic in mockery.

For how can you compete Being honour bred, with one Who, were it proved he lies, Were neither shamed in his own Nor in his neighbour's eyes?

Being young you have not known The fool's triumph, nor yet Love lost as soon as won, Nor the best labourer dead And all the sheaves to bind.

The true faith discovered was When painted panel, statuary, Glass-mosaic, window-glass, Amended what was told awry By some peasant gospeler.

I always think a great speaker convinces us not by force of reasoning, but because he is visibly enjoying the beliefs he wants us to accept.

Consume my heart away, sick with desire And fastened to a dying animal It knows not what it is, and gather me Into the artifice of eternity.

Longfellow has his popularity, in the main, because he tells his story or his idea so that one needs nothing but his verses to understand it.

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