Quotes of All Topics . Occasions . Authors
I'm a believer in belief. Faith is something that works - it causes people to do things, it has results. It's an intangible, indefinable, very real thing. And it moves people, sometimes to atrocity. And sometimes to survival.
I don't even deal with politics. I just don't believe in them. I think politics are politricks. My whole thing is power to the people. I don't put my faith in any one man. I keep my faith in God. That's where I keep my faith.
Having a daughter makes you see things in a different way. You have to see how you're carrying yourself because there's a little girl. There's not a little boy, there's a little girl. I think I'm a little more overprotective.
Actually, it's nice when people hate what you do, because it's still a passionate feeling about it. It's kind of when they're indifferent, you're like, "Oh, well, what am I really doing?" It's nice to go one way or the other.
When I was a kid, I had asthma, so I would have to take cod liver oil all the time. So anything fishy that reminds me of that taste, I can't eat. I love Chilean sea bass because I don't taste it there. But salmon? No, no, no.
I hate divers, like Cristiano Ronaldo, who might be the greatest athlete in the sport, but he's a big baby. If things are going well he's great, but when things are going badly it's the ref's fault, it's his teammates' fault.
I realise how important it is to use the time I have. I respect people who want to do that by watching television. I happen to want to read books. But I know I can't read all the books or watch all the movies in one lifetime.
When I did 'The Cell' - no matter what you think of that movie, because I have my opinions of it too - it was, you know, I still have nightmares from the research that I did. Not from playing the part, just from the research.
It's just endless what you can learn from a single work of art. You can fill up the crevices of your life, the cracks of your life, the places where the mortar comes out and falls away-you can fill it up with the love of art.
Children, I always think, are just putting on a performance of being naive and not understanding anything. I have worked with children in films, and they're treated as adults and they just drop the pretense of being children.
Theres a lot of lying and these are people who are incredibly flawed, and not in very sort of empathetic ways, either. Some of the things they do are pretty awful and some of the things they do to each other are pretty awful.
Politics is the best show in America. I love animals and I love politicians, and I like to watch both of 'em at play, either back home in their native state, or after they've been captured and sent to a zoo, or to Washington.
There is a terrible lot of us who don't think that we come from a monkey, but if there are some people who think that they do, why, it's not our business to rob them of what little pleasure they might get out of imagining it.
I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
Everyone brings their own particular skill set to the job, and acting training can work for a lot of actors, and it can't. I've seen a lot of really good actors go into acting schools and then come out a little bit corrupted.
If I die tomorrow, I've done the two hardest things anybody can do in this life with the least amount of security - music and acting - and I've had success in both. I can't really complain. I try not to live my life that way.
It's really hard to find parts that challenge me as an actor these days. At this point in my career, I feel like I can just sleepwalk through most of my roles and still do a better job than 90 percent of the actors out there.
Sometimes they keep us in the dark, but it's TV, so sometimes they keep us in the dark because even they don't know yet. You know what I mean? So, it sort of develops as it goes along and according to various needs that arise.
It's just weird that out of nowhere God said, May the three best-looking guys in Hollywood have babies - Tom Cruise, Brad Pitt and me. It was bizarre that God said, I want to make the planet more beautiful, and I got the call.
My movies just kind of sneak up on you. I don't have to worry too much about what everybody is going to say. Anyway, I really don't pay attention to what the world says about my movies. I just care about what my buddies think.
The opportunity to completely become someone else and inhabit them is something that has always fascinated me greatly as an actor. With a bit of fortune, a few more of those opportunities will lie waiting for me in the future.
We can't be naive and think we can go it alone; we must humble ourselves and commit to routine and collective actions. This is just one reason why I am thrilled to be working with the UN Environment as its Goodwill Ambassador.
The ruling class is smarter than you, and they're more creative. And if you forget that lesson, you go down the drain. Because if they weren't, they wouldn't be around as long as they have been and as strong as they have been.
I always did the cooking at home, and we always tried for balance. We've been vigilant about how and what our kids eat. For example, my son would just as soon go for the grapes as he would the chips... and the chips are baked.
My favorite thing is to be working with people I enjoy working with. I've reached the point where, emotionally, I don't need to act any more. Financially, I do. But emotionally, it wouldn't matter to me if I never acted again.
I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.
What I look for these days is that I don't have long speeches, the characters gets to sit down a lot, I don't have to learn any foreign languages, and it doesn't shoot in Minneapolis in February. That's mainly what I look for.
All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.
When I was a little kid, my parents would show me Marx Brothers' films and westerns and stuff like that. That's where all my desire to be an actor comes from and probably most of my understanding of acting comes from for sure.
I feel Noah has been alone for the majority of his life and inherently searching for a family, even though he may not express that outwardly. But his encounter with Rosalee gave him hope in finding someone who thinks like him.
I've learned by watching films that inspired me and people who inspired me like Robert Redford and Paul Newman. I love old school acting. I love subtlety, and I also love being spontaneous, and that's really what works for me.
When I look back on my career - if that's what it is - it looks a bit like a crazy quilt, and I think it's just really because, when one job has finished, I've never really been in a position where I had three or four options.
But on this show, it's a good question because in the 35 shows that we've done now, I've really made a consistent effort to really shadow the directors because in many ways they have to be more prepared than feature directors.
I think we all like to see ourselves as good dads, but there's also that fear, 'Oh, I don't want to be like my father,' or, 'I hope my kid doesn't turn out like me.' You know, I have those feelings too. So the key is optimism.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
I remember 'The Yearling' was the first film I ever saw, and my mom told me I cried for about four or five days afterwards. I'd be going along during the day and suddenly start crying over what had happened to the little deer.
I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.
I've been in scenarios as an actor where you have to manufacture an emotion that's not really there, but it wasn't hard with Halle because she's a great person and very beautiful, so it ain't a tough job at the end of the day.
You had to keep the mood up; you had to keep the tempo up. You had to keep the feeling of, "Hey, we're doing something that's really exciting. It's fun being with these people." And the more fun you have, the better you do it.
I had to talk for a long time to explain to the producer why I wasn't right for 'Please Don't Eat the Daisies.' I also had to explain why I didn't want to do 'My Living Doll' before Robert Cummings was considered for the role.
[Robert] Ford had the idea that through fame he would receive some personal validity, but he didn't. I feel that these are not the main themes, but certainly themes that are at play in this film [Assassination of Jesse James].
It's only the filmmaker. The script is really, really second. And there's a huge gap between filmmaker and script for me. I almost don't care about the story that they're telling; I really only care about who wants to tell it.
Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.
I have a hard time listening to things I've recorded. I don't necessarily go back and enjoy it. Occasionally I'll have the iPod on shuffle and something will come on. Nine times out of ten I'll wince and go on to the next one.
All the films are hits before you turn the camera on. It's only in the execution that they fail. I've been less than happy with the way a couple of films were edited, but it's a director's prerogative and you gotta go with it.
Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.
I actually wanted to be a police officer like my dad for the longest time, up until my sophomore year in high school when I started doing plays. I did plays when I was little, but in high school, I started getting into acting.
In TV, you're basically shooting an episode in 10 to 14 days; 14 days is a luxury situation. And in film, you have anywhere from a month to three months, or it can be even longer than that, depending on what the production is.
You don't need to like any of the characters, as long as you can understand why and where they're from. Why do you need to like any of the characters in the movie? That's not how life is. You don't like everyone that you meet.
When I found out I had to take off my shirt in Teen movie, I panicked and hit the gym. I was like, "It's going to be on film, documented, for my children to see. I can't be 140 pounds. I need to put on a little bit of muscle."