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Baseball players need strength but also the ability to make fast-paced, explosive movements, so their training is all about strengthening the tendons around the bone and the joint so you don't tear the muscles from the bones.
In wrestling, there is no retreat. No way to slow things down. In wrestling, you advance and advance, and being tired is just a lie to make the other guy think he can relax. It's so hard - harder than anything I've ever done.
I think world creation and monster creation and all of that stuff is exciting as a secondary element of storytelling. When it becomes more important than storytelling, I get very nervous, and you sort of lose me a little bit.
Dividing everybody into genders and sexuality and races and religions, and I think it's important to have films out there, to have discussions out there which really try to get to grips with where that kind of thing can lead.
If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal. Up until now, I made movies - and I have a nice house, a nice car. I'm fortunate, happy and grateful. Life is good.
I think so often about how, when I was starting out at UCB, Conan O'Brien was in town, and on his show back then, they sometimes did character bits, and I started getting paid to dress up as a page or a Dutch boy on his show.
One thing I've realized is that being a nerd has transformed. I like that it's easier to read comic books and, like, 'Lord of the Rings' now. You don't have to get punched in the chest in the gym locker room for that anymore.
The challenge is not finding the attitude, but it's really just being open and willing to go for it and try different things, and having a director that you can trust. The attitude is not something that I intended or created.
It's funny that a lot of the fans of 'Angel' have come over and hung out with me on 'Leverage.' I was so fortunate to have been on that show. It created one of the best fan groups ever. I just have the best fans in the world.
I grew up in the '50s, in New York City, where television was born. There were 90 live shows every week, and they used a lot of kids. There were schools just for these kids. There was a whole world that doesn't exist anymore.
I've never done that [fighting for arole]. You hear about actors going in and saying, "You've got to let me read for this!" I've never done that. Lots of parts I've wanted and didn't get, but I think any actor would say that.
Joss Whedon and all the writers of 'Iron Man' and 'Thor' found a way to keep Coulson saying something that keeps you guessing. I'm really lucky because a lot of people play agents and don't get nearly as much fun stuff to do.
Keep in my mind my dad didn't become a huge, huge mega actor until I was halfway through high school - so right around the time he's going through his big renaissance is right when I'm starting to do my high school revolting.
I always tell people, when they ask me what to do to be a writer or to be a performer, the key is to go to a place where there are a lot of other people who are trying to do the same thing as you and taking it very seriously.
I had to smile when stories emerged questioning whether I was gay. Obviously I knew I wasn't but people were curiously desperate to suggest I was ... when you know a gay guy has a crush on you, it's the most flattering thing.
Who are the executives, and what are the stories that are being released? Not just in movie theaters but online. When you watch Master of None, you're like, yes, this is real life to me. These are refreshing types of stories.
I was actually sitting on stage at a press conference one day, and I totally lost touch with reality. I just thought to myself: 'Vin Diesel is sitting next to me, and Benicio Del Toro's on the other side. This is weird, man.'
If you live in Ohio and you don't wear scarlet and gray now, you're an oddball. And it used to be that you could go around town even in Columbus and see a bunch of people in Michigan shirts ... And that's horrible, isn't it?.
If somebody came up with a really good idea, everyone would back it. Especially when we did the show, we had a real dedication that, if you were in somebody else's scene, everyone worked their hardest to make that scene good.
I would say just stop watching me, I guess, at this point. That is what I do, and it probably is, in some way, a bit of a lecture. I can see how that's not something that would be enticing for you to watch in a stand-up hour.
I have to reign in my personality a little bit. Sometimes you want to go more colorful, but that's not my job on the [Grimm] show. My job is to be the center of the show, and the further you move out the more it can get wild.
I've met a lot of military men in my time. After they retire, they are still extremely game. They dress perfectly and have impeccable manners. They always end up as secretaries of golf clubs. I have great admiration for them.
I was 25 when I'd told my parents that I was giving up steady work as an electrician to become an actor. They couldn't have been less enthusiastic if I'd proposed starting a commercial newt-breeding operation in the bathroom.
The relationship with producers has always, in my experience, been, uhhh - tense. Challenging. But the actors and crew become like family. You're there all those hours - more than on a movie. You come to depend on each other.
When I was a child I thought I saw an angel. It had wings and kinda looked like my sister. I opened the door so some light could come into the room, and it sort of faded away. My mother said it was probably my Guardian Angel.
There's just a lot of really young, entitled people. I don't think a lot of these young people have to work very hard. They're found on YouTube and, boom, thrown into the studio, so they think they can get anything they want.
When you're the youngest and the only boy, you get spoilt but you get told you're spoilt so you don't get to enjoy it very much. I was the only man in the house because my parents divorced and my dad moved away when I was 13.
I knew what kind of actor I was going to be, and I looked for inspiration to people like Alec Guinness, Cyril Cusack, Timothy Spall and Jim Broadbent. I looked at them and thought, 'They play human beings as they really are.'
You can't write a screenplay if you've been doing a zero-hours contract. Which means that the people who write drama, the people who commission dramas, and the people who direct dramas all come from a small circle of society.
I come from a council estate in Tower Hamlets, and by no means am I the only person who has done well - one of my friends is head of year in a great school in Twickenham. Another is a writer; another is an artist, a musician.
Wrestling is a very demanding thing. But you're also your own manager. You book your own rental cars, you book your own hotels. You carry your own bags. Your day begins as soon as you wake up, and it ends when you get to bed.
I think new experiences are extremely important. I think it's really important to constantly challenge yourself. Comfort is not a good thing. It's good to take yourself out of your comfort zone and to look for new challenges.
The other main difference between film and television is that you have the opportunity to flush out a character, over a longer period of time. Whereas with a film, you're confined to two or three hours, or whatever it may be.
I had a Spider-man costume when I was about three, and I lost the mask. So I went to the underwear drawer and put a pair of red pants on my head. My dad came home and just laughed, and I ran into my room and burst into tears.
I believe if people understood each other more, if people took the time and realize it's not 'all about me' and I'm on a big planet with a lot of other people and concerns, maybe we can learn how to get along with each other.
I was never a troublemaker, but I also was never a nerdy kid. I was never a cool kid or a sports kid. At lunchtimes, I never fit in with any cliques, so I'd end up just walking around the school by myself, listening to music.
In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
I love to play chess. The last time I was playing, I started to really see the board. I don't mean just seeing a few moves ahead - something else. My game started getting better. It's the patterns. The patterns are universal.
When I was a kid, my pop used to take me to the double feature. He would take me - I had two brothers - and we used to go in the early '80s and check out these grindhouse movies - a double feature, sometimes a triple feature.
The reasons asthma doesn't affect my work or play is that I had accurate diagnostics and follow treatment regimens closely. It's when someone thinks they're fine and that they don't need help that they usually get in trouble.
It really costs me a lot emotionally to watch myself on-screen. I think of myself, and feel like I'm quite young, and then I look at this old man with the baggy chins and the tired eyes and the receding hairline and all that.
It really costs me a lot emotionally to watch myself on screen. I think of myself, and feel like I'm quite young, and then I look at this old man with the baggy chins and the tired eyes and the receding hairline and all that.
I trust if your life is right, the right things will happen at the right time. If the chords are in harmony inside, I think other things will happen in the same way. That sounded highfalutin' to me once, but I believe it now.
Hosting is work. It means you don't get to go up to your room and disappear and take a nap. Like everybody else does after lunch. I'm talking about hosting, not hosting a dinner party, but hosting people staying in your home.
I've been working with Pat Robertson on Africa debt-relief, and we disagree on virtually everything except certain very specific, inalienable rights, and the truth is that morality and patriotism come in all shapes and sizes.
I knew I'd just done one of the most amazing things that I will ever get a chance to do. Just to be part of a musical that's not your background and to pull it off and to think that we've done something that's really special.
I think it's more interesting to throw people into a story and let them catch up instead of explaining and feeling like you have to slow down for them. I think audiences, for the most part, they don't want to be ahead of you.
You know, I always got offered other stuff. Not the romantic leads, obviously. But very often it's a role that's underwritten, where the character has no personality at all. And they need a character actor who can fill it in.
I feel like we have so much to add to this book called the American Dream, and I want to add our chapter to it. I want to talk about what it means to be brown American and this concept of what I feel is the New Brown America.
I'm an extremely private dude and all this is happening so damn quick. I really haven't had any time to rationalize it. But it's nothing that I'm going to let freak me out or take control of me or my thoughts or my real life.