Two things, generally, for me, is what life is about. And they're not funny. Living in the moment, is one. And No. 2 is getting out of yourself and helping other people. Because all of my suffering stems from thinking from myself.

I'm out about my misogyny. Most men are misogynists, and most women are feminists. I work with a lot of women. They have their finger on the pulse of things. But women do things to other women that men would never do to other men.

I once threw a water balloon on a girl because I caught her cheating on me. She was kissing my friend and I thought, 'Oh, this can't be happening.' It was bad and I was much older than you think throwing a water balloon. I was 14.

Into The Wild" had a great sense of wild, unpredictable freedom that I loved and "Unforgiven" is just a great western with characters that walked the line between right/wrong with an ambiguity that felt very true to frontier life.

I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don't go to Hollywood, you go straight to New York and work in the theater. So that's what most of the people I knew did.

Dana Carvey is hilarious. He's a really, really funny, talented guy. You know, I can't think of anything I've ever done that I regret doing, and I certainly don't regret doing Master Of Disguise, because I got to hang around Dana.

I'm not a good reader. I had to take remedial reading in school. I was a slow reader and therefore it's tough for me to stay interested in things long enough, I've read, probably, since college maybe 10 books, which is disgusting.

I've done more crap than I care to remember. I really have. 'Airwolf.' 'Murder, She Wrote.' 'Amazon Women on the Moon.' But you learn from all these bad shows. What you don't want to do and what you don't want to be involved with.

The Arts, especially film, transcend all cultural barriers, hopefully offering an avenue where all people can find a common place to meet, understand each other, and nurture a safe world for all our children to grow strong within.

There's a dance that happens with you and that's why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you aren't used to doing it things can go wrong.

I don't just look at things as an actor. I've also written several films, so I look at it as a storyteller and I know if something worked and should have been in there for the benefit of the story and the benefit of the character.

I believe in detox. I think detox is smart. You've got a guy who's in an opiate cycle or a dope cycle or something, and he can't get out of it. You shut him down long enough so at least his body can start working for itself again.

What you hold in your hand is proof of man's power - against which our strength means nothing. It has the force of 100 spears. I warn you, man's ingenuity goes hand-in-hand with their cruelty. No creature is as devious or violent.

Solomon Northup is one of the most remarkable people Ive ever encountered in my life; one of the most amazing stories I have ever been in any kind of contact with. To not tell that story would have been disgraceful, in my opinion.

There's a catharsis in cutting down trees. But there's absolutely none of that in picking cotton. It's maddening! It's fiddly, and it pricks your fingers, and it's something that's a very hard skill if you have no alacrity for it.

I always say I should do more yoga. Or do yoga - more would mean I do some. I've done none. But I always want to do yoga because I'm getting old. Nerves are getting pinched every other day, and I really just gotta get more limber.

I grew up a loser, and I always felt like one, but I turned out pretty okay. I may be living proof that you can spend your whole life feeling like you're falling down a set of steps and still maybe land on your feet at the bottom.

I think one of the things about listening is that it's always at its most powerful when it's present, when it's right here, when it's right now. And that's a lesson about improv that I think just made me a much more social person.

We were incredibly fortunate to get to make three Batman films. That's enough. Let's not get greedy. It's a torch that should be handed from one actor to another. So I enjoy looking forward to what somebody else will come up with.

Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.

We just weren't a family that gathered around the TV. I grew up in a town where everyone was outside all the time. I was mostly in Connecticut; I spent a lot of time in Tennessee in the summers, but I was in Stamford, Connecticut.

I'm in a place in my life where I get offered parts that I didn't get offered before - fathers and uncles and grandfathers and so on. And it took me a long time to get to that place, but I'm glad because it opens up new territory.

I think there's such a thing as a performance gene. If it's in your DNA it needs to come out. For me, it originally came out through music, then segued into acting and came out through there. I always needed to get up and perform.

I think I could have a funnier, more economic sets. But that's the comedy I do. And I understand if people aren't interested in it and would rather listen to someone else. But I'll never understand the anger people have toward me.

As soon as you become of interest to the media, the charity requests start rolling in, and it's not easy saying no. But if you endorse every charity that asks you, you're not really endorsing any of them. It has to mean something.

From Kelsey, I have learned among many other things the value of turning on a dime and how you can have an extremely funny and extremely poignant moment with absolutely no separation in between... and sometimes in the same moment.

There are clues in the script... he will say "I think drugs are immoral"'... but the guy who says that kills, tortures, pimps and has whores working for him. There is this strange morality going on, which is rather like the Mafia.

It was so boring, and 'Dragonheart' was so unchallenging - there was no research involved or any rehearsal. So I was in my hotel room every night with no English-language TV except 'Beavis and Butt-head' at 10 o'clock every night.

Having dealt with a lot of real firefighters, I know there are a lot of guys who, for lack of a better term, become addicted to the grief because it has kept them connected to these guys that they felt responsible for having lost.

You really want to have a back-up plan, so when you don't feel like acting, or you're getting older and settling down, you can produce your own stuff. So that's when I set about forming my own company and getting creative control.

You'll never see a U-Haul behind a hearse. ... Now, I've been blessed to make hundreds of millions of dollars in my life. I can't take it with me, and neither can you. It's not how much you have but what you do with what you have.

We had a guy, a gentlemen by the name of Mr. Greenleaf who lived behind the house we were shooting [Fences], and he was like a part of the movie.He would come downstairs, and he couldn't hear well to say, "Ya'll want some coffee?"

I'm very confident in my point of view. 'Cause I think that that's all you can really have. I'm never really going to know what anybody else is going through, so it's just kind of your job to be expressive with your point of view.

I still remember when I was 18 and my life was completely different. I was in my apartment, and I got the call that I got Stiles for this pilot. I was just jumping around with my roommates, freaking out. It's crazy to think about.

You take a vacation to a place like Thailand and you're ready for the excitement of something new and foreign. But when you're working 14-hour days, all you want is something familiar to ground you. And there's just nothing there.

A frequent change of role, and of the lighter sort - especially such as one does not like forcing one's self to use the very utmost of his ability in the performance of - is the training requisite for a mastery of the actor's art.

I guess I'm not jaded because I still believe that there are good films out there, and there are great directors, and there are great writers. It just takes a little bit more perseverance and a little bit more time to find [them].

School is very important; it was very important for me. It gave me an enormous amount of confidence, especially at Yale where we were dealing with all the classics. In dealing with the classics, you are dealing with the very best.

My mom liked to have us travel in first class with her. She's like, 'I work for my money, and I want my kids to live a certain kind of way.' My dad used to get so mad at my mom for flying us first class. So it was a clash on that.

There's a really brilliant photographer who's deceased who in my sort of fashion and modelling days, I was fortunate enough to get to work with before he passed away, but Richard Avedon was utterly genius and creatively brilliant.

If my mother hadn't laughed at the funny things I did, I probably wouldn't be a comic actor. After she had her first heart attack, the doctor said, 'Try to make her laugh.' And that was the first time I tried to make anyone laugh.

I bought a piano once because I had the dream of playing As Time Goes By as some girl's leaning on it drinking a martini. Great image. But none of it worked out. I can't even play Chopsticks. But I've got a nice piano at my house!

Fame can be very dangerous, because you can start to enjoy that part of it. And that's not the good part of what I do for a living. The good part is the making of films. The unpleasant part is the fame part, if you're not careful.

My father taught me about having principles and how to treat people with respect. My aunt also taught me how to keep a perspective on everything that happens to you. So you learn to be humble and not take your success for granted.

Do you want the truth or the politically correct version? The truth is that I go plastic, it's so much easier. And I like to put the bags over my head at night when I sleep, which I think all the kids at home should try. Kidding!!

'CSI' was a little cutting-edge at the time because it made TV look like movies. It was shot in that Jerry Bruckheimer style with dolly shots, putting the camera on rails so stylistically, it looked aesthetically more like a film.

It has long been a dream of mine that this important story one day would be told on the great American stage of Broadway. In fact, I've dedicated much of the latter half of my life to ensuring the story of the internment is known.

Up in the north of Scotland, a lot of the villages are completely Viking names. A lot of Vikings came down and settled in Scotland and in Ireland. And a lot of them didn't, but they took plenty of us with them - mostly the chicks.

One of the things about working on stage - actually, about working in show business, that is - is that it's such a collaborative effort. I suppose that everything in life is - every endeavor where people are able to be successful.

Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.

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