Quotes of All Topics . Occasions . Authors
Having written pilots, in recent years, for networks that are dusty on a shelf somewhere, I was growing more and more impatient and eager to create something and just get it seen. Ultimately, that's what you're in the business to do.
One thing I'm recognizing more and more in myself - and looking to change - is going down more of a self-destructive path when I feel pain. I'm trying to avoid that as much as possible. That is an impulse, when I feel out of control.
Last summer a second unit production crew went to France and shot scenes for several of this seasons episodes. They shot costumed actors in and around real castles and landmarks, we couldnt possibly have duplicated here in Hollywood.
I've never played a Dane in a movie. I've had offers to be in Danish movies, including for some good directors, but I either had a job at the time or, when I was available, the movie just didn't happen. Hopefully someday I'll do one.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
If you're sitting around and doing Chekhov and the cat walks in, you must pay attention to the cat. You cannot continue the dialogue of Chekhov without including the cat. So on live television, we'd automatically go into ad-lib gear.
When I'm in New York, I bike everywhere. I have a couple of bikes stored over at Ed Norton's. It's the only way to go. But in Hawaii, I drive. I have a little Volkswagen Bug, from the 'Drive it? Hug it?' phase. I run it on biodiesel.
Everyday I question myself. I look in the mirror, or read one of my scripts, or I reflect on my acting and I say to myself 'that was good...but was it Zach Braff good?' Lets just say things have been looking pretty Zach Braff so far.
The thing about hitting kids is, think about if you were doing the same thing to another adult. Hitting your kid is really the same as hitting your employee or wife, and the issue become pretty clear when you think about it that way.
I have a cousin who is a spiritual advisor for Native veterans in Canada, so I'm very familiar with the history of Natives in the military. And growing up as an American Indian myself, the story of Ira Hayes is one that is often told.
I am open to doing anything. I don't think in this day and age that, aside from two or three people, there isn't an actor who can just do one thing. I also think you can go back and forth between film and television pretty seamlessly.
If you ever go behind the glass and look at the focus groups that are deciding what you're gonna watch, it's scary. This cross-section of people they just happen to bring in to decide the fate of mankind on television is really scary.
We don't work for the government. We don't carry guns. We don't chase aliens. We are a man and a woman. The similarities end there... If 'X-Files' and 'Touched by an Angel' crashed on 'Highway to Heaven,' you'd have 'Mysterious Ways.'
I was a child, and my mother was psychotic. She loved me, but I didn't really feel I had a mother. And when you live with somebody who is paranoid and thinks you're trying to kill them all the time, you tend to feel a little betrayed.
Something I miss terribly from the '60s - the most important phrase in the English language was, 'I got hung up.' Somebody says they got hung up, it's unassailable, you know? You don't go near that. Whoa! I know what that can be like.
I think that having had [Steven Spielberg's] confidence in me probably made me a little more immune to feeling as bad about myself in the face of rejection. I also was just so young - I was unaware enough to not take it too seriously.
The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.
It is such a cut throat industry where you get knocked down so much and get rejected so much. If you do not back yourself up, no one else is going to so you really need to learn to get up, shake the sand off your chest and keep going.
'I Am Number Four' is an action-packed adventure entwined with a romantic story. I play the role of John Smith. John wants to be a normal kid, but he is from a different planet and he has been given this destiny of becoming a warrior.
I was dishwasher, then promoted to chef in a local kitchen in a restaurant in Seattle, and I was working on a building site as well, putting in insulation and painting houses, and then doing some classes at a community college nearby.
I moved to Seattle when I was two or three years old. Had my early education there, and would spend summers on the farm in Maryland. Then I went to boarding school in New Hampshire, to St. Paul's School. From there, I moved to London.
I have no interest in being known as a celebrity; 'celebrity' is a pretty disgusting word. It's part of the brainwashing of the culture, part of the false idolatry of those that are only human, and I don't want to participate in that.
Bond is actually my dream role. Only because it was the film I watched with my grandfathers and father from a very young age, and it would be the only way that I could actually repay them with my art form for what they've done for me.
The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over.
I mean, everyone has to calm down sometime. I'll still smoke up and party, but yeah, eventually you gotta settle down and be an adult. But still have fun. Demi's helped me sort of like, understand that down the road it'll just happen.
Acting is broad enough a church that you can pick your races, decide which way you want to go at different times.I think that the story and circumstance tends to dictate the most and then what you do with your own approach after that.
Nine years after I had my own accident, I find that in trying to go back to doing those things that I used to do just doesn't fit. Everything seems to just fall apart. I don't know why but I think it is because I am this new creature.
The thing I love about acting is that you can bring something very personal into the open and at the same time remain hidden because you're always playing a character in a story that someone else has imagined. You're always protected.
I get so carried away in interviews and deliver 1,500-word treatises, then find it's been reduced to something pithier but also not quite accurate. Although I imagine there are people I work with who wish they could edit me every day.
The first year I had money, I really went shopping. I got really caught up in it. I bought all my brothers sets of luggage, and I bought 'em winter coats from Giorgio Armani - winter coats. And I got a pair of socks from this brother.
You tell yourself that you're not auditioning but of course you work like crazy, and you prepare like mad. And you think, "Well, I won't get that job. But maybe they'll have another job sometime, and they'll remember that I was good."
When you're a director, for two years or at least a year and a half, that's what your life is. So if you're gonna do it, you gotta be ready to do it and it has to be something you care about. I've found something that I do care about.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
I tend to look for the good in bad people and the bad in good people, to make them human. 'Cause I don't think that people generally are that black and white. Maybe in movie-land they can be... but that isn't necessarily all there is.
Any of Bette Midler's concerts should be required viewing for every actor/performer. She has the audience in the palm of her hands at all times and can switch emotions on a dime: Great singer, great actress, great comedian - fearless.
I've lived in N.Y. and L.A. for many years, but I still gravitate to New Orleans - it's so unique and so European. There's nothing else like it in the country. It has its own music, its own food, its own style and its own way of life.
When you live in a place, you're not just taking from it, you're contributing to it. In America I would never be able to make myself a person who could contribute. I wasn't interested in that society; I was interested in this society.
I want to be a little more dramatic nowadays. I definitely want something big and funny, but I look for things that can just have people see me in a different light and let me mature as both an entertainer and an actor and a comedian.
I played Little League baseball, but I also played basketball. Basketball was my primary sport. When you play basketball seriously, a lot of times, through the summer season, you continue playing. So that replaced me playing baseball.
As much as you can love someone, is as much as you can hate someone. It goes in equal and opposite directions. Like if you love someone so much and they hurt you so bad, then that is as equal as to how much you can have rage for them.
I think I, like most people, enjoy a wide variety of music. Yeah, I like some country stuff - old country stuff. I might not enjoy Billy Ray Cyrus or anything. But, you know, Patsy Cline, Willie Nelson, early Johnny Cash - absolutely.
The landscape of cinema is not original. Not to say there aren't great movies being made, but it's much easier for studios to make movies that have built-in audiences. So it's all remakes, adaptations, a lot of remakes of adaptations.
You simply disobey. Peaceably, yes. Respectfully, of course. Nonviolently, absolutely. But when told how to think or what to say or how to behave, we don't. We disobey the social protocol that stifles and stigmatizes personal freedom.
For whatever reason, we relate to anything godlike with an English accent. The English are very proud of that. And with anything Roman or gladiators, they have an English accent. For an audience, it is an easy trick to hook people in.
Doing something like 'Damages,' I played a character with post-traumatic stress. I was playing with sleep deprivation. I was not sleeping; I stayed up for three days at a time, drinking Red Bull. I would get shaky and tired and hyper.
But I enjoyed getting sick, I didn't mind it at all. So in that short amount of time, I did actually go from 121 right back up to 180, which is way too fast obviously. And that resulted in some doctors visits to get things sorted out.
Personally, I love going to see a film when you can really watch a character. If you've just read some article about who the actor is sleeping with, that's gonna be at the back of your mind all the time while you're watching the film.
Of course I can appreciate the musicality of the pieces and sometimes the lyrics are generic enough to be listened to without reference, but I often feel cheated if I don't know what the hell is making this person burst out into song.
Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasnt that fat, and I would get on a diet, quickly.
I was always fascinated by fairy stories, fantasy, you know, demons, necromancers, gods and goddesses, everything that is out of our kin and out of our everyday world. I was always interested in enchantment and magicians and still am.