Quotes of All Topics . Occasions . Authors
I always see nice images like that but I don't know what to do with them. I guess you share them with someone. Or you write them down in a poem. I had so many of those little images, but I never shared them or wrote any of them down.
When I started working, I didn't have a clue what I was doing, in that I was just wandering around, hoping that I could succeed. Then after I got a little under my belt, it took me about 25 years to feel like I knew what I was doing.
I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that, I don't always feel good. I get a lot more catharsis from taking pictures or painting or making short films.
It's weird how an actor can read a script and think 'it's really good, it's really funny, that's going to be really dramatic...' and then you get there and say: "Oh, I have to get in it? I have to get in the water?! Are you kidding?"
Connecting with my daughter is the most important thing in my life - the priority. I want to be a man who shows up for her. I want to have such a big influence on her, so that she knows she can call me about anything, which she does.
I win and succeed only 'cause I fail so much. I fail all the time. I wrote 70 songs just to have 12 good ones. For the video I shot 60 hours of footage. 60 hours! To come up with an 8 minute video. So really I only win 'cause I fail.
Really, the golden egg of doing a series is that you cross that very stupid bridge that says 'Name Actors Only' in casting sessions. All of a sudden, you become a name actor; it gives you marquee value. That's all that a series does.
The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.'
For right now, I'd like to tell stories that I want to tell. I haven't wanted to use someone else's material yet, but I would with the show. It's become an integral enough part of me now, that I could definitely tell a story in this.
After I quit my band, I definitely was so full, like I'm so full I could never eat again. I had that kind of feeling where the elements, like the touring stuff, were harder for me and I definitely felt fine not experiencing it again.
We strive to teach our children the importance of being caring and compassionate to others. This outpouring of emotion and effort by our children was so gratifying, and what they achieved absolutely exceeded our wildest expectations.
The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
Peter Brook's 'Midsummer Night's Dream,' I remember seeing. That was pretty early on. And suddenly, I realized how theatrical Shakespeare is, how alive, how wonderful it is when it's opened up by a great director and a great company.
'Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
There is nothing new, from Greek mythology to Shakespeare to every romcom ever made, we're just reimagining the same 12 story plots over and over again - so what makes people keep watching and listening? It's all about the character.
In 'Law & Order,' your main job is to stay out of the way of the plot. On another show you'd receive your script and see stuff that seems challenging and feel excited that the writers thought highly enough of you to write it for you.
If you ask ten different people in the diamond industry about the diamond industry, they'll give you ten completely different answers that are opposing, contradicting each other. And maybe that's the thing about the diamond business.
This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity.
I would be horrible at Twitter. I wouldn't know the answer to fans' questions half the time - and the patience involved! I couldn't imagine. I did have a Twitter account that I tried for a couple days, but found I had nothing to say.
I live in Los Angeles where there is not that much in the way of theatre, so the La Jolla Playhouse is pretty much the only place that is on my radar, and when they have something going on, and I am available, I will certainly go in.
I'm on the list that I thought I'd never be on. I'm not sitting here thinking, 'God, I might get this part' or 'is it too late for me to play Hamlet?' It's really about: who do I get to work with? There's so many people on that list.
That's one of the difficult things of being an actor that I'm still not used to. You have to go, you have to show up at these places where you know nobody, and sometimes with really impressive, high stakes people like Roman Polanski.
Technology frightens me to death. It's designed by engineers to impress other engineers, and they always come with instruction booklets that are written by engineers for other engineers - which is why almost no technology ever works.
We can appear to be tough as nails, but guys have a level of insecurity and vulnerability that's exponentially bigger than you think. With the primal urge to be alpha comes extreme heartbreak. The harder we fight, the harder we fall.
I was always writing. I was writing in high school because it was a really competitive school for class clowns; I used to have to write all of my snaps and my disses the night before and then act like I was making it up the next day.
"The Doula" was and is a very, very special episode to me because I think it's very funny and very weird and it also is 100 percent based on my life, in that I fainted three times during Sex Ed in real life the three different years.
I don't want to create controversy; I just have an opinion on things, and there is nothing wrong with stating your opinion if you are asked. Everyone wants that right, and because you are famous doesn't mean you have less of a right.
There were so many great teachers that had so much to offer. The idea of being rigid, why would you do that? People have their things, but why be rigid with any education when you can take things from here and take things from there?
Comedy is similar to hockey... in only one way. You get a lot of credit for assists. So I try to serve whatever the intention is, be it the joke or the story or the scene or the moment or the kiss, even if it's not my joke or moment.
Part of the desire to live in a post-racial world includes the desire not to have to talk about racism, which includes a false perception that if you are talking about race, then you're perpetuating the notion of race. I reject that.
I think the word 'earnest' kind of has a negative connotation on some level. I think one of the things that's happened is that being cynical is somehow conflated with being sophisticated. I think that's problematic, to say the least.
There are always seasons to a career and perhaps always the grass is often greener, you're often looking at other people's careers going, "Damn, they get all the good roles. Why didn't I read that? Why didn't they ask me to do that?"
Everyone loves the seventies because that's when movies were character-based, and you saw great characters and you saw very interesting filmmaking. There are interesting movies being made now, but it's harder and harder to make them.
I can't imagine something worse than scripts being written into a tunnel, thinking, 'I don't know when this ends. I don't know.' It usually ends when people get sick of it, but I think it's great when it gets to end on its own terms.
I don't know the law, the kind of law of quantity and quality, but I think the opportunity of people being able to express themselves and to have the means of production is a great thing. It's also changing how we're telling stories.
I'd done performance art sporadically from about 1976 - very personal street things on my own. Acting seemed like a natural step from that. But I didn't really want to 'be' anything: presenter, comic, actor. I just wanted to perform.
There's really no substitute for working hard. I think that's my biggest talent. There are always people who are funnier and more talented than I am, but I don't take anything for granted and I commit myself 100% to each of my roles.
Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.
Give people what they want, when they want it, in the form they want it in, at a reasonable price, and they'll more likely pay for it rather than steal it. Well, some will still steal it, but I think we can take a bite out of piracy.
I insist on keeping a level head. I've maintained the same exact home life that I’ve had for 20 years. All I see is more people looking at me than before. But, you know, who cares? You just can't obsess yourself with this fame stuff.
With the technology of tablet computers, if we bring the right content to them and distribute them ubiquitously throughout the land, we can do something about America being ranked 29th in the world in terms of our level of education.
At the Sex Institute in Bloomington, Indiana, they were a phenomenal help, too. We went out there for a few days, and they gave us access to materials. And the biographies, there are four or five, ranging from very poor to excellent.
I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.
In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
I'm fortunate that my job gives me the motivation to be as fit as possible. I wound up in a profession that requires physical and mental preparation, so I get to prepare like an athlete for everything I do. I'm living the dream, man.
I'm quite proud of growing up in New Zealand where, from quite early on in primary school, you're learning to count in Maori, Maori mythology and dances and colours and history, and I think that gives a child a really good grounding.
I don't care about the size of the roles, or how they're marketed or billed or anything like that. I would love to be a part of stories that tell us about where we've come from, where we are, where we're going - with great directors.
When it's a really dark emotional scene, you have to make the effort to shake it off, at the end of the day, before you go home to your kids and try to be a normal human being. You definitely want to make that effort to shake it off.
As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think 'actor' and see some easy money.
I've worried more and more as the years have gone on. The more you're seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy - there's further to fall. All these little worries.