Quotes of All Topics . Occasions . Authors
All of the actors that have served to me as inspiration over the years have been those more associated with dramatic work who have, in turn, been able to embody their characters and lose themselves in those characters that they create.
I really like coming-of-age dramas. It's probably the most intense period in anyone's life, those years before you become an adult. Dramatically, there's so much to explore there. And it's nice to be around young talent coming through.
I grew up watching a lot of old movies, so getting to ask about making movies in the '70s and people he was friends with, like Orson Welles, Lillian Hellman and Charlie Chaplin, and hearing a first-person account was pretty incredible.
Hollywood studios bury that stuff - actors who punch directors in the face and try to run producers over with cars - insanity, criminal behavior. But the studios are invested in that star, they can't have that person's name dirtied up.
Imagine, to be studying and then suddenly come out of school and come into a project and quickly realize that it is a project that works really well and that the people really like. It is like, "What a nice gift life has given me, no?"
With my new venture, Club Mom, we want to empower moms to feel their value and also build their collective power to make their lives better and easier. We want to bring them together as a community to share experiences and information.
When you work as a day player on a film or a TV thing, like you're visiting a foreign country, where you know a couple of words of the language and a few of the cultural abnormalities, but basically you're a stranger in a strange land.
If I spent all my time criticising myself, I wouldn't be able to function. There are actors who theorise till the cows come home. I haven't the patience for them. It's maybe shallow, but that's why I'll never be part of the acting set.
I think that when we start thought-policing people and idea-policing people, then that's crossing a line. And I think, you know, everybody's so afraid of this imaginary line of thought police that they forget their own personal safety.
Lets be honest: I'm an athlete, not an entertainer as much. So as an athlete, I am a guy who likes the physical confrontation of the football field. I like playing nose-guard; I like having two 350 pound guys trying to rip my head off.
All actors who have been around for a long time, which I have, and have been skint for long periods, which I have, find it difficult to turn down jobs. If I turn anything down my stomach turns over. I feel sick. It feels like gambling.
I've always been a fan of George C. Scott, who was working in movies when I was in college... films like 'Patton' and 'Hospital.' I was really impressed by him, and I had seen him onstage as well in 'Uncle Vanya.' He was a champ to me.
It's funny: it takes a while to really get your character. It's impossible to do it on the first day. That's the same way in films; if you start shooting a film, maybe a couple weeks in, you're like, "Ah! Now I think I really get him."
We shoot 12 to 14 hours a day. To do all that physical stuff yourself, you have to be on a nutritional plan. I have six or seven meals a day. I eat every hour and a half, and make sure it's all clean. I have absolutely no sugar at all.
We had a work session [in "Moneyball"] where about 30 scouts came in and we're all riffing. And after it, [director] Bennett Miller said: Look at these faces and this is what we have to got to do. We got to get these guys in the scene.
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.
I only get involved with roles that I find intriguing, in top quality productions regardless of the medium. I try not to focus on the format itself and concentrate instead, on finding roles that challenge and entertain me as an artist.
I do chores around the house, but I don't get an allowance for them. I wash the dishes and sweep the floor... I'm sweeping the floor quite a lot, and my mum always expects me to get a broom and swagger it across the floor all the time.
There are always those 'Gossip Girl' walk-and-talk scenes where you're walking and just talking about life and death. You're having a serious conversation, looking someone in the eye, but everywhere around you, it's literally a circus.
Doing voiceover, they bring you in, you're wearing jeans, you haven't shaved, you're wearing a baseball cap, and you go in, do it, make a lot of money and go home. It's fun. I enjoy doing it very much. So that's been really fun for me.
I think it's not fair to the uniqueness and wonderfulness of the individuals, that we can complement one another greatly, but we are not the source of each other's happiness, especially if you don't know who the hell you're talking to.
Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasn't that fat, and I would get on a diet, quickly.
I think early on I knew what I was going to do and it was based a lot on familiarity but it was also because I didn't have a lot of skills. There was nothing I wanted t be. I didn't want to be a doctor. I wanted to be in show business.
An audience is the most dangerous thing in the world, because they paid, and they're looking at you. And they paid! And there's a lot of them! And they cast a cold eye, because they paid. To be on the stage, you have to be very secure.
I'm a better actor now than I ever was, I wish I could have hurried that up, but there's no way. Anyway, I always wanted to be around for a long time. Like a European actor, I hope I live a long time and that I'm acting until I finish.
I was forty the first time I directed. I formed a company in 1967, looking to the future. My dad taught me that whatever you do, do it well. Be the best at what you can do for that particular job in life. That always resonated with me.
I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.
I'm a very outgoing person. I'm always happy, I'm one of those people who are always smiling. If somebody described me to somebody else, they'd say the kid with the curly hair with the big smile on his face. I get along with everybody.
But one led to two, two led to four, four led to eight, until at the end it was about 85 a day - the doctors could not believe I was taking that much. And that was just the valium - I'm not talking about the other pills I went through.
Senator Hillary Clinton is attacking President Bush for breaking his campaign promise to cut carbon dioxide emissions, saying a promise made, a promise broken. And then out of habit, she demanded that Bush spend the night on the couch.
I've been doing this for 33 years, and sometimes you make movies and nobody cares. But when people care, it's the greatest thing in the world - even when it's passionately against the title - because it's going to start a conversation.
I had a teacher senior year in high school. He was a theater teacher, and he basically was a little bit like 'High School Musical.' He kind of encouraged the jocks to get involved with the plays. I did it as kind of a senior year lark.
I think the 'sunken place' - that term is what I hear when I'm just casually living my life. People say it around me. Not because they're around me; they're saying it because it articulated a state of mind. Lil Wayne's rapped about it.
Tourette's has always been a tough one for many to digest because of its seeming irrationality: 'Why do you have to twitch or make noises? You seem normal, with no physical defects.' It's next to impossible to answer without living it.
That was pretty cool [Life With Mikey]. Michael J. Fox at the time was huge. I was like, "Whoa, he's a real bona fide movie star!" I was a kid. It was a huge deal. That's kind of it. We shot it in Toronto, and a little bit in New York.
I have, I think to do a play a year is very good if you can afford the time and the energy because it's difficult to do, it's really the actors medium of course, because you're really out there and nobody's yelling cut so, yeah I have.
I do think opportunity breeds bravery. It's such a competitive profession, no one owes you anything, talent in itself is not enough. I went to drama school with so many great actors who are not doing it anymore and it's circumstantial.
It's certainly not easy having to spend a lot of time apart, and having a five-year-old child who's got to be at school. So we need to learn how to organize our time really well because for months we will be in two different countries.
Everyone's got skeletons in their closet, and I've got a million in mine, believe me. I tested the envelope; I pushed it. Whenever somebody in authority told me not to do something, I did it just to find out why they said not to do it.
I'm not saying being a comedian is brain surgery, but it is definitely - it's like being a carpenter. You learn how to make tables and chairs. You have to have the right tools, and you have to know how to put the thing together, right?
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
I've always had to bind up and wrestle fear, because acting is really about faith. And faith and fear can't really stay in the same room. So, in order for you to be more than a conqueror, you're going to have to defeat fear with faith.
I got two older brothers and two younger sisters, and we grew up in the country, and we were a little feral. So as long as the car didn't end up in the rhubarb and you didn't get caught for doing whatever you were doing, you were fine.
Personally, I prefer contemporary films, but the market calls for more period choices, especially since China opened up a cinema market in Hong Kong. There's a lot of restriction for contemporary films simply because of subject matter.
For me, training is my meditation, my yoga, hiking, biking all rolled into one. Wake up early in the morning, generally around 4 o'clock, and I'll do my cardio on an empty stomach. Stretch, have a big breakfast, and then I'll go train.
I'm sure I'll get lambasted for this, but I don't get the Asuka thing. Like, I really don't. She's fine, and she's solid, but I don't know. Even going back to the NXT stuff, I've watched it. I don't know. I just never really bought in.
In any form or fashion, people are finding a way to inflict pain and sadness on people, on a daily basis. We have this situation in Turkey, we have this situation with ISIS, and we have our own internal fights within the United States.
It was a film [The Lost World], and it's a sequel at the same time. The first shot on the first day was from the sequel to the movie they hadn't made yet. But yeah, it was a pretty amazing experience running around the jungle for that.
Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving.
With Dick Smith there, and the words of Peter Shaffer... they've got to be the most beautiful descriptions in music ever written on film or in literature. And we could hear the music accompanying the words... What more can you ask for?