Quotes of All Topics . Occasions . Authors
The power should be in individual democracies in individual communities. It shouldn't be an oligarchy or some small group of elite. Power should be with the people and not with some politician or some heir to the throne or some madman.
Some kids are always getting into trouble or doing stuff, and I stay away from those types. I know I am no better than anyone else in this world. I'm just an actor, that's nothing special. But I'm not into anything bad. Just blackjack.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
The basic answer is that I wasn't happy or fulfilled by the job I had and I wanted my life to mean something to me, so I searched my life experience and realized that acting and performing were activities that I enjoyed all aspects of.
With film, you read the whole script three or four times, and you really have a solid blueprint of who your character is. Whereas in television, that blueprint is constantly changing and adapting, and sometimes you have to take a risk.
The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.
Behind the ambitious, creative talent that is Hollywood lies a darker side of the entertainment industry little appreciated by the ordinary moviegoer. It's an opaque world of film financing, revenue accretion, and minimal profit share.
I will say that the thing that I use too much, and I need to stop, but the F-word is pretty great. When you say it, it's so viscerally strong. It also serves as a great punctuation point - it can really emphasize how dumb something is.
After I found that I had become an actor, slightly to my surprise, I did have some insecurity, and I did take some rather strange acting classes at a place called The Actor's Studio in London. I don't think they did me any good at all.
I was probably more scared of my high school exams than I was of the Oscars. At the time you think it's everything and if you don't do well, your life's over. Opportunities are gone. So the more you do it, the less the fear is present.
It's weird because my parents don't really understand my business. I get fan mail all day long, but if a piece happens to get to their house, they're like, 'Oh, my God, you've got a fan! You have to write them back. You have to do it!'
I tell people all the time, as I was going through my process of being a comedian or being an actor and a writer at 'SNL,' I tell people that everything you do is all a piece of your puzzle to determine where you're going to end up at.
There are standards. I like to be prepared, I guess I should say - that type of pressure of, "All right, now you go with abandon," you know. Now when you're in it, you let go of all the things - that's what happens when you're onstage.
When I look at that now, all I think about is what a master [David Fincher] I was working with, and all of the things I could have watched and learned - and I didn't. And how, now, in my career, how I would love to have a ton of takes.
Marvel is very secretive, so there was no script. About six months before production, they gave me some pages and it was from a cop movie. And then, six months later, I got a phone call saying, "Do you want to come do this?" [iron Man]
What I do know is that with a celebrity's death comes an avalanche of media, and in that media is most often another death - it takes a life that is filled with complicated talent, hope, success and drive and reduces it to the 'story.'
Sometimes you can have a reputation for not being relatable and nice because you had a bad day once. That's the thing. You know, I think that's particularly pertinent with Justin [Bieber] because, like, you just forget how young he is.
The crimes committed by the North Vietnamese regime against the Vietnamese people were minor compared to the crimes committed by the Khmer Rouge against the Cambodians, but for us on the left they were emotionally far more significant.
I'm taking probably the biggest risk of my career in playing the part in Filth. If you stop taking risks, then you get bored, or you just keep playing the same part, over and over again. Eventually audiences get bored of that, as well.
The characters I play always seem eerily appropriate to where I am in my personal life at the time, and if they're not, there always tends to be this notion that I should be learning something to apply to my own life from these people.
I emceed in metro Detroit throughout college, and even when I moved to New York, I would actually fly back on a Friday, emcee on a Saturday, and fly back on Sunday so that I could audition during the week. It was a big part of my life.
It [voicing animation] is very freeing. Nobody in the cast is doing their voice. No one is talking like they normally talk and it's because, all of a sudden, you're freed from the physical limitations of how you look, which is amazing.
Everybody in Spain is sick of me. But in America, there's curiosity about the new kid on the block who doesn't speak English very well. The attention makes me feel vulnerable, which is something I hadn't felt in a while. But I like it.
I remember walking into the editing room when I was a junior in college, and I watched the guy make cuts, and I didn't know what the hell was going on. He was just putting these shots together and telling the story, and it was amazing.
You have these big $200 and $300 million movies with special effects, and I've always thought, 'Gee, why don't we make 30 movies instead of one $300 million movie?' Let's shake it up a bit; wouldn't that be a better bet? Evidently not.
As an actor, you're always at the service of somebody else's vision. In a play, it's more of the director's vision, and he or she's got their hands on you all the way up to opening night, and if it's a film, there are even more people.
Don't knock rationalization. Where would we be without it? I don't know anyone who'd get through the day without two or three juicy rationalizations. They're more important than sex. Have you ever gone a week without a rationalization?
I've never been passionate about acting, and I find more and more that I work to live the life I want to live. [...] There's something about the detachment I have, the feeling of the lack of importance about what I do, that is healthy.
When you're acting in a movie, you never consider the reception of it. It's impossible to predict how something will be received. Even if you think it's the greatest thing in the world, other people might not like it. Or agree with it.
I feel like my experience on 'Community' was that I saw just how important that first year is for a series. That is where you work all the pieces out, and that means honing the characters' voices, setting that tone, finding your angle.
I still have a hard time saying who Johnny [ Cash ] is in one sentence. He seemed so contradictory in his actions, and I think that's probably what is most fascinating about him and what made him such an interesting character to study.
Audiences in every medium are becoming far more savvy. No one goes to watch a Tom Cruise movie any more just because it's starring Tom Cruise. No one gives a toss. Concept is what makes actors raise their game. Everyone's on merit now.
We've all had those phone conversations. Things are heated, you're in a position where you're gonna say something nasty. Instead, you say, "Oh, I've got that thing in the oven." Lie. Get off the phone. Don't perpetuate a bad situation.
What makes a really great fighter is a combination of ingredients: one is everything physical that you can do, and the other is what's mentally there for you. And I think that comes down to how big your heart is and what's driving you.
We don't know why we are here and the context of our role in the universe, and the thought of an infinite universe. It's something the human mind can't really grasp. It's statistically impossible that there's not life on other planets.
Hey, I stopped smoking cigarettes. Isn't that something? I'm on to cigars now. I'm on to a five-year plan. I eliminated cigarettes, then I go to cigars, then I go to pipes, then I go to chewing tobacco, then I'm on to that nicotine gum
But, you know, I'm sorry, I think democracy requires participation. I mean, I don't want to proselytize but I do feel some sort of duty to participate in the process in some way other than just blindly getting behind a political party.
The best-case scenario is everything goes perfect and smooth, but we're also a new and weird show. So all my conversations were, "Hey last night didn't go perfect but we kind of know what we've got in store for everybody episode-wise."
In the film world, we can all be heroes. In the real world, where heroism can cost you your life or the life of the ones you love, people aren't so willing to make those sacrifices. When they do, they are set apart from the rest of us.
Obviously, technology is moving and reshaping itself, radically, every day. We're all capable of answering that question within ourselves. Would you do it for the person that you love? Would you be married to a hard drive, essentially?
I think the first Broadway show that I saw was 'Beauty and the Beast,' and that was in 5th or 6th grade. Our school would take bus trips up to see shows, and so it was on one of their bus trips that I got to see 'Beauty and the Beast.'
I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.
I have five, six, seven things I do before those lines are in my brain. I say them like I'm a robot; I sing them. I put a pencil in my mouth, and I say them. I cook. I play with a cushion and say them - so they really are inside of me.
Every so often you get to play wonderful characters maybe at the wrong time in your life. Sometimes, you get to play terrible characters at a really great time in your life. Sometimes, the right character comes along at the right time.
I like to take a long time over breakfast, and I can't bear to talk. If a guest is a breakfast talker it's very important to invite another so they can talk to each other. Otherwise they spoil the newspaper reading and everything else.
For one year, I was Keith Mitchell Coogan on my headshots. The next year, I was just Keith Coogan. And I have gone by that ever since, maybe 1984 or 1985. That is my mother's maiden name, and it was out of reverence for my grandfather.
I don't understand how IMDB works. I don't know who logs in the information. I've checked it a couple times and saw (something he was supposed to be listed in) that I wasn't in there, and thought, "Well, I'm not gonna put it in there".
I've got a feeling that with the best coppers - and in fact the best people in any field of work - what sets them apart is a maverick quality. People who are not afraid to bend the rules in order to achieve the universally desired end.
I did not make this a long film for its own sake. I wanted to make an entertaining film and offer it out there for those who want to see it. If word of mouth suggests there is an audience out there, hopefully their cinema will show it.
The people who watched 'Dawson's Creek' when it originally aired aren't too old to enjoy 'Life Unexpected.' And then you've got the whole next generation that's hooked on the 'Dawson's reruns seeing this show, so it's perfect for them.