Quotes of All Topics . Occasions . Authors
You don't want to watch people who are really awful. That's the goal whenever you're playing someone who's a little twisted. One of the important aspects of this is we just don't know who he is. Or who she is. And we find out along the way.
I've always been curious as to why one man jumps out of a fox-hole with a grenade and charges a machine gun nest and his buddy, who sits right there next to him, sits there cowering. My feeling is that the different is tiny between the two.
When I play myself, I want to be a slightly better person. It just agrees. Everything I play about myself is kind of true, but it's amplified. We all edit, don't we? If you're self-aware, you stop yourself - you know how to behave properly.
Everything is fraught with danger. I love technology and I love science. It's just always all in the way you use it. So there's no - you can't really blame anything on the technology. It's just the way people use it, and it always has been.
Whatever I lack in size and strength and speed, I kind of make up for in being grittier. When it comes to something like basketball I'm definitely not the best guy on the court, but I love elbowing and pushing people out or boxing them out.
What I learned, in the two months that we shot, I don't think I could have learned in two to four years of drama school. It's invaluable to me, and that's been the most fun. It's been nice to let this be a learning experience in everything.
When I saw 'Hercules,' my mind just exploded because I was extremely thin; I was insecure. I literally ran out of the theatre and started lifting things, anything I could think of - milk crates. I'm still lifting things. It changed my life.
To be perfectly honest, I like pressure. It's something I find exciting. And I am the kind of personality that gets very bored very easily. The work I try and involve myself with is ordinarily determined by how much it sort of frightens me.
I'm of the mind that life is a risk. Every time you leave your house it's a risk, and I see no reason to go through life with my hands tied behind my back for any reason. I'd be foolish to let something stop me from doing what I love to do.
I'm of the mind that life is a risk, every time you leave your house it's a risk, and I see no reason to go through life with my hands tied behind my back for any reason. I'd be foolish to let something stop me from doing what I love to do.
I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen.
If you're sitting in the audience, you probably can't see the preparation and work that goes into creating a great scene or a great part, but I can assure you that a good film depends on lot of different things falling perfectly into place.
When I started my show, it was a public access show in Canada, and I was a broadcasting student in the early '90s, years before I was on MTV. We were kids sort of experimenting and trying to take on the system - you know, the media machine.
If you have a great part, you have the opportunity to give a good performance. The greatest actors get the best parts, and the best parts make the greatest actors. There are plenty of people who are as talented, who just never got the part.
We have a very disabled person in our family who is cared for by someone who lives a life most other people would find impossible, and her faith is making it a joy for her. And you can't argue with that. I mean, you can, but it's fruitless.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
It's important to be yourself. What art does for everyone, helps you understand yourself and in a distilled way, whether it's a painting or a scene in acting or a joke. It distills something about everyday life that can be important to you.
There's good action stars. I'm a bad-guy action star. What disappoints me is when you all of a sudden you get a good action star and then he wants to play a comedy with kids, you know? That upsets me, and that's not being true to your fans.
I wasn't handsome. I didn't have good clothes. I used to wonder why people would hire me when they could get college graduates and Oxford scholars. Then it became apparent that when I got up on a stage, people actually wanted to look at me.
Working with people like Jennifer Aniston and Jason Sudeikis is such a blessing because I've watched them a great deal. I grew up with 'Friends' and always aspired to work with someone from that cast. Jason is just such an amazing comedian.
I've always found that I have to audition, but that's a process that I kind of enjoy. I enjoy the challenge, and 'We're The Millers' was the same. It was a long audition process that I had to go through, but I enjoyed the challenge of that.
I am a great believer in high-priced people. If a thing cost a lot it may not be any better, but it adds a certain amount of class that the cheap thing can never approach; in the long run it's the higher-priced things that are the cheapest.
Sometimes, directors are afraid to stop shooting, because the second you stop and say, "We got it," and move on, you'll never get another chance. And they're terrified to get in the cutting room and not be happy. So they just keep shooting.
It's... it's such a weird thing. After Garden State, so many companies wanted to make my movies, and after The Last Kiss, I realized people would make anything I was in. As long as I keep this up I'll be swimming in chubby indie girl pussy.
I think sports are very beneficial in the fight against obesity. I remember playing little league - I was the best person on the pitch by a long shot. It was only last weekend actually, I think I have some photos of it if you're interested.
I definitely try to play a common man in my roles so people can identify with my characters, but the truth of the matter is that it doesn't really matter what I do or my lines are, I'm still Zach Braff, and people know I'm better than them.
I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.
It's great when people appreciate your work, but I don't know how seriously to take it. The amazing thing is that I found something so early that I can support myself doing, and that can even be extremely lucrative, but I love it either way.
Noah's daughter is different from the girls of 'Suburgatory.' She goes to Brown, so she's in college, and she's very smart. And his wife is very much a very strong woman. She's certainly in charge at his house. She's Dallas's polar opposite.
That was cool, because they've all [ George Clooney and Josh Brolin and Scarlett Johansson] worked with the Coens. They were much more at ease with them at the outset, and they were all kind of familiar with the shorthand that the Coens had.
Even though I grew up in L.A., no one in my family was in the movie industry. I've always felt whatever the opposite of disillusioned is. I guess illusioned with movies and with people in movies and things like that. It's all exciting to me.
Other than my sexuality, I am vulnerable regarding my physical appearance, as I am not what people considered ideal by most standards. For the entertainment business, I am not the body type of what is typically cast for television or movies.
I've got nothing against big-budget values. I mean, I was very proud of 'The Avengers,' the part that I played in it, albeit a small one. It was thrilling to be part of it. But it's so huge that you can never really wrap your mind around it.
The thing that I love about Rick Grimes is that he pulls himself off the canvas even when he has been pummeled to the ground so many times. And either he gets up by himself - he drags himself up - or he is helped up by loved ones around him.
I love Agassi - I really followed him a lot when I was a teenager and remember when guys like him and Michael Chang were just unstoppable. He was really inspiring. Every match was so dramatic and exciting. The guy played with a lot of heart.
The intellectual's struggle to deny the obvious is never more desperate than when reality is unpleasant and at variance with his preconceptions and when full acknowledgment of it would undermine the foundations of his intellectual worldview.
They do not air 'GH' in Holland, so I don't get recognized. But the Dutch are wonderfully unimpressed with celebrity, so even if the show did play over there it probably wouldn't affect things much. It's a wonderful life and I am so blessed.
I'm a strong nonbeliever in the Christmas letter where you don't really read it because it's just full of kind of meaningless information. It doesn't really resonate to the person reading it, but it means so much to the person that wrote it.
If you want to be able to use the powers of Flash and Wonder Woman and Cyborg, you have to have bad guys who are up to snuff and give them what they can really kind of get their cars out on the track and open up the accelerator a little bit.
You still get these waves of doubt that come over you, for example, when you get a bad review or you accept a part and think, 'Oh, God, what have I just accepted? I can't do that.' I don't think that's something that will ever go away in me.
At the end of the day, it's a very powerful voice when you're able to perform on any level on any stage and have the audience, have the attention of children. It's a gift. It's not to be taken lightly, and it can be used for good or for bad.
I wanted to be a doctor once upon a time, but it turns out you've got to study, and that wasn't going to happen. I had no idea what I was going to do. I had trouble holding jobs because they want you to be on time. That wasn't going to work.
I don't care how much hardware you throw at an audience. If they are not emotionally invested in the thing, it's zero. I can name a slew of films, but I have no ax to grind. I understand the commerce of Hollywood probably better than anyone.
As an actor, you're continually riding the waves of whether you're in or out, getting work or not getting work, and Kazan was really a guy who was condemned into not working and looking to go deep into someplace and just live inside his art.
I think maybe I was instrumental in taking the stereotype out of the Southern actor is some ways. I would hope my legacy would be as a serious actor who told the truth and did parts based on the quality of part and not necessarily the money.
I was introducing [director and producer] Hal Roach - Mr. Roach was 100 years old, he was one of the fathers of early days in films, he put Laurel with Hardy, he created the Our Gang kids, and all these silent movies he did - he was a giant.
I don't want to find myself ever locked into what people think I should think or do. In my art, and acting, I have a universal vision of things, an international vision. Bigger and broader and beyond. 'Bigger than life' is always on my mind.
One of the things I've realised is that I am very simple. My wife asked me once if I loved her. I said: 'Look love, I'm a simple man. I love you. End of story.' But I guess you gotta keep saying it with women. I guess she needed reassurance.
In fact, with Michael Jackson, I think those mourning people... They aren't even waking Michael, they're waking the Michael Jackson of '84. They never were given a chance to give their respects to the death of the guy they loved back in '84.
I am very interested in architecture. I've been asked if I'd ever direct, but me, I'd rather build. It's very similar to directing, because you get to walk among this piece of art, to live in it, be surrounded by it, which is just thrilling.