Quotes of All Topics . Occasions . Authors
Boot Camp was great and very interesting. You got to use live rounds of ammunition and got to do a lot of crawling around with live rounds flying around you, so you really had to learn to keep your ass down - everything down for that matter.
One of the hardest things in the world to say is "President Trump," and not out of disrespect - just because people have known him just as Donald Trump for so long. It would be like if people said, "He's a doctor now, call him Doctor Trump."
I mean, in terms of comfort, it was horrible, but we knew the sequence was going to be good. That sort of drives you forward when you know what you're working on is going to be fun. You'll go through all manner of discomfort to get the shot.
I think a lot of high-profile artists like to make people think that. Oh, Im trying to choose my next project. This is a job. Sometimes your next job is so you can provide for your family; your kids are 16 and getting ready to go to college.
Detroit 1-8-7' - the numbers are police slang for murder - is filmed in that blue-collar Michigan city, providing a flavor of authenticity. Detroit offers a unique visual landscape that tells the story of the city and what it's been through.
I'm the seventh child of George and Leona Douglas, and I don't ever remember a time when my father didn't work two jobs. When my mother was going to the grocery, or going to Mass, or trying to take care of seven kids in a run-down farmhouse.
Like any family, like any group - the Beatles, Led Zeppelin, EPMD, Public Enemy - they've had bumps in the road. I just think that because A Tribe Called Quest is so precious to fans, they were concerned about unveiling some of those things.
I got my training here in Chicago at the Goodman School Of Drama, and a lot of my personal work is usually internal work and stuff. Everything else that goes on is icing on the cake - your wardrobe, your makeup, whatever else you have to do.
You know, we're each the hero of our own story and we perceive what's going on around us, and especially in a relationship, from the kind of viewpoint of, 'Well, this is my story, and I'm the hero of that, and I justify what I do around it.'
I want young people to ask me if I'm serious. Our young people have been lied to and misled for so long. When I stand on this soapbox, I want young people to ask me that because once they know I'm serious, they'll be willing to ride with me.
I think it has been a weird mistake to have people with their own music careers going on and judging people because when they're too critical, it affects them. They don't want to be that honest, because they need to keep their appearance up.
I have a very healthy growth of both head and facial hair. People always want to attribute further superhuman powers to me. It's funny the way the audience really seems to want me, Nick the actor, to exhibit the same machismo as Ron Swanson.
It's rare that I've read a script where I'm like, "Oh, my god, it's hilarious!" All you want is a good skeleton and good characters. Then, you can go, "Okay, I can bring a lot to this. I can improvise and I can create something out of this."
I cherished my time filming 'Lord of the Rings' in New Zealand - it's the most beautiful, magical place with great hospitality. I love places that are completely cut off from everything - where I can relax and enjoy the simplicity of nature.
Mike Nicholls saw me in the musical of The Full Monty and brought me in to audition for Angels in America for HBO. And that opened a lot of doors because you could go to LA and say: "Well, I'm starring opposite Al Pacino and Meryl Streep..."
I try to do as many different roles as the system will allow me. That's the benefit of not being in a giant blockbuster where you're the lead and you get typecast in that kind of role. I am able to slip in or out of a lot of different parts.
The way you deal with a scare is the way you deal with a laugh. The timing has to be perfect. When you're dealing with fear or laughter - emotions that happen spontaneously - you hope it's working. But in the moment, you really have no idea.
I'm such a contradiction: I eat really healthy, I go to the gym, but then I smoke two or three cigarettes a day, and I smoke other things as well. Overall, I feel really healthy. But sometimes I feel like I'm more sensitive to little things.
The Red Viper enjoys life. He does not discriminate in his pleasures. This is the way he understands life, to live it to its fullest. And to limit yourself in terms of experience doesn't make any sense to him - what's beautiful is beautiful.
Very intense first summer out, to be 18 years old and never having gone on a date, never having smoked a cigarette, never had a drink, even a sip of beer, never kissed a girl, all of those things. It made for a fairly intense first year out.
I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.
I once knew it. I only hope that I can regain my own identity, once I decide that Perry Mason and myself have come to the parting of the road. Perry Mason has become a career for me . . . all I know is that I work, eat and sleep Perry Mason.
To be honest, I struggle with words. I often forget them, you know, the official ones. Instead, I make words up. I use home-made words that sound similar to the real thing. Usually, they're some sort of confused hybrid of two existing words.
I was a temp for three years in New York when I was auditioning; when I was cast in 'Mad Men,' I was still a temp. I'm good at making copies; I'm good at typing things. I'm good at killing the day and making it look like I'm doing something.
If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.
I think that in an Internet age, content is content. As long as you can stand up on the merits of what you're doing right at that moment and aren't just relying on your success in doing something else, it's all good; people will respect you.
It just so happens that people aren't doing comedy about abortion or cannibalism or waterboarding. And that to me doesn't necessarily mean that there aren't aspects of those subjects that are funny, it just means that people are too uptight.
To me, real comedy comes out of behavior. It's the choices you make as an actor. It's never about, "I want to do a comedy script." I can't think of it that way. And besides, some of those movies, those comedy movies, I can't even watch them.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
For 'Jeremiah Johnson,' nobody wanted to make that film. I went to Sydney Pollack, and I said, 'Sydney, I live in the mountains, and I would like to make a film about a person that had to exist in the mountains and survive in the mountains.'
Even when I did my Broadway show, I did 15 minutes no one had seen before, because that was the night that Michael Jackson protested about Al Sharpton bailing on him. I said, "Wow, if that man bails on you, this must be really a lost cause."
There's something about that relationship between actor and audience. Whether you get it on Broadway or in a fine local playhouse, there's no greater drug. Every time I get to do TV, film and a play in the same year, it's my dream come true.
When I was playing James Bond, it was the best job in the world. I mean, it was hard work, all that filming and travelling and tedium on set, but I earned a lot of money, and it was not a taxing job. I just had to say, 'Shaken, not stirred.'
Confronting a stadium audience, you can't see the whites of their eyes. It's just an amorphous mass of noise and, of course, you can't see the alleged billions watching at home either, so the degree to which you are intimidated is quite low.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
'He's the most charming man. He's the Oscar Wilde of our time. I only had one moment with him in that film and it's a great source of regret. I love spending time with him. He's always very open and effusive. His interest in you is genuine.'
I'm sick to death of famous people standing up and using their celebrity to promote a cause. If I see a particular need, I do try to help. But there's a lot that can be achieved by putting a check in the right place and shutting up about it.
I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.
It's interesting the kind of freedom the musical form gives you. The rules are out the window. You can get impressionistic without seeming pretentious. Because it's perceived as an inherently accessible form, it gives filmmakers some leeway.
We're paid to care. That's what actors get their money for. But the main goal is not for the actors to be frustrated at the end of the show, but for the audience to be throwing their shoes at the television set. That's what we're trying for.
Acting is a sport - especially working with Mark Rylance. There is competition involved. I have to be muscular, challenging, get audiences on side. It's extraordinary how Globe audiences join in - it's like competing at an event - I love it.
If you're going to be in a series and it has commercial breaks... People say, "Oh, there's a difference between cable and network," and my response to that is, "No, there's a difference between sponsored and not sponsored." That's the thing.
There was a movie called 'Hawk the Slayer' when I was a kid. I think only three people saw it, but me and my brother saw it. I remember when I was a kid thinking that's kind of cool. It was just this sort of action adventure-y sort of thing.
Putting something in a movie because it's in the news doesn't make it political to me. If you're not going outside the same old, same old, if you're not pushing the envelope, then you're not doing anything. A good movie is a political thing.
I love general history. That's all I read really. I don't read novels, I read history. I love it. I live in an area that's really rich in Civil War history. I live in Kentucky on a farm. A lot of revolution, a lot of military history I love.
I learned the real meaning of love. Love is absolute loyalty. People fade, looks fade, but loyalty never fades. You can depend so much on certain people, you can set your watch by them. And that's love, even if it doesn't seem very exciting.
'Yogi Bear' changed my life in ways that I can't explain because it's not a full feature on me. 'Yogi Bear' - there's everything before 'Yogi Bear,' and there's everything after 'Yogi Bear.' Like a major car accident, or the birth of Christ.
People think that human beings have gotten worse, that because of the pressures that modern society puts on us, we've gotten worse, and we've gotten capable of doing more terrible things. I don't know if I necessarily think that that's true.
I knew some people at my school who were squatters, and my younger brother was a squatter. I knew those guys: those were the people who said the Russians were the good guys and the Americans were bad. But I was the guy who went to the disco.
We are pre-disposed for fantasy, there is a natural impulse for human beings to want to get off their heads or out of their heads in something in a substance or a drink or an idea or a religion which will comfort them and make life exciting.