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An ideal movie would be, like - to get this to happen, I have to work so much harder - but imagine Denzel Washington, Laurence Fishburne, Jamie Foxx, Eddie Murphy... Who else? Donald Faison. Directed by Steven Spielberg. That would be awesome.
Whether youre working in corporate America or youre a journalist, construction worker, a teacher or an actor - were all trying to keep working. If one job is ending, you look for another job. When Psych ends, I will be looking for another job.
So when I told my parents I wanted to go into acting because I was flunking out of my first year of junior college, they were relieved that I had picked something other than joining the army. But I can't imagine how they had high hopes for me.
My freshman and sophomore years in high school, I spent a lot of time trying to get back on the right track. I was arrested multiple times by the time I was 16, so I had a little harder time trying to adjust like a lot of us do in high school.
Panamanian boxing is unique - it's very musical. It's almost like a dance. It has a lot to do with being in the Caribbean and with salsa. When you see a Panamanian boxer, there's a style. There's a playfulness in the way you throw the punches.
The point of my explanation is I'm very subjective when it comes to describing my characters: they are all a little bit a part of me from the outside in or the inside out - but to put your mind at ease, I built Paul Snider from the outside in.
But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference.
I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi; something with very important subject matters.
I've had several moments in my career where it seemed like I might not age out of the bracket the world wants to put you in. It's hard to keep growing up inside the performing arts. It's very difficult, and presents a lot of unique challenges.
A million pounds sounds like a lot of money now that I'm saying it. But in terms of moviemaking, it's not a lot of money. And yet you can see what can be done with that, with the talent of a great cinematographer and great director and actors.
A lot of the vibe in London is being sucked dry because of the economic situation. It's very expensive, and it gives you nothing back. New York still feels like there's stuff going on. People are struggling to create art. There's still a vibe.
I myself am a Buddhist, not a Christian. But I cannot help but think that if Christ ran a public establishment, it would be open to all, and He would be the last to refuse service to anyone. It is, simply put, the most un-Christian of notions.
The word today is "detained," not "interred." People are being detained with no due process. They don't know what the charges are, why they're being detained. Simply because they have an Arab name or some association, but there are no charges.
I did spend a lot of my childhood playing out movie scenarios in my head. I'd walk along the road, pretending like I was in the army, talking on the radio, and doing maneuvers. I dreamt a lot about performing in movies and living in fantasies.
Inside of all the makeup and the character and makeup, it's you, and I think that's what the audience is really interested in... you, how you're going to cope with the situation, the obstacles, the troubles that the writer put in front of you.
Being a dad has made me more aware of myself. I can see all of my virtues and flaws. They become glaringly clear when my daughter communicates with me in the same ways that I communicate with her. I can really tell where and when I went wrong.
Somebody saw me on 'Cheers' and thought that I was an actor playing a part as opposed to a guy just doing what he knew. And they gave me 'Night Court.' And by the time they realized I wasn't an actor, I had already signed a five-year contract.
I've experienced Islamophobic stuff. But I don't care - you can say whatever you want to say about me, but I am who I am. I think that what I'm trying to fight for and what I'm performing for is bigger than any religion, race, creed, or class.
Love thy neighbor is difficult. That's why everybody - wars, you know. It's the hardest. And it's the most important. And respect thy neighbor. Love and respect. It means respect, really. Respect thy neighbor. Respect the other, the different.
I have to say, without sounding like a total tosser, that everything I've learned in life, and that has taken me out of my natural interior life, has been with men. They exposed me to things that I wasn't aware of. I learned from all the guys.
Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.
Oh, my father's had a huge, immense impact on my career. I grew up on movie sets that he was working on, and it just become a part or was a part, was the only part of my life because I spent my whole childhood traveling and being on film sets.
I've played hockey most my life and I've never been badly injured...Three weeks into curling I've got bone chips in both my elbows. I still can't lean on a table. I've even got curling injuries, believe it or not, just from falling on my arse.
I want to be Gary Barlow and peak when I'm 40. That's my plan - he's who I'm modeling myself on. Most people are completely beautiful when they're young, and then there's always a point when they get older where they say: 'Oh, what happened?!'
My best friends are still the ones I first attached myself to when I went to school because, all of a sudden, I was leaving the rather pampered and occasionally very annoying world of having three older sisters to go to a male-dominated world.
The idea that you can cross a dimension, or commune with the dead, or life on other planets... these are the great unknowns. They will be debated as long as their is life. I think there's an inherent interest from people in what that stuff is.
I don't think the expectation is that the 'Psych' musical is going to be 'Rent,' so I think as long as we didn't completely humiliate ourselves and it is funny and it is in the tone of what we do, we'd have a fighting chance of pulling it off.
I went to boarding school in the country, so there's no real differentiation between family and friends. I went there from when I was 8 until I was 17 - it was insane. If you earn my friendship, you are my family, and I'll do anything for you.
Now ballads, I can mess around and get up on somebody on a ballad. People ain't seen it yet, but I can mess around and get up in there. I've had Ruben Studdard up in my house, Brian McKnight, Tank. Every once in a while I throw down with them.
When 'Supernatural' came out, there were a lot of procedurals and you were either a doctor or a cop or lawyer, otherwise the show didn't stay on TV. And then we came around, and I don't want to say we were trailblazers, but we found our niche.
I'm a grafter, I like working, but like for The Curious Case of Benjamin Button, the film company only paid me for the shooting schedule, which was supposed to last six months. But it lasted 11 months and you don't get paid for extra shooting.
When I'm acting, I wish I was out there, being a part of it and making it. It's all on your name to do that. It's your vision. You're going to get slandered for your work, and I like that. As an actor, it's so hard. I'd rather direct than act.
Your body is like a piece of dynamite. You can tap it with a pencil all day, but you'll never make it explode. You hit it once with a hammer: Bang! Get serious. Do 40 hard minutes, not an hour and half of nonsense. It's so much more rewarding.
I just hope that theaters remain. I think there's something very wonderful about getting into a dark room with a bunch of people. There's something cool about that. Brings us all together in one room where we can experience all those emotions.
I have played characters where I haven't been absorbed - you know, what I call a typical film leading man role where you just have to look gorgeous and be attractive and charming. It bores me. I like a bit of dirt, a bit of sand in the oyster.
Actually, acting in bumper cars is terrible, because the really only way to film it and get a close up is to literally mount the camera - this heavy thing on the car and it's just the worst because you can't act at all with a thing on the car.
The scariest people to turn a movie over to are always the people who are drawing up the poster, because that's the first impression it's going to make. And very often it's portraying a very different film from the one the actors actually did.
I didn't really start doing stuff until I was 8 or so, but I was an extra in a bunch of different movies, and I just really took to it and really enjoyed it. I kind of bugged my parents to give L.A. a shot, and they were just super-supportive.
'Chicago Fire' has been a wonderful outlet for me. We're thrown into the gritty streets of Chicago working among actual first responders. They're a wonderful bunch, and the sense of community among Midwesterners is very similar to Australians.
I really have always thought of myself as somebody who lives in the middle of the wheel and is able to go to the extreme, to the outside of the wheel in any direction. The best case scenario for me is to be able to be centered and then go out.
There are no right and wrong ways to work in this business, but there are some basic common-sense practices. Work very, very hard and always be prepared; never give up; and once you get the job, give them more than they ever expected: - Shine!
I remember when I was doing 'The Crucible' on Broadway with Laura Linney, and Arthur Miller had been in rehearsal with us and was on stage on opening night. She turned to me during the curtain call and said, 'Let's make sure we remember this.'
I know I'm not some matinee idol, but I think we're sold this bill of goods by the media, which says that only the most beautiful and dashing people can become movie stars. So when someone like me sneaks in, they have to redo the calculations.
Films don't take as long as people think. 'Harry Potter,' people always used to say, 'Well, my God, do you ever get any time to yourself?' I think I did, in 'Harry Potter,' over a 12 year period I did five days. So it's not exactly exhausting.
There's the push and pull you put on yourself and the push and pull the world puts on you. Most of the time, the world's going to win out, because it's just logical that you should be more successful and more motivated. You can always be more.
If everyone in your class has heroes, and they can relate to them in textbooks and literature, and then you don't see any of your heritage there, you feel less than. And I always wanted to be able to make Latin kids like myself feel more than.
I did have a falsetto, but I only used it when I was joking around with friends or to annoy my girlfriends, or in the shower, because no one else was around. Or in college. I'd go to karaoke bars and sing Tina Turner songs in the original key.
I think probably when I was little, after my brother turned on me, I just had to play by myself or with myself. I've always done that. I think either it's some kind of weirdly competitive streak or it takes my mind off whatever's bothering me.
Princess Diana was a nice dancer because she had confidence. In fact, when we danced together she started to lead, and I looked her in eye and went, 'No, you have to let me lead.' So I grabbed her around the waist and we were off to the races.
I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.