Quotes of All Topics . Occasions . Authors
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
I think the goal is to make a well written scene seem like it's improvised and/or to come up with things that you find in the room that you couldn't have known until you get into the real situation, just try to improve things as you go along.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
When people get in trouble with addiction, it's because they're holding themselves to too high a standard and because they're not meeting it, they have to punish themselves, and it turns into this cycle of failing and falling lower and lower.
It only takes around 60 seconds to cast your vote in the polling station. 60 seconds to protect the economy, 60 seconds to protect your jobs, 60 seconds to protect the services your family relies on. A lot is at stake during those 60 seconds.
I was the lead in 'Interview With The Vampire', until Tom Cruise decided he was interested. I was in 'The Wings Of The Dove' with Uma Thurman, until that got cancelled. I was in 'Shakespeare In Love' with Julia Roberts, until that fell apart.
I was very frustrated, in a physical sense, by people seeing me in a way that I wasn't. And I was beginning to find myself boxed into a corner. Hopefully things have loosed up a bit, and I've gotten better and become more relaxed as an actor.
I'm sick to death of famous people standing up and using their celebrity to promote a cause. If I see a particular need, I do try to help. But there's a lot that can be achieved by putting a cheque in the right place and shutting up about it.
I don't like to be entertaining. I don't like the feeling of being entertaining. If there was a musical or a comedy that was not just for entertainment but was rooted in something I could relate to on a real level, then I think I would do it.
I've been known to turn up drunk at triathlons and do very well. I'm more of a heat-of-the-moment type of guy. A friend will tell me about something coming up, maybe that weekend, and usually not an abundance of thought goes into my doing it.
I was in the cement end of the construction business, as a laborer. I was pouring concrete, and stripping forms off of set concrete, and pulling nails, and stacking plywood, and doing that kind of thing. I was in peak condition in those days.
I see my share of loons. I just performed with someone who had a meltdown on stage. He needed focus, and he was 'stealing it' and just being crazy and selfish and childish and having a great time doing it - to the detriment of everybody else.
Others may dispute this, we have tried to keep that sense of experimentation and putting new people up alive. And we haven't become a show, where we're like, "We know the 20 comics who are good and we're just going to keep on recycling them."
I grew up in St. Louis, and I don't know if you've ever been to St. Louis in the middle of summer. There are days in the summer sometimes, weeks in the summer, where the temperature can be over 100 degrees and the humidity can be 100 percent.
There is nothing like understanding that your work has touched somebody. That is the sole purpose of acting. To be able to move and inspire. If I can do that for one person it is already changing the world and that makes me feel accomplished.
If you are lucky as an actor, you are doing a character that really matches where you are in life, or you're doing a character that is not where you are. If it's somewhere in between, you have to use a lot of imagination and a lot of thought.
The best part is it's a dream come true. I've always wanted to be a working actor, and the good part of it... it's all good! I work long hours, but it's amazing. They pay me. That's amazing! I get to kiss Keri Russell, and that ain't too bad.
The availability of roles for deaf actors has always been very limited. After 'Switched at Birth' began including deaf actors, a ripple effect has definitely been created in the industry. 'Switched at Birth' has made an impact for the better.
People want to relate to that. That's a healthy place to be. Even movies do this: War movies or light-hearted comedies, they all have their different time. And this is the time, fortunately, for straight plays... Are you going to come see it?
My dad was fairly well-off, so I was raised in a very comfortable environment: the very nice suburbs of Paris. It was a very idyllic life. I also spent nearly all my summers in Britain, and Christmas, too, because my grandparents lived there.
The difference between film and TV, for me, is just that huge thing of knowing that there's a script that is not going to change and you can go really deep into that. With TV, you're just constantly on a high-wire, making sure you don't fall.
To me, YouTube isn't just, 'Watch my videos!' It's, 'Let's have a conversation and get involved in each other's lives.' I want to make [my fans] feel like they have a reason to have a YouTube account because they can comment and have a voice.
I looked at the job of piano accompanist. It's a selfless position and generally they are odd people, according to opera singers I talked to. Just like everybody else, they want more from their life, but now their job is to make others shine.
I love unique platforms in order to do your best to stand for your faith as long as it's not something that is hurtful or negative. I welcome that opportunity. It's always fun. But you do have to use as much wisdom and discernment as you can.
I'm obsessed with how people talk! Accents, dialects... So whenever I go someplace where an accent is extremely distinct - Minneapolis, New Orleans, Jamaica, Vancouver - I always find myself trying to pick up the subtleties of their patterns.
There's a time when it was an event for a black person to be on television. Where black households would gather around, 'Oh, you know, Sammy Davis is going to be on 'All in the Family' tonight! Let's go check it out!' It was a big, big thing.
I catch myself every once in a while doing that weird thing that I see famous people do, where they have sunglasses and hats on and grow out beards thinking that they're fooling people. Dude, you're not fooling anyone: you look just like you.
If you want to be successful, you have to jump, there's no way around it. When you jump, I can assure you that your parachute will not open right away. But if you do not jump, your parachute will never open. If you're safe, you'll never soar!
I came in with my idea of what a cowboy would wear, but then I met some real cowboys and they said that I rode the horses well, shoed the horses, but no good cowboy would be wearing a pair of Levi's. I had to get a good old pair of Wranglers.
Home is a relative concept for me. I've been in Los Angeles 10 years, and I definitely feel at home here, but I also feel at home in a lot of places. I'm not too attached to anywhere, really. Home is where the people you love are at the time.
I think back to my time in children's television, back in the 1970s, and the amount of innovation that was going on then. Because the mass market wasn't focused on it, so you had a freedom to do amazing things, like 'Vision On,' and 'Tiswas.'
It's funny because when Jason [Statham] was drowning I was filming with an iPhone. It may have been a bit insensitive but I just thought, "you know what, this was a magic moment". And I couldn't help him anyway because I didn't want to drown.
I feel like I've made good friends with people I've worked with, but in terms of lasting inspiration, it is probably Matthew Vaughn who directed 'Kingsman' who's been really supportive, loyal to me, and been a really good person to work with.
We need to start looking at having a way of managing the whole ecosystem, because you can't pick away at it piece by piece, you have to truly start being coordinated and managing our resources as a system. We haven't gotten to that point yet.
I really love a challenge, but in 'Downton' it was really hard going because there's no CGI - what you see is what you get. These were real explosions right in front of our faces, and you just had to make sure that you cleared out of the way.
Working with Steven Spielberg, how bad could it be? But "1941" was one of those excessively big movies where every action scene was done and re-done and re-done again. It was so overproduced and overly expensive. And it wasn't terribly funny.
Sharks will scare me. I went out to Malibu a couple of weeks ago. Beautiful, clear day, out in five feet of water, going to surf, and there was this big ol' freakin' leopard shark... I'm looking at him and I'm thinking, 'OK, he won't hurt me.
You're always asking yourself, are you doing the best for your child? And other parents let you know if you're not, just not in a direct way. There's a sense of competition, which is ridiculous because you know deep down you're all suffering.
To then be on set [of The Flash] the next day over a meta human carcass talking about stratum corneum with Barry Allen, I was, like, fan girling out a little bit. I had to calm myself down a few times. But it makes it fun, coming in as a fan.
I'm talking about some real subjects and issues in my standup. I'm attempting to make a point about technology and how it's changing our society and our lives, and our addiction to social media, and how it affects marriages and relationships.
We're travelling through space and time, we're dealing with gods and monsters, but at the heart of the film, from my perspective, is a family - a father, two sons, two brothers, a mother and the fractious, intimate interaction that they have.
I am so proud to be from New Orleans and to be one of those people who had been displaced. I wasn't there during that time, but that's where I come from, that kind of poverty, and I'm very, very proud of that because it's given me my history.
Anyone can identify with those moments in life where circumstances or people inform us that we've strayed from the path of our better nature and intentions. We know what that's like, and we resist it - so as not to feel like we're bad people.
I still wear my trousers baggy as I did in my teens. But in a different way. I've loved trainers since my youth - limited edition, vintage, whatever. You could recognise people and judge their character through their trainers. I'm a Nike man.
The minute your parents die, you stop fighting them. I realized the more I changed my face for films, the more I looked like him. I always liked to disguise myself because I was trying to run away from his image. But all that is not worth it.
It's very much a back and forth conversation between the fans and the writers, between the writers and the powers that be. Their opinions, especially when expressed online or via correspondence, are important and are taken into consideration.
It's drama, it's a lot of things, but you know it's always about every movie or every TV project ever made is meant to be watched. If people like it and support it, that's what it is all about, really it's sort of the important part about it.
There is not a man in the country that can't make a living for himself and family. But he can't make a living for them and his government, too, the way his government is living. What the government has got to do is live as cheap as the people
When I was in my twenties and just so sexually prolific, the first time I went to Machu Picchu, this guy, a spiritual teacher, says to me, "When you make love, you must be making love." I thought that was the greatest advice I had ever heard.
Facts are, directors are not thinking of me; they think I only act in my films, because they're stupid. Or they think I'm a control freak, that I will try to, I don't know, pimp their scripts and just change everything, which I will never do.