Quotes of All Topics . Occasions . Authors
Girls kind of get crazy when they have guns. These girls had never done it, and all they wanted to do was inflict as much pain as they could. We had one rule: Don't shoot us between the legs. But their aim didn't necessarily follow that rule.
My family actually owns an MMA promotion company, so it's kind of a family deal. It's called Fight Sports Entertainment, and they throw amateur fights in California. Because of that, I've given my mom a lot of the fighters to fight in a show.
I'm a very political person. I'm a very opinionated person. I have a lot of opinions about LGBTQ representations in the media, and it's not just a gay community issue. It's a black issue. It's an Asian issue. It's a minority issue in general.
In the old days, people would gather around the fire, or they would gather at a tavern, and they'd tell a story. And then, maybe a week later, someone would tell the same story, but with a different twist on it. That's how folk takes evolved.
If the goal is to get the best artists, actors, and filmmakers in the world to create the best movies, Hollywood does a decent job. And I think no one would disagree with me that it also makes a ton of bad movies and employs a bunch of hacks.
Honestly, I guess if you looked at my CV, I've been doing independent movies since I started. I think that I kind of took a few steps back from Hollywood as soon as it all started to come my way because I wasn't quite ready for the attention.
I probably have the worst wardrobe. It's the most ill-fitting with the worst patterns and colors and the most nipple rubbage. There's bad chafing, and it's always tight in all the wrong places. What's sad is that I'm kinda getting used to it.
I had to battle it out with all the usual suspects and whatnot and go to the callback. I was lucky that (writer-director) John (Levine) and I were sort of these two white-boy hip-hop-heads from New York. I think that alone got me in the door.
The first thing I do when I read a part is see if I can identify emotionally with a character. If I make that connection, everything else is just working on knowing their life circumstances and manifesting those through practice and research.
Invest in yourself. It's like being a boxer, you've got to be in training so that when the bell rings, you get your direction you come out of the corner and you're *ready*. Do not let the audition be the first thing you've done in six months.
I did a little theatre work after that and the following year I got another part in a television series. Then it was almost to the end of the year before I got more work. That was coming to terms with the reality of the vocation I had chosen.
I don't know any real jiu-jitsu or judo or anything. I do movie kung fu. With that, you can fake a punch, but you can't really fake a judo throw. You can get help from the person who you're throwing because they can kind of launch themselves.
I think it's important to approach a house in a way that's reflective of the original environment. Maybe I'm a sentimentalist, but I think that certain geographies call out for certain architecture. I like residences that reflect their place.
Somehow I know there was something so right about my doing Frankenstein and taking so long over it that I've probably been laying some ghost inside myself. It was a very necessary job for me to do, but it'll take some time to recover from it.
Storytelling helps us understand each other, translate the issues of our times, and the tools of theater and film can be powerful in helping young people to develop communication/collaboration skills, let alone improving their own confidence.
I was terrible in my first play. After that experience, I had to face that I wasn't good enough to play with the big boys. I had to go away and learn, so I worked in regional theater for three years. I even understudied at the Kennedy Center.
'Just What I Am' took me all of 10 minutes to make. 'Immortal' maybe took 30 minutes. It's not hard for me. 'Indicud' is almost what my first album should have sounded like, had I really been able to channel all of the ideas I had into music.
'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.
From the beginning to the end of a drama, it's most important that I'm focused on the project that I'm responsible for and feel affection towards it. Then I get faith that the project will end up being good before getting fully engaged in it.
Puerto Rican culture is very different from Mexican culture. Part of the Mexican psychology is the idea of being an immigrant or being illegal or being confused with that. That doesn't happen with Puerto Ricans, because you're a commonwealth.
What mark will I leave behind? How will anyone know I have been here? What sign will tell the future traveler I existed? 'I am here! Today... I exist'. I believe the deepest impression is made in those moments when I can say 'I care, I love'.
Believing in myself and not to be afraid of taking any risks. I have to be better than the average person to succeed. That’s why I chose bodybuilding. If I became a world champion, if I could win admiration from my peers, I could do anything.
I just made random videos with my mom's camera, before YouTube even started. It was just my family and friends in a few spoofs of scary movies and mock talk shows. And then I found out about YouTube so I posted a ton of those videos on there.
Fatherhood means a great deal to me. I love it. To me, there aint nothing better, because your kids keep it real with you. When you think things are bad, you look at them and they show you how things could be all right, and it's all worth it.
I can't think of any more important value to instill in our children than the desire to help others. I feel strongly about setting an example for them. Real problems can be solved by the next generation if we instill in them the right values.
And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.
I'm ambitious. I do think you have a tendency to be less happy sometimes when you're a seeker. You can be disenchanted because you're not getting what you want, and you're always striving and looking ahead instead of just being in the moment.
There are a whole bunch of roles where people say, 'Oh, you're playing yourself.' I guess it's kind of a compliment. Or people say, 'Oh, man, you just roll out of bed and do that.' The work is to make it look effortless. That's the hard part.
I wanted to start creating opportunities for actors out there that weren't so cut-and-dried... My ultimate goal with Outlier is to give these young creatives and young creative hustlers the opportunity to leave their fingerprint on the world.
If you're a movie star, you get the girl, you lose the girl, and then you get her back. But if you're a character like me, you lose the girl, then you get another one, then you get another one, then you lose them all, then you lose your life.
'Detroit 1-8-7' - the numbers are police slang for murder - is filmed in that blue-collar Michigan city, providing a flavor of authenticity. Detroit offers a unique visual landscape that tells the story of the city and what it's been through.
I enjoyed living in Chicago and doing plays for little or no money. I never actually thought that I would leave Chicago, originally. I wasn't one of those people that had a plan to pack up the van and drive out to Hollywood. I didn't want to.
When I first met Alan Parker, who directed 'Angel Heart,' he'd heard so many horror stories about me that he was literally scared to death of me. Right away, he sat me down and said, 'I'm very scared of you. I've heard you're a very bad boy.'
One of the things that continually surprised people with the kind of shows I do, is that we try and find people who aren't doing jobs that are traditionally aspirational but who have nevertheless prospered and found real contentment doing it.
I'm not perfect, I'm not an angel, but I try to live a certain way because it brings honour and respect to my mother. I tell people that when they look at me, they're looking at nothing but a big, overgrown, tough mama's boy. That's who I am.
Self-esteem and identity are very fragile things. I think a lot of times, those are the motivations for why people do take their own lives - not being seen, not being recognized, not being loved, not feeling supported, not feeling understood.
You can be addicted to White Supremacy and all of the benefits, you can be addicted to male privilege and all of the benefits that comes from it. It's like someone pointing at you and you have a stain on your shirt and you don't even know it.
You know, Castle, like anyone else, is a human being first. If you take a human being - especially a vain one like 'Castle' -and you bring in a gorgeous woman and have sparks fly, who can help themselves? What are you gonna do? Sparks happen!
I'm realizing for the first time, your life goes on while you're trying to pursue this career. I saw my career as everything. But you have this life, too. Living your life fully, you come to know yourself better. You'll find the place for it.
There is something about growing up in the Midwest that gives a different kind of sensibility. But if I'm feeling insecure, the smiles and politeness get upped a notch, and maybe that isn't totally reflective of how I'm feeling on the inside.
I look at people in certain circumstances, and I fall into caretaker mode real quick, real easy. I like to shoulder people up and carry them along, and then I end up creating some kind of dependency. I enable. It's really, really hard for me.
I always knew where I needed to go but I sometimes had a problem getting there, so I had to work harder at it. Once in a while I'd wanna take off the blouse and heels because I'd get that "I just wanna be a guy" feeling I had when growing up.
Ultimately, all characters have some negative and positive energies. That's just how I see it. I didn't go out looking for negative characters; I went out looking for people who have a struggle and a fight to tackle. That's what interests me.
In 1981, I borrowed 2,000 pounds - a lot of money back then - paid 50 quid for a seat, packed my own sandwich, and hopped on a plane to America. It was a mighty leap, but one that paid off. A week later, I got a job called 'Remington Steele.'
Civics is not only how to run the country before it's your turn to run the country; it is, in fact, the study of power, practical political power. And you must start that process at an age level when kids' brains are still open and malleable.
My parents grew up in the Depression. Despite the success that they both had in their lives, there's a certain mentality that tells you to finish all the food that's on your plate and not wasting anything and appreciating what's on the table.
Don't get me wrong: I've worked, over the course of 14 years, with certain actors that are really just not nice as people, so you don't really care what happens to their show. But someone like Rachael Harris, you hope that woman wins an Emmy.
Until 1982, Canada Day was known as Dominion Day. I always thought that had more of a ring to it. Beyond the zippy alliteration, it reminded us citizens that our domain of orderly domesticity was graced by the dominant power of our 'Dominus.'
I didn't choose 'Silver Spoons'. I think my mom and agent chose it because at that time there was a lack of patience on some of the people that were in charge of my career. I think there was a big offer on the table, and I think they took it.
People wonder if I'll always be a part of this family and the answer is yes. My family has a lot of good energy going in one direction and because of it, we get a lot of things done. That's why I'll always spend a lot of time at Camp Phoenix.