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Like all teenagers in the early '60s, I put down my hockey stick when the Beatles got big and picked up a guitar. We all thought we'd be rock stars. Then I got into comedy, but I'd always find a way to use my guitar, such as writing songs and doing musical parodies.
I can't think of anything outside of having the gift yourself and creating yourself. I can't think of the next better thing to do than being able to put it back. Creative expression, I think, is vital to the success of any society.... A society without art will die.
Trail conflicts can and do occur among different user groups, among different users within the same user group, and as a result of factors not related to users' trail activities at all. In fact, no actual contact among trail users need occur for conflict to be felt.
For my tribe, the people I found years ago, we've found sanctuary in the irreverent, in the off-center, in the quirky... And that's how we stay entertained, and that's how we stay engaged in what would otherwise seem to be a really cruel world. A really harsh world.
I think we've been dulled by capitalism. We're just blobs now - we're so worried about how we can keep paying the lease on the car, the mortgage, the lease on the toaster and all that. You can't really think about much else. If you lose that, you lose the whole lot.
I think it's dynamite, the way my career has just kept moving, even when people didn't know it did. I made such interesting films, but, yeah, they're not necessarily the big movies that go to the supermarket. I don't need those movies, because I don't wanna do them.
I'm not really comfortable with who I am to be honest. I feel more free to step into the shoes of somebody else. There's always an element of me in there but, you know, if you give me a script and some clothes I can do anything. But, as Ryan, I'm a bit of a recluse.
The power of podcasting is pretty remarkable. It is such an amazing way to mobilize fans. It's almost like they're part of your family. They probably listen to you more than they listen to their own families. I know that's true for me. So there is a real bond there.
I'm as anxious as any viewer would be to see what Temple is going to do next. All I know is that in the second half of the season, he's going to have more sexual tension developing. And it's a great cast - they're all Broadway actors except for me. I aspire to that.
You need governance, but you also need a middle class, you need agriculture, they need to be able to export. I think that's probably the biggest issue, the job creation that could come with the kinds of things that Haiti has all the potential in the world to export.
I just thought it could make a really cool movie. It's not that it's just a buddy comedy but it's all about two guys hating each other and towards the end they're good friends. I liked that these two guys were best friends from the very beginning, and they're crazy.
Living in France while the Falklands War was going on, I felt a profound sense of shame and betrayal, just as I did by the war in Iraq. People have asked why I don't talk about that directly in my plays. Well, politics needs to be articulated in many different ways.
I don't really think about a visual aspect to the work at all; I just think about making the piece. And everything that occurs visually comes out of the subject matter you are dealing with so that I find it difficult to treat the visual element as a separate entity.
I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.
the quote that i liked is"The moment of the baby boy is born is taught to be tough" i really liked this quote from the book that am reading because i think its the same in UAE,we teach our baby boy to be strong and to get up without crying and to depend on him self.
I'm 48. For a while after 'The Jerk' (movie) I had a feeling of failure. I was a little scared. First people discover you and they love you. You get big and then you fail. And people are glad that you fail. But I've always come back and I've started to trust myself.
I want people to do what they want to do because when they feel comfortable it seems to translate better on screen. It is when you put people in a straitjacket that it doesn't seem to translate very well at all. The individuals I work with are usually people I know.
I like documentaries because there's nothing to nitpick or criticize about scenes if they aren't just right. It's about honesty and real-life circumstances coming out. Granted it can be swayed by how people tell that story, but overall, I like it because it is true.
I first saw the ocean as a kid. We would drive from Arizona in the summer and arrive as the sun was starting to come down over the hill near Laguna in southern California. We would always sing a song, and it was a big joyous family moment when we came over the hill.
In every person we meet there's this little piece of God in them and that's who you talk to. And that's the only person that you allow to talk to you. When something else is speaking, you walk away from that. If it's not good, if it's not love, you walk away from it
Children from like 8 and even up to the college age - Spider-Man appeals to a fairly broad demographic but, like I said, a mean age probably of 12 is a good mark - they process information so quickly and it's not because of attention deficit or short attention span.
I allow myself to have my feelings of disappointment and discouragement, but never to sit and wallow in them. I meditate on positive energy, goals, and long-term happiness. Life has its ups and downs, so to expect otherwise is setting yourself up for disappointment.
When I was 21 years old, I had a job playing Santa Claus in a shopping centre in Sacramento. I was rail thin, so it's not like I was a traditional Santa Claus even then. I had a square stomach; that was the shape of the sofa cushion that I had stuffed into my pants.
It was incredibly cheesy set with torches [TV's Survivor] - it looked like the lobby of the Enchanted Tiki Room at Disneyland. And here as some guy pulling names out of a coconut, and I said, 'This is the thing that has made American mass media stop in their tracks?
I'm human, I feel, I understand. That's the highest level of love, is understanding - when you can understand someone, when you can love them with their flaws and their faults. So I understand, I consider. I may speak the truth, but I'll consider your feelings, too.
You put some Vaseline under your eyes at night and under your chin, and you put a little bit on your chest and you'll avoid stretch marks and I'll get you some Vaseline, you can change your oil and fry chicken with it, too, but you best make sure you have something.
The important thing for me is, and what I'd like people to know is that, one particular genre does not make it whole. There are many, many different genres and if you ever gave it an opportunity open mindedly, I think you'd find some pretty interesting things there.
I made films, like 'Shadow of the Vampire,' and I did not like the work I did on it and then Willem Dafoe was nominated for the Oscar. I made films like 'The Adventures of Pinocchio' with Martin Landau. I thought I would get nominated and it flopped. You never know.
If you play Mark Twain and he's not funny, you are definitely not playing Mark Twain. That was the biggest challenge, in some ways. Writing and performing jokes that can come out of that brilliant delivery system he constructed: the friendly, avuncular truth-teller.
I got a call from somebody who used to be the president of Little Persons of America. She got called from some producers who wanted someone of a certain size in the John Hughes film 'Baby's Day Out.' So that was my big break, as the stunt double of a nine-month-old.
This thing about getting rid of a man in the Cabinet is all right, but there is one bad feature to it that few people realize. That is, that unfortunately every one of them is replaced by someone else. If it wasn't for that, this resignation business would be great.
Here I stand before you - brown. Color of the mountains Colossal as the earth Wrapped so deliciously within my own joy and misery Feathers of my wings paralyzed by the distance of my mind Here I stand before you, the color of the night Frozen by the potential of me.
I always thought there was some place I was going, that there was some success or some achievement or some box-office number that was going to fill the hole. And what I realize is that life is a hole. It's a process of continually trying to find and reinvent myself.
The value of a story isn't that it just has a narcotic effect. It's that it awakens something in you that makes you want to think, that makes you talk to other people, that stirs something that makes you examine the story that eventually turns into self-examination.
I remember having to hit a mark and having no idea how to do it, real childlike stuff, because Carnegie Mellon didn't do an extensive job preparing us for film and television. It was very much a theater program. That was my first job. It was cool. I was glad it was.
Only recently have I been introduced to the gym and heavy weightlifting and things like that. Before that, when I grew up, I just did a lot of gymnastics and dance. I had more of an athletic background, but nothing where I was in the gym or using any kind of weights.
I came from a very different sort of background and pedigree from the people who were on "The Daily Show". I was an actor. I was sort of - the irony is that I've done as much dramatic work in my career as comedic work and I don't really think of myself as a comedian.
I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.
The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
By the time I got into Juilliard, I was working at a Target distribution warehouse. It didn't make anything, it just shipped things, and my job was just to stand there and look at the security codes on the back of trucks and see if they would lock, and check them in.
There is no right way to go on an edible journey. You can never tell what is going to be great, so you have to try everything. If you become doctrinaire about sticking to lowbrow foods or epicurean delights, your just being an extremist, and it won't do you any good.
A good trick I learnt early on is not to immediately look at playback because once you know the shot, you can see when the camera is on you. It's best to stay 'in it' all the time, and just if it's on you, it's on you, and if it's not, it's not. It's the easiest way.
One thing I will say - my job gets harder and harder. The more you understand about what you are capable of, the less the instrument can do it physically. It's an inverse equation, if that's the right phrase. I just slammed those two words together. It sounded right.
I had a cheat sheet because I knew Tarell [Alvin McCraney]. His movie is largely autobiographical. I knew about certain events in his life and some of the people he talks about. I had visited the place where he lived many times so I understood innately what that was.
We're all caught up in circumstances, and we're all good and evil. When you're really hungry, for instance, you'll do anything to survive. I think the most evil thing - well, maybe that's too strong - but certainly a very evil thing is judgment, the sin of ignorance.
You can go the route of not living your life at all - and a lot of actors do that, where they just won't even go out of the house at all - but it makes life so unenjoyable. You can't go out, you can't hold hands with your girlfriend, you can't do any of these things.
As an actor you have total rights to privacy and mystery, whatever your sexuality, whatever you do. I don't see why that has to be something you discuss openly because you do something in the public eye. I have no understanding of why we turn actors into celebrities.
It really upsets me that the media insists on turning 'Do the Right Thing' or 'Boyz N the Hood' into 'black films.' They are American films. They may open the window on the black experience, but they had things to say to everybody. That's why they were so successful.
I think that's the thing I learned at 'Saturday Night Live' - any time I would try and strategize, I would always, always fall on my face. Things worked out when I tried to make it about what I was feeling at that moment and what I was into in that moment of my life.
To play one of the main characters in it, it's not the kind of thing you don't do. Oh, I'd rather not play Pippin in Lord of the Rings... In fact, I'm trying to think - what else would you rather do, you know? I can't actually think of another job that I'd rather do.