Quotes of All Topics . Occasions . Authors
I love Jonathan Adler but more importantly I love throws. To clarify, a throw is not to be confused with a blanket. A blanket is to be slept under, a throw is to accent a chair or sofa and give the illusion that in some scenario someone might rest underneath it. In reality, this scenario does not exist and I never want it to.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
Those three years on Loving were instrumental in helping me move through the next few years of work, where it was hit or miss. I was on series that would get canceled, then I would be a movie that wouldnt come out or do as well as I hoped. You learn that you have to just keep plugging away and never take anything for granted.
It's a vicious circle. If you feel hideous, you convey it to people. A couple of male friends from university have said, 'I quite fancied you, but I wouldn't have dared...' and I was like, 'Oh really?' I was completely amazed that anyone had ever fancied me, and also that I'd obviously given an impression of 'Don't touch me.'
As the mask of deception falls off the face of humanity Unveiling the grim reality of duality In which everyone is a casualty, no one will be exempt Truth has many shades It's not a matter of black and white, but gray Although many, we are one, so in the final analysis Could it be that we are fighting a war that can't be won?
I've learned an enormous amount about the business itself, about what it takes - the stamina and the dedication and the diligence - to succeed out here... And I'm very, very thankful, and I have a wonderful career, but it's hard work... I'm very comfortable with who I am as an actor now and excited to try all kinds of things.
Generally, an indie film in the U.K. is put together much like in the states. We got a tax credit. You sell the domestic rights, which can be quite low, but it's enough to push you over the line. And you get a tax credit on top of that, and then you cobble it together with private equity or gap financing and things like that.
I understood from a very young age that school was important and that my parents were making great sacrifices for me. Every morning I saw my father get up and go to a job that he didn't really like. They came to France for the same reasons all immigrants move to another country - so their kids could have a better way of life.
One of my sisters wanted to be an opera singer. So, we spent a few dollars to try to train her, because Italian people would like to have an opera singer in the family. But she's got trouble coughing, let alone singing. One day, she was in the shower singing 'Madame Butterfly,' three days later the Japs attacked Pearl Harbor.
My indigestion issues got gigantic and constant. And then I started thinking, I'm getting skinny. I dropped about 20 pounds in the blink of an eye. And then when you see it in the mirror, when all of a sudden, you pull your eyes down and the bottom of your eyes go yellow and jaundice sets in - then you know something's wrong.
When the idea came up, (Newman's Own) I said, "Are you crazy? Stick my face on the label of salad dressing?" And then, of course, we got the whole idea of exploitation and how circular it is. Why not, really, go to the fullest length, and the silliest length, in exploiting yourself and turn the proceeds back to the community?
I see Kathie Lee. She's not angry about anything. She's having the time of her life, and I really mean that, because I watch her carefully. I wonder, too, how she's feeling, you know, whether she misses - after all, it was 15 years getting up every morning and coming down and sitting there with me and doing the show together.
All through high school and college, my parents would ask me over and over again, 'What are you going to do with your life? What do you want to be?' Well, in my heart I wanted to be a singer like Bing, but I worried about the reality of that dream. Did I think for one minute that I had the voice to pull it off? Of course not.
It's interesting - what are you willing to give up in terms of your privacy for access to other people? For access to things you think you desperately need. Ultimately, it's that old saying, isn't it? If the service is free, then the product is you. The thing being sold is you. There's a product for sale in you and your data.
We began our 'Luxe Life' and 'Vegas DeLuxe daily columns' not long after the 9/11 terrorist attacks, and we've spent a decade bringing you showbiz stories and star scoops. I hope it continues for a long time to come because I honestly feel that all the late nights and around-the-clock hours to be first and fast keep me young.
I do believe any hero is a person that can be knocked down. A failure isn't a person who gets knocked down; a failure is a person who stays down, and to me, the great heroes take the beating, get knocked down and stand back up again. Perseus is defined as one of the great heroes in literature, so you gotta take that on board.
I've got to challenge myself more, and not listen to anybody else, and not listen to any media or bloggers, but just listen to myself. I've got to push myself. If I don't believe I'm growing, and I believe I'm just coasting, then I've got to get off the train. If I feel I'm growing, I have to keep going. It's a long marathon.
I've always had the fantasy of doing a boot camp for a military film, at some point. I've always wanted to know what the experience is like, to feel that mounting pressure of going off to war and needing to be so present and physically aware of your body because you ultimately need to fight for your life and for your country.
I grew up listening to Switchfoot. I love Switchfoot; they're a great band. John Foreman is awesome. I really dig mainstream pop music, but I also have a heart for jazz and rock. Oh! Coldplay! I cannot miss Coldplay! I think 'Fix You' is one of the most brilliantly written songs ever. It's, like, my favorite song of all time.
John Wells and Christopher Chulack were pretty honest from the get-go in our first meeting about 'Southland.' They were looking to create characters that were believable in the environment of the LAPD - multi-dimensional, layered characters with real flaws; good-hearted cops mixed with the perfect amount of heroism and irony.
No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.
Freediving can be extremely dangerous. It's got an incredibly high fatality rate outside of competition. But there's never been a fatality in competition. In terms of spear fishing and people who train by themselves, it's the second most dangerous sport in the world after base jumping. If you black out by yourself, you drown.
Sharing the same vision for what's on the page is always a good idea. The director's job is to establish what that is and make sure that everyone sticks to it when it comes down to actually executing it. Establishing what the vision is and being able to stick to it is the job, and everyone should be on the same page going in.
I wish I hadn't worked so hard; I wish I'd had the courage to live a life true to myself, not the life others expected of me; I wish I'd had the courage to express my feelings; I wish I had stayed in touch with my friends; and I wish I had let myself be happier. It's an extraordinary list of getting in your own way, isn't it?
My father and I used to tussle about me becoming an actor. He's from strong, Presbyterian Scottish working-class stock, and he used to sit me down and say, 'You know, 99 percent of actors are out of work. You've been educated, so why do you want to spend your life pretending to be someone else when you could be your own man?'
One thing I savor about what I do is the relationships that I've earned over the years. Becky Herbst and I have been working together for 17 years. I've seen how everything has evolved over the years, and I've seen all three of her kids being born. Because it's personal, I would have to say I'd like to see him with Elizabeth.
Gus van Sant I met at the Berlin film festival, and he came up to me. He had a little film in the festival called 'Mala Noche' that he had made for $20,000. He said: 'You are one of my favourite actors. I'm doing 'My Own Private Idaho' with River Phoenix and Keanu Reeves. You should be in it!' Then I started working with Gus.
When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down. Because when you're wearing prosthetic makeup, of course, you have to really move your face a lot more to convey things through the makeup.
In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
In some ways for many years I was off the hook.When my niece was born after that their attention was focused on that and she did that. You know, that was in our family that's what she did. I went off and chased this dream and this career that very other few people in our, you know, in my family, but even culturally were doing.
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
Now you can get artisanal everything - pickles, coffees, house-cured meats, mustard. The pendulum has swung back to this kind of food, and it gives me the greatest hope for the future, especially because we're living in a time with issues like polluted Gulf Coast seafood and food labeled organic that may not really be organic.
I never expected to have any kind of film career, to be honest. It was all a bit of a surprise. But I was in a big hit play on Broadway. America, as many people will say, says yes more often than we do. And so I was suddenly surrounded by people saying yes. But I was aware that was 'cause of what I was in. It had a big impact.
I don't know; I guess they'll never make another 'Nemo.' I see they're making another 'Monsters, Inc.' I had a wonderful idea for them. I swear to God, I think there could be a great sequel to 'Nemo' where the fish never will leave home. He just won't leave. 'Getting Rid of Nemo.' Right, 'You're 30 years old! Get out of here!'
Some movies, I think, present ideas of the world that just don't help people with their lives. They just present things that are fleeting or stupid. So that's what I'm careful about - making sure I'm part of something that is saying something that I think is valuable in the world of people, not necessarily in the world of art.
I like movies that interest me and stories that interest me, I don't think about how much money it's gonna [cost] to make the movie, I don't think about any of that. I think about certain aspects like who's making the movie and who's gonna tell a story that I wanna be involved in, but I don't have that choice and I never have.
You can't separate the phenomenal birth of unionism in the United States of America from the Pullman porters. This same small group of men, who grew to be 10,000 strong, was also the organizational foundation for the civil rights movement and all of the gains that were made in the '40s and the '50s. That, and the black church.
When I was 6 I thought that I wanted to be a musician - like a singer-songwriter. That's what I romantically envisioned for myself. But in reality the experience of getting into music was just the opposite. My parents signed me up for classical guitar lessons, which made for two years of the most depressing Wednesday evenings.
The jazz guitarist Peter Sprague calls his home recording studio SpragueLand, but sometimes it seems that the moniker better captures the way he has turned the entire southland into his own musical playground. Sprague is a highly versatile musician who draws on the wellsprings of jazz and Brazilian music as primary influences.
Big L is my favorite rapper of all time. He got killed quite a few years ago now but I think he's amazing and he kind of inspires me like his style inspires me. I don't think there's been anyone better since. I mean, Biggie Smalls is definitely on the top of the list but Big L is like the underdog, I like to give him the edge.
Life can be a lot broader... when you realize one simple thing: everything around us that we call life was made up of people that are no smarter than you. And you can build your own things and you can build your own life that other people can live in. So build a life, don't live one, find your opportunities and always be sexy.
I know when I watch certain actors or if I watch Thom Yorke sing on stage, I'm affected by it emotionally. I guess that's what we are all striving for in art but that's such a beautiful thing that happens between two people that may never even meet. So when you do get to meet someone who was affected in that way, it's awesome.
I was a trial lawyer. At the same time, I was a teacher. I taught about the political and social content of film for American University. Then I left and became a teacher at the University of California at Santa Cruz. I taught about the political and social content of film, but I also taught a course in law for undergraduates.
To be serious, the things you really want to relive are things like bedtime with your daughter when she becomes incredibly entertaining 'cause she doesn't want to go to sleep. They're at their most enchanting 'cause they just want to put it off, so they do a cabaret for you. You sit there thinking, "Please don't let this end."
I base my happiness on the relationships in my life. I would rather have the absolute worst acting career or, I don't know, whatever the worst job would be... picking up radioactive material? I would much rather have that and a good marriage than a horrible marriage and a brilliant career. That's just not a trade off I'd make.
I always feel that it's weird that anyone else is watching one of my shows on any other TV than my own. It just seems bizarre that somehow it's being broadcast all over the world. I just feel really fortunate to be where I am, and really lucky to have the opportunity to do what I do, and I appreciate every single minute of it.
If you're strutting around Beverly Hills and hitting up these big industry parties every night when you're not making movies, then it's going to eventually consume you. But for me, I live most of my life in Boston. I do things no different from the way my buddies back home do them, except when I go to work, I go to a film set.
I'm a big kid, I'm a kid at heart, so I still love the classic family films, such as the great Warner Bros film 'Willy Wonka and the Chocolate Factory' - not the remake, but the original. It's still one of the best movies, hands down, ever made, and of course that goes back to the ingenuity of the characters and the storyline.
I'm attracted to good writing. When I read the page and I know what we're after and where we're headed, and I'm fortunate enough to respect that idea and am able to pitch myself toward that, that feels like the culmination of everything that I've spent my life trying to do, since I played that tree in that play in third grade.
With a play, there's more of a definable arc because of the nature of theater: You know, there's no editing, so there's something more natural about the arc a character follows in a play. I think theater is more an actor's medium, whereas film is more a director's medium, because that's who controls the final feel of the film.