Quotes of All Topics . Occasions . Authors
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
My cousin Jerry Lucey and five other firefighters died in a warehouse fire in Worcester, Mass. - my hometown - right in the middle of our old neighborhood downtown when a homeless couple started a fire to keep warm and the entire building went up. My cousin died trying to save homeless people who had already left the building.
In my experience in series TV if you have a good crew and a great cast it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
Between New York and L.A., and all of us who are actors, I feel like we're just one big, cast repertory company, all running back and forth between the coasts and between different shows. There is a wealth of great character actors, who show up, here and there, on different shows. I love the fact that we're allowed to do that.
When you think of the former high school football star, you think 6-foot-2, white, meathead as the model for that kind of character. Since I'm not 6-foot-2 or white, I just thought about what I could bring to it. I thought about Smash Williams from 'Friday Night Lights,' like the cocky quarterback, and played around with that.
I have to say it's better to be an actor, only because people worry about what time you go to sleep and what you dress like. As opposed to a writer, where it's like, "Oh I'm in my New York University sweatshirt and I'm not wearing pants." You're not worried about what you're eating or anything. It's all a part of your process.
There's, what, 300 films at the Telluride or Toronto or something. How many are those people gonna see? How many of those are actually gonna be in a theater, you know? You know, as an actor, I mean, I learned a long time ago that the fulfillment in this business is the doing of it because you can't rely on anything coming out.
My friend Jonathan had a great tree house. It was awesome. It was like a big fort up in this tall magnolia tree... That's where we would conduct our very important business, I'm sure, with all our bikes leaning up against a tree and no girls allowed, handling all sorts of important things you handle when you're seven or eight.
I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie; and I was the only kid in the neighbourhood who would also be listening to Chopin.
The best advice I got from my aunt, the great singer Rosemary Clooney, and from my dad, who was a game show host and news anchor, was: don't wake up at seventy years old sighing over what you should have tried. Just do it, be willing to fail, and at least you gave it a shot. That's echoed for me all through the last few years.
In actual fact, I wanted to be an actor, but I was a lawyer, and I was a week away from qualifying and was fired. And that's the day I made an announcement: "Hey, for seven years, you thought I was going to be a lawyer. Well, I'm not. I've just lost my job, and I'm packing my bags and moving to London tomorrow to be an actor."
'Spinal Tap' began as a mock rock band that we four - Rob Reiner, Christopher Guest, Michael McKean and myself - developed for an appearance on a TV pilot at the end of the 1970s. On our own initiative, we wrote and recorded most of the songs and performed them live in several music clubs around L.A. before any cameras rolled.
My mom works at the VA; she's been working at the VA for 15 plus years, and yet she's helping so many veterans coming back from brown Muslim countries, and my mom treats them. It's this weird - sometimes I feel torn. It's this dual identity. I'm so proud to be American, and at the same time, I disagree with our foreign policy.
The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.
When you fall in love and you get married, it’s such a relief. You’re like, ‘Oh, this feels so right and this woman is just so great and I love her.’ And then you have a kid — it kind of just gets even bigger. And it’s frustrating and it’s tiring and all those things but your sense of, like, living life becomes so much bigger.
Music is one of the noblest callings I can think of. It's the highest of all the art forms to me. For example, if my kid said to me, 'I want to give it all up,' whatever it is that they're doing, 'and I want to take my saxophone and go out,' I would say, 'May God go with you. This is a great and noble thing that you're doing.'
People think, for some reason, that I don't care about creativity and art, or helping people. So I would say that the biggest misconception is, when you think about me, when you think about my name, I don't want you to think about design or clothes or music. I want you to think about a person that's just trying to help people.
I think everyone at school experiences some form of bullying. With kids at school, it can be anything - it can be your shoes or the wrong bag or anything. If you are big like I am, you are always going to be a target. So I decided at school to make myself an even bigger target, if you like: to make myself as big as I could be.
When doing theater, you have to find great satisfaction in the small things. There's going to be a repetition and a redundancy night after night, but it's the small variations in those moments - a word, a tone of voice, the smallest sense of enlightenment that can happen in an instant onstage - that will be the most rewarding.
The Middle East is a very difficult stage to play upon. Without doubt, it is a good drama. And on occasion, there are situations so unimaginable, if not ludicrous, as to make them almost comic. But the cast is constantly changing, the audience is often disengaged, and it seems at times that no one is actually running the show.
It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.
I wanted the attention I missed at home, so I became the leader of a gang. That way, I got attention and was recognized as being important. It wasn't a bad gang - you know, in poor districts in New York, there's a gang to every block. We never robbed at the point of a gun; we'd steal potatoes from a grocery store, or crackers.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
It's hard to explaining exactly what happened, but I felt in that moment that the divine, however we may choose to define such a thing, surely dwells as much in the concrete and taxi cabs as it does in the rivers, lakes, and mountains. Grace, I realized, is neither time nor place dependent. All we need is the right soundtrack.
Moon Bloodgood is so dedicated, and I was impressed with her dedication. She was put into some grueling situations - cold, freezing, thrown into mud puddles, cold mountains and she didn't complain once. A lot of actresses would have said, 'Ok, that's a half-hour reset for my hair and make-up' and she didn't; she stuck with it.
I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other than specific reality. I have worked in color when I thought it was the appropriate way to express the thought that I was working on
My mother did like to make clothes, and in I think the worst picture I've ever seen of myself - I must have been eight or nine - she'd dressed me in a matching t-shirt and Bermuda shorts ensemble which I think looked like somebody had thrown up all over it. I was so glad when that sewing machine stopped working, I have to say.
With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've gotta face that was meant for a mug shot and that's what I've been doing for the past thirty years. If I play a cop, it's always a racist cop, or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
I did some background work for a movie called 'Bobby Jones: Stroke of Genius' in Atlanta and got bit by the bug. That was it. I saved a few thousand dollars and packed up my car. I had hoped that I would start working just doing some modeling stuff or something while I studied acting. I thought I could support myself that way.
My first heartbreak devastated me, but it was the support of my family and my second family, my church family, that helped me understand that it wasn't my fault, and that everything was going to be alright. That helped me tremendously later in life because in this acting business, there are a lot of things beyond your control.
When something enters your life that is so big and so non-negotiable as catastrophic illness, you either go in denial for a while or ultimately you accept it and you make space for it. And in making space for it, you illuminate a lot of things that you normally don't have room for you simply just look at the world differently.
I did not think I had what it took to be an actor, because most of the actors that I encountered were people who were very narcissistic and I thought since I lacked narcissism to become an actor because that's what it took. It was more of a social experiment for me to walk in the shoes of other people that I found interesting.
Well, I think I'm not a non-believer, and I'm not a believer. But, on the other hand, I couldn't give you a good enough reason why EVP doesn't exist. I don't know enough about it, so how could I say it's not true. Plus, a person's reality is a person's reality so that's your belief system. It's all perception anyway, isn't it.
...if we get the right kind of energy, there are endless amounts. I think we should be developing every kind of alternative fuel that is available to us. That includes hydrogen to soybeans, from solar to wind. Whatever we can find that is going to help us clean up the environment we should be working really hard on developing.
I have the Midas touch, in the way that when I hook up with a project, I feel, not speaking cocky or conceited, but there's a confidence I have. I learned that from Muhammad Ali; I used to bodyguard him. He taught me about confidence. So when it comes to any job I work, I'm gonna do it good; I'm going to bring it over the top.
Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.
When you start a movie, it's not like other kinds of work that you have when you know your boss for years or colleagues for years. You're meeting everyone, mostly, for the first time. You have to get comfortable with those people so you can perform, because the first thing that is going to shut you down is any kind of anxiety.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
When you're a child actor and play the precocious kid, the temptation is to wear leather pants or a cutoff shirt to redefine yourself. But I never felt the need to randomly reshuffle the deck and say, 'Don't call me Peter. Call me Pete.' I just figured you evolve naturally, and you'll be recognized for what your successes are.
Every film I've ever worked on, and that includes 'Braveheart' and 'Trainspotting,' I've always witnessed a director having a breakdown. Every director will have a day, without exception, where they just can't do it anymore, they don't know what to say to their cameraman, their cast. It's the sign of real, physical exhaustion.
If you cloned JFK and Abraham Lincoln and made them president it wouldn't matter. Our system is just too corrupt and too broken. I think that science is corrupt and broken. I think health and nutrition. I think the economic systems, the international relations, the environment, everything, the engines of everything are broken.
I had my years of struggling. Some of my shows failed miserably, and I was upset by it, and it dented my confidence. But I never stopped. I kept going for it. And when I returned to New York from Los Angeles, I mean, it was make it or not - that was my last chance. And what a great chance it was, to make it in my own hometown.
The reason our country looks the way it does is through social engineering that distinctly benefits suburban communities, exurban communities, and often white residents. And we are socially engineered in such a way as to, often unconsciously and unintentionally, but sometimes intentionally, perpetuate this divisive inequality.
For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?
The interesting thing about Hain is that he's not a very interesting character. He's not fabulously clever. He's not a great policeman. He's not hugely charismatic. I'd describe him as a kind-of Chekhovian character. He's an ordinary bloke, to whom extraordinary things have happened. Which is quite hard to play, I have to say.
I would see my hometown, Los Angeles, change. Green space and orange groves gave way to cement, freeways flooded with traffic, and air pollution, all in the name of "progress." I felt like I was losing my home. It had a profound effect on me, and I realized just how important nature was to my spirit, my soul, my point of view.
You can play yourself and make a very good career out of it. Do the same type of role, the daring, good-looking, dashing kind of guy. I mean, there's a role for that guy in television, films, whatever. But people who are able to shape-shift and go from drama to comedy to whatever, there's an art to it. Especially in Hollywood.
It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.
When I was ten years old, my dad and brother did JUDO so I went along because I felt like I was missing out. They eventually gave up and I continued, then moved into Tae Kwon Do, kickboxing and various other martial arts. I did lots of different things, but mostly things like Wushu, Jeet Kune Do, Krav Maga and stuff like that.
I was incredibly intimidated playing Lincoln Lee in the alternate universe, which was the first role I played on 'Fringe' because I was actually the head of a Fringe division and the head of a unit that was going out and I had to lead entire SWAT teams of people. I really questioned in myself, 'Can I carry that responsibility?