Quotes of All Topics . Occasions . Authors
I've definitely been in relationships with friends where I wanted to do something different than I know a friend has. It's that complicated balance between wanting to do what you know is right for you and not wanting to hurt someone's feelings. I think that's a part of growing up.
They talk about how men are chasers, but women are just like that too. At least a lot of the women that I know, who tend to be ambitious, professionally driven women, they love that. Like seeking something professional that is hard to get, I think they feel the same way about men.
Growing up as an Asian American in this society, there were a lot of times where you feel isolated or out of place as an Asian. And growing up in White America, that's absolutely my experience. And I think that's why I got into acting because I wanted to be anybody else but Asian.
It's the universal feeling that we all are alone - that we're all different. I think the movie's one resounding theme is that everybody feels the same, and we're all alone together. Some people come up to me on the street and thank me for helping them get through their teen years.
I think the goal is parity: I try to be pro-woman without being anti-man, and I hope and wish that men could do the same in that when they look at the screenplay, they say, 'Wait, wait, wait - is my daughter represented here, is my wife represented here? Is my sister represented?'
What's the difference in opening from scratch in Philly or opening from scratch in New York? The old out-of-town tryout circuit - taking the show pre-Broadway to cities like Boston, New Haven, Philadelphia, Washington - has sort of been replaced with the amount of workshops we do.
I love those preliminary conversations about who a character is. You try on wigs, shoes and clothes. It's preferable when it's not about looking pretty. It can get a little dull to just be cute. We talk about things like, maybe my character can't afford these Christian Louboutins.
Actually, my true name is Rosa Dolores Alverio. And then I became Rosita Moreno when a stepfather stepped in. And when I got to MGM studios, which was my first film contract, they just thought that Rosita wasn't a good name, and they changed it to Rita. And yes, it was their idea.
Sometimes when you win, you really lose. And sometimes when you lose, you really win. And sometimes when you win or lose, you actually tie. And sometimes when you tie, you actually win or lose. Winning or losing is all one organic mechanism, from which one extracts what one needs.
Own it. Just take it and say, 'Yes I will be great, I am going to be great.' Great doesn't mean being a movie star, great doesn't mean having millions of dollars. Great means being able to be confident, strong, and a solid human being that has dignity and integrity. That is great.
Our show was - it remained - you know, kids could watch it and laugh at it. And they wouldn't know - they wouldn't get the jokes. But they would laugh at it. So they tell me now they have grown up and they're watching it. Now they get the jokes. But we didn't say anything blatant.
I love meeting people and analysing their world. I like having a puzzle to solve. That's why I do so much work in advance. Even if it doesn't affect my performance in the end, I just find it so much more interesting if I've got as wide as possible an understanding of the material.
There has been inequality for so long, and now that someone like Trump is in charge, we're face to face with how much misogyny there is in the world. But things are moving quickly, and you just want to say, 'Let's think about this, because we don't want to jeopardise real change.'
I find that I'm not as worried anymore about what other people think. That's a comfortable place to be. And I'm starting to let go of the feeling that I need to push myself to do things I don't want to do - an impulse that has always been linked to the feeling that I'm not enough.
I think there's a very fine line between the type of performing that some actors do, and being in a state in your mind where you actually believe what's going on. If we weren't actors, what would we do with that ability? Would we not be slightly insane? Mentally ill? I don't know.
I love living in L.A. It's quieter. It's much more relaxing. I'm living in a house for the first time ever. I have a backyard for the first time ever; a dog for the first time ever. So it's a lot of firsts, and I love it so much. It's just so different. It's a nice change of pace.
The perfect party for me is having six to 12 people for dinner Friday or Saturday - good, fun friends, a lot of artists. I have a beautiful deck that looks over the canyon and Los Angeles on one side, so it's very pretty at night. It's a great opportunity to catch up with friends.
I was nominated for a Daytime Emmy Award 19 times before I won. The first nine years, I heard someone else's name called; after that - I think it was a protective thing - I didn't hear whose name was called, but nobody was making eye contact with me, so I knew that it wasn't mine.
I remember when we did our first read-through, Sonny [Bono] looks at the script and he goes, "Okay, I'll see you guys later. Chai-ay-oh!" And I said, "It's ciao! Aren't you Italian? C-i-a-o doesn't spell 'chai-ay-oh.'" Sonny's dead, so he won't be embarrassed if I tell that story.
The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it.
People are so fearful about opening themselves up. All you want to do is to be able to connect with other people. When you connect with other people, you connect with something in yourself. It makes you feel happy. And yet it's so scary, it makes people feel vulnerable and unsafe.
I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.
When I got pregnant, I knew I wasn't anywhere in my career, that I had not arrived. I was still on my adventure, and so I said to the child in my belly, 'I am so happy for you to come, but you should know I'm still on my way, and you'll have to come with me and be in my rucksack.'
I can't worry about what people are going to think of me and if they're going to like me more than other people. You just have to be present and live in the moment and if it works out, then awesome and I wish everyone who is trying to do the same thing, genuinely the best of luck.
My parents never pushed me to be an actress. You can come from a family of actors, and sometimes there have been families that grow you up as an actor, but this wasn't my situation. It's very important to find your own way because it's something you then have to confront yourself.
Sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
Given the amount of work and time my mum devoted to my sister, it left me a lot of time to play on my own. I mean, I played with kids in the street all the time, too - I definitely wasn't denied a childhood. But I do wonder whether, in a sense, acting was my way of getting noticed.
If you're a guy, you should get girls flowers all the time. They never get old and you can never get them enough. I'm never disappointed when I get flowers. I always thought guys who don't buy women flowers are such fools. All it takes is one. A little goes a long way with flowers.
I find that a lot of my best character stuff and ideas come unwittingly from novels. In scripts, it's a lot about the outward signs of whatever's happening - you have the end result. Whereas in a novel you get a buildup of the whys and wherefores, and you're let into the backstory.
Animals, they are one of the most beautiful gifts we have and, you know, if there are people that have compassion, there are very few people that put their money into animal rescue organizations. And if there is someone that has that passion, animals need all the help they can get.
As a dancer, I know couples that have stayed married but separated to dance on different continents. Dance in general, but ballet in particular, is such a finite career. You can't do it later in life, and it's something that I think a dancer has to have some selfishness to fulfill.
When 'Center Stage' first came out, I had some little girls on an airplane who didn't want to actually talk to me but wanted to talk about me at the top of their lungs. And they took pictures of me while I was sleep. And you know what's the worst part? I get really, really airsick.
I don't want to be labeled as one thing or another. In the past I've had successful relationships with men, and now I'm in this successful relationship with a woman. When it comes to love I am totally open. And I don't want to be put into a category, as in "I'm this" or "I'm that."
That's why I love improvisational theater so much - you do it [scene] once and then it's done. You don't get bogged down with a lot of preplanning and repetition. If I do something and it gets a laugh, I don't want to do it again. Why bother? I'm just repeating myself. It's boring.
I have so many children. Half of mine are the ones that just must climb the tree, must climb the mountain, must get dirty, must jump off, flip into the pool sideways because it's just who they are. So you try to give them as much guidance and prepare them but they are who they are.
I think it's always hard for children to talk about abuse because it is only memory. I didn't carry around a tape recorder … I didn't chisel anything in stone … Anybody can look and say, 'Well how do you know for sure?' And that's one of the most painful things about it. You don't.
There's love for your parents, your family, your spouse, your partner, your friends, but the nature of the connection you have with your child, there's nothing like it. It has its own character and it's so serious and so powerful, and so it's a prism through which I see everything.
I just finished 'Butter' for Weinstein, a comedy with this incredible cast - Hugh Jackman, Olivia Wilde, Alicia Silverstone - all-star cast and it was a fun set to be on. I've gotten really lucky to get all these down-to-earth cast members. 'Butter' is about butter carving in Iowa.
I was Lady Gaga way before her time. I had a wee kettle for a handbag. Didn't everyone, at some point? One of the teachers used to call me Dame Flora Robson because I had this big, long Victorian skirt. And I wore a Peruvian hat. It was the 1980s - people were wearing lots of lace.
The family on my mom's side, their whole business is inventing and pitching stuff. My grandfather is in infomercials. He's a pitchman, so if you're ever watching TV late at night, you'll probably see him pitching knives. My great-grandfather also invented the plastic cheese grater.
I'm so adamant that being a really good parent does not mean you have to be there 24/7. I find that I'm never not thinking about where they are, but instead of it stressing me out, it comforts me to know that I'm completely aware of their schedule, and they're with someone I trust.
I feel like some of the best talent is on TV right now, with the writing, acting and great directors. I've also been looking for the consistency of work that TV provides for you. And, I always thought it would be really interesting to live with a character for months, if not years.
When I was a kid I didn't feel like I fit in because - this is really silly and I probably shouldn't say it, but, I didn't think anything was funny. So I used to go home and literally cry to my mom and my step-dad at the time and I didn't think anything was funny. I couldn't laugh.
Unfortunately, I think I'm going to be typecast in Hollywood as the kid who can cry. I don't like putting audiences through those emotional ups and downs. I don't want people to think Dana Hill is so depressing all she does is cry. But the parts are so good, I can't turn them down.
We film 'Resurrection' in Atlanta, where humidity is a force to be reckoned with, especially for those of us who have naturally curly hair. I would love for the au naturel look of the '60s to come back. No make up, no hair products - just sun-kissed skin, freckles, and crazy curls.
The real challenge is to give a really nuanced performance and really push myself, to make sure that we see a very complete picture of a woman living with Asperger's. Of course, I'm always intrigued. I learn so much from the show about storylines that actually happen on the border.
I've been through everything. I always said I was like those round-bottomed circus dolls — you know, those dolls you could push down and they'd come back up? I've always been like that. I've always said, No matter what happens, if I get pushed down, I'm going to come right back up.
If things aren't as successful as you thought they would be, sometimes that's not the worst thing that can happen. Sometimes that can be the best thing to push you in another direction that you were supposed to go in. Or to have an experience that you were supposed to have to grow.
I've found childbirth to be so unique in its ability to completely humble you while also completely empowering you. It reduces you to your essence and strips you of every pretense. It reminds you that you are no better than all the women who have come before you, but also no worse.