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Bette Davis, she was so brilliant and one of my heroes, but she worked a ton, and then she didn't get All About Eve [1950] until the last minute. Claudette Colbert was supposed to be Margo Channing, but then she broke her back and couldn't do it. That allowed Davis to play her age.
The lighthearted moments of 'Girls' are really not speckled throughout and that to me is just super exciting, to be able to delve into the darkness that you are greeted with in your early 20s and the fear and what that makes you do, the places that you can potentially go with that.
I think that people should never be ashamed of wanting to move on with their lives and move on from their partners. I have a lot of girlfriends who were married in their early 20s and are now divorced because they basically grew apart - they evolved into another person in their 30s.
I never watched Lost. I just thought it would be fun to be part of something that was such a big part of pop culture. But I thought I was going to be acting with more of the other people. I didn't know that I was going to be on my own on the island, doing this whole other storyline.
Oh, I'm going to miss everything. It's been the most amazing and significant job of my life obviously and I'll always have it near and dear to my heart. I'm so grateful and appreciative that I worked with the best crew and the best writers and producers and cast and I love them all.
They [Mark and Jay Duplass] both have young kids and talk about parenting all the time. So they get it. So they knew that it was a very delicate time and they knew that it was a lot. All it did was make me want to protect them from - and protect production from - any kind of burden.
It's hard with ballet because your aesthetic really is important. It's different from acting and from film. Nobody wants to watch somebody who is sickly thin. And it's interesting because I have danced with people who are ill, have eating disorders, and a light goes off within them.
I never knew where I was going to end up when I started film. I didn't start film to be famous. Of course, it's a public medium, and of course we chose a public medium because we like people to pay attention to the work that we're doing. But I didn't know what I was going to end up.
My dad's Nigerian, and I remember going to Nigeria, and all of these kids and adults and everyone in-between knew who TuPac was. They had TuPac t-shirts, TuPac posters, TuPac cassettes... everyone knew TuPac, and sometimes that was the only English that they spoke, was TuPac lyrics.
I live in this apartment building, and everybody who lives there thinks of me as a housewife. People drop their babies off with me. Or I get notes: 'I'm going to be gone for three days. The keys are under the mat; take care of the cats.' Because they all think I'm home all the time.
Especially with Facebook and Instagram and Twitter, I can't tell necessarily the nitty gritty of what you're really up to. I'm just seeing the performance of all the work you're doing and the look you're giving; it's very hard to get to the center. It's very hard to see what's what.
JR was a 1-dimensional, evil character. JR was multi-dimensional, and Larry Hagman is probably one of the greatest actors that we have. Then, you go back and look at 'I Dream of Jeannie' - I mean, he's a comic genius, as well. So, I think they should give him an honorary Emmy Award.
I had these fangs because I had jaundice when I was a kid and I was put on so many antibiotics that my teeth rotted. They had to cut them out. So I never had milk teeth. That was tough, you know, being in school having photos taken while I was pretending I had teeth. It was hideous.
But 'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
I'm grateful to have been acting for as long as I have because I have so many experiences and memories, and I've gotten to learn from some of the greatest actors, directors, writers and cinematographers. I feel like my career has been a privilege. I can't imagine my life without it.
I don't mind a little Sturm und Drang. When I was doing 'Riding in Cars With Boys,' I wouldn't smile at anybody, because my character, Bev, was angry at the world. I'm the opposite. Inside my head I'd be like, God, I'll explain to you at the end of shooting that I'm not this person.
My mother used to dress rather risque when I was a kid, and that sort of shocked me. I always thought moms were supposed to wear cardigans and flats, but she was in leather bracelets and minidresses. In hindsight, it was pretty cool, but I'm probably more conservative because of it.
I remember my first friend who got sick. It was 1981, and the disease was called the gay cancer. I don't think the word 'AIDS' came out until '84. I just remember it being terrifying as more people got sick. We didn't know how you could catch it, you heard all kinds of crazy things.
I actually like older horror movies more than newer ones because when I'm watching newer ones, like 'Chucky' or 'Saw' or whatever, I'm like, 'Come on, really, this isn't even good, all it is is blood and knives.' I like when it has a story line, you know? When it's actually a movie.
I just never have really been the kind of person that's out in public being inappropriate, I guess. I like to have fun as much as the next person but I tend to do it in private and just hang out with close friends. If I'm going to go out, I'll just do it with my really good friends.
I'm very low-maintenance, and that is a problem. I'm not demanding at all, and sometimes I feel that I should be throwing tantrums. But since I don't party or socialise, and am very low-key, I think that makes me very low-maintenance. Actually, I'm the most boring person at a party.
I had to learn - since I'm divorced now and everyone is like, 'Oh my God, you're single, what's going on?' - that if I don't like to spend time with myself, how can I ask someone else to enjoy spending time with me? I'm getting to learn how to enjoy my solitude and have a good time.
Some people have family crests, lions, tigers, unicorns, elephants - a whole menagerie - and if my family had a crest, you know what would be on it? A blintze. I mean it. All the good things in my life are measured in blintzes because by us it's not a party if there isn't a blintze.
Some directors are really strong on action, manhandling you around the set; others are very focused on setting up the camera shots and practically ignore you. You have to get used to introverts, extroverts, directors who clown around for the crew, and the odd one who's monosyllabic.
A lot of people enjoyed the film 'Haywire' and a lot of people have mixed feelings on it but regardless, a lot of people have said really wonderful things about it being my first experience, that the fighting they absolutely enjoyed. So I think I've gotten a lot more fans, actually.
If you want to do other things, you have to leave soap operas, otherwise you'll be there forever, which is not bad, you know. Some people have made a great living off of being on soap operas. But if you want to branch out you have to leave early, otherwise you'll never get the shot.
As I get older, the things that I want are starting to make more sense. Being able to travel makes me happy, and I am a person that lives in the moment. I also want to live a good life. Traveling makes everyday issues seem so much smaller and really changes my perspective on things.
When people ask me what my dream role would be, I tell them that it's to play someone very dark. Very dark - like someone involved in the drug world or some other criminal venture. Maybe someone who's delusional or not all there or just not well. I really hope I can do that one day.
Not to sound rude, but [acting] is stupid. Everybody's like "How can you remain with a level head?". And I'm like "Why would I ever get cocky? I'm not saving anybody's life. There are doctors who save lives and firemen who run into burning buildings. I'm making movies. It's stupid."
I'm always just very nervous. I never feel like, 'I've got this'. I'm always very nervous and aware of how quickly people can hate you and that scares me. I never feel like I'm on top of it or I know what I'm doing... so, no. I never get a big head, I just get more and more anxious.
There was a period of time when I was very political, when I was at the university. It was like the late '60s, early '70s and I was a dissident like everybody else I guess. Now I follow it but there's nothing that really grabs me. The most fascinating thing to me right now is China.
Anybody who has had the pleasure of reading an article about themselves in the press, knows that on the whole, there is a huge amount of inaccuracy, value judgment and the use of a crowbar to insert editorial bias that reflects the current political leaning of that particular paper.
Anybody who has had the pleasure of reading an article about themselves in the press knows that, on the whole, there is a huge amount of inaccuracy, value judgment and the use of a crowbar to insert editorial bias that reflects the current political leaning of that particular paper.
There are 400 billion stars out there, just in our galaxy alone. If just one out of a million of those had planets, and just one in a million of those had life, and just one out of a million of those had intelligent life, there would be literally millions of civilizations out there.
No one ever asks me about Breeze O'Rourke! I did the pilot for[Payne] right after Jawbreaker, or at least right around the same time, and it was an Americanized version of Fawlty Towers. That was the first time I worked with John Larroquette, and it was definitely not the last time.
I'm very patient and always willing to try things but I have some resistance as well because I have my own vision. I have resistance sometimes because I see a director who's freaking out and wants to have control and they sometimes anticipate about what I'm going to be doing or not.
A while ago, I was starting to get bored with my routine, so I tried Spinning and fell in love with it instantly. I go to class three times a week, without fail. I always get there early so I can sit in the front of the studio, and I'm ready to go as soon as the instructor comes in.
I went to an all-girls pre school where everyone went off to Harvard or Yale, and I had zero interest in doing so. I think they thought I was on drugs. There was a neighboring all-boys school, so we'd get together and do dumb things. It was your typical Catholic-American upbringing.
I'm really proud of 'Private Life.' It's about a marriage and a couple on the hunt to make a family by any means necessary. They're on such an obsessive quest that, after awhile, you forget that it's even for a baby. It fits right in that middle pocket of being a comedy and a drama.
Being of service is something that really makes me happy. Being able to tell young kids about something they might never have known without meeting someone with my experiences is what really what I feel it's all about. I feel that's the only way that you get fulfillment out of life.
I'm definitely a perfectionist. I started entertaining so young. I think, naturally, my personality is that of a perfectionist, and then on top of that, growing up in the industry, I became very objective and analytical of myself early on, and I find myself doing that in everything.
My great-grandfather, Peter O'Hara, was born in Ireland, I believe, in County Clare. His father, my great-great-grandfather, had actually come to America a generation before when times were very bad in Ireland. He worked in the Pennsylvania area and did well with horses and farming.
I've been so blessed because I've had such longevity. I'm not a big red carpet girl. But I love the work. In this business, you can be at the top of the world and at the bottom of the barrel, and you're grape juice. I've been at both ends. It can make you become what you really are.
You kind of go through situations that don't work out, and then all of a sudden you have this baby in your hands and you forget about all of that. You forget about the last three years of your life. You just realize that everything unfolded exactly the way it was supposed to unfold.
I just want to work and be in films that I like, it is so simple. I think from the outside it seems as though as actors, we are picking and choosing our roles, but it isn't like that at all, perhaps unless you are George Clooney. There are not that many movies I would want to be in.
My mother always wanted to be an actress. She was an extra in movies and stuff. I have a feeling this is the classic story: The mother wants to be an actress, and the child ends up doing it. But it was never a jealousy thing between us. It was like - well, I was making my mom happy.
Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.
I was so gangly, even sneakers looked awkward. Everybody kind of goes through some phase, and it's hard if you're singled out for anything. But there was this one boy in particular who made fun of me, and - it's funny - then later, when we were 18 or 19, he wanted to go out with me.
It's nice to always have a job and not be floating out in the ether waiting for whatever the next big thing is. So, in that way I hope there's no a shelf-life for great shows. On the other hand, you don't want to be working on something that's reached its peak and become irrelevant.
I love horses, and I love all of it. The sights and sounds and smells, the whole genre of Westerns - I love them. And I know they're rare for actors to get to do, and they're even more rare for women to get to do, so I really think I was drinking in the experience on so many levels.