Quotes of All Topics . Occasions . Authors
I can't get over that at this age I don't feel this age. I'm not trying to be any younger. I'm not lying about my age. If I were lying about my age, I would say I was 89. I'm just at one of those good times in one's life. I'm at one of the high spots. I'm healthy enough to enjoy it. I'm surrounded by friends I adore. Isn't that kind of the best way to sign off?
I don't seem to get solemn about it, and some people might not understand. That's why I never talk about it. I think it's all here -- in the mountains and the desert. I don't think God is a softie, either. In the end, it's better if people are forced back into -- well -- into being right, before they're too far gone. I think your temple is your everyday living.
People need to understand that what happens in people's homes and behind closed doors, unless you were there, you really shouldn't make any analogy or any assumption, which writers do quite a bit. It's not something I ever for one second thought about. This is not my life story, and I've never told my life story, and I have no interest in telling my life story.
To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
My male counterpart will get paid ten times more than me - 10 times. Not double, but 10 times for the same job. We only have this much left for the female actress. I mean, there’s two genders on this Earth. Both are compelling, interesting, diverse, wonderful in all their own separate ways. And yet there’s an influx of male roles and there's just not for women.
I tend to agree with my husband, that to continue the conversation about something that is an important topic, particularly now, which is that of gun control, through his narrative, which is actually what's happened, I don't think it was a conscious decision of, "That's what we're going to do," but that's what seems to have happened, and that's not a bad thing.
I’ve noticed that the people who started on film still have the ability to see the person in front of them. Whereas for a lot of photographers who have only ever worked in digital, the relationship between the photographer and the person who they’re taking a picture of sort of doesn’t exist anymore. They’re looking at a computer screen as opposed to the person.
Love yourself. Nobody's perfect. I mean, come on, nobody is perfect. Not you, not your mom, even the people on TV - nobody is perfect, and there's always something that nobody likes, but you know, you just accept that. Your imperfections make you beautiful. It's those things you find you don't like that someone else finds very special and very unique about you.
It's funny: By putting up walls, you think you're protecting yourself, but you get to live less. You're depriving yourself of so much if you're trying to be too aware of what you're putting out there. If you feel someone breaking those walls down, let them. Those are the people that you need to find in life, rather than people that you're just comfortable with.
I have a fan-base that apparently like you know, people...it's not that they look up to but you have certain figures that, you know, you'd like to be more like and people really love Bella and I do too but I'm not her...I don't think anybody expects me to try to just for the rest of my career appease an audience that once liked "Twilight", you know what I mean?
I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.
I was hoping that by very publicly going to the police, other people would follow suit. Around this time was the whole Rehtaeh Parsons publication ban bullshit. She died because she couldn't handle the stress of having been assaulted and ridiculed for having been raped. And I was like, "I'm not going to turn into Rehtaeh Parsons for this. I will remain public."
Young women now, this generation - girls my age too, but even younger than I am - they're the ones that are going to change the world. They've grown up in such a new way of thinking about women and female empowerment. I grew up with a little bit of that, but teenagers now, those are the girls that are going to make the world a different place for everyone else.
The fairy tale that really scared me was Bluebeard. That's the one where he just kills one after another of these woman, these wives, that he lures up to the castle. I just think about fairy tales as stories women told their children to warn them? To keep them safe, to make sure they married up, all the things that would have safeguarded them in the olden days.
I think we reserve a special place in our hearts for women who dare to try and be powerful, or occupy a special elevated place in society or when they are 'the bosses'. I think we really don't like it as a society and we have a harsh view of them. We look much harder at them, than the millions of men who aspire to the same positions and I can't figure that out.
Americans are in need of very objective information, and sometimes it's easier to absorb the message through entertainment and through a great story than through the news outlets [where] everything is sensationalized. Not only are you getting information that sort of defies stereotypes, but you're also getting a wonderful story with hopefully good performances.
See, I don’t expect to win a prize for stoic control and dignity at mourning time. Death deserve tantrums. Beating back shocked indignation, kicks in the groin, stones, classified unacceptable, not to be tolerated, not to be wooed, not to be conspired with. Only then can music, dance, movies, plays, rap be about life. Only then can life be cherished and adored.
I think I can adapt quite easily from having a Spanish mother and an English dad and growing up in both places. I feel like I've got two lives - that Spanish life, which was so free, and then I lived in England and went to an all-girls, private school and had to fit in with that. That switching out and becoming someone else, I find it quite liberating, actually.
You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.
You can even say that I hated myself at certain periods. I was too fat, or maybe too tall, or maybe just plain too ugly ... you can say my definiteness stems from underlying feelings of insecurity and inferiority. I couldn't conquer these feelings by acting indecisive. I found the only way to get the better of them was by adopting a forceful, concentrated drive.
My first day on set [Bad Santa 2] was with Billy [Bob Tornton] and it was a sex scene in a Christmas tree lot and you know in order to make it great for the audience you just have to go for it! It was our sort of our icebreaker. There is something very freeing and fun about just playing make believe and it's just over the top and hilarious so you just go for it.
Oh Young Frankenstein - that's right, Body Heat, Raiders Of The Lost Ark. I mean, you know, it - they just keep going on and on and on - Mission: Impossible. And, you know, I think that the writers are having so much fun now with them that, you know, half the time, you know, people are just sitting around saying - trying to think of what's a great movie to copy.
Writers often have a 'drunk' that is different than anyone else's. That's why it's so insidious and so damning. First of all, because they can write when they're drinking - or they think they can. A lot of writers will tell me - and this is the latest one I've heard - you drink while you're thinking about what to write, but when you actually write, you sober up.
I don't have this sort of checklist of things that have to be done, andif they're not checked, then I've failed some part of my feminism or my being a woman or my worth and my value as a woman because I haven't birthed a child. I've birthed a lot of things, and I feel like I've mothered many things. And I don't feel like it's fair to put that pressure on people.
I'm deeply grateful to live and work in this country and to the United States for opening its arms to me the way it has. I mean I think my attitude as an Aussie coming here - I've been coming here for a while now, I've been coming here for about 12 or 13 years - is that this country has afforded me and my family work and security. For that, I'm forever grateful.
The beauty in the story is at one with suffering. That is also part of our upbringing - we don't think there could be beauty otherwise. Beauty is the result of having been through an experience all the way through to the end - therefore it has a poignancy. Beauty that is singular always comes from following an experience to the point where you can go no further.
The bottom line is that I'm an actor, so when somebody pitches me a great part, it's a no-brainer. You never know what it's gonna be like, in terms of the actual experience. You can be really excited about a part that can turn out shitty, you can have a bad time, there's a bad egg or two or three, in the bunch, or the producers are weird, or something like that.
I do think this is where television is going, and I think that it's awesome to be a part of a show like this because we are these pioneers into this new medium. And it's working. When you look at the success of House of Cards and Arrested Development, which I love, this is how people are watching television now. It's pretty cool to be a part of this whole thing.
In life, when you are faced with an unfortunate circumstance, there’s no book, there’s no guide, there’s no right answer on how to get to the other side. You just sort of wake up one day and you have two paths in front of you, one where you go up and one where you can fall, and choosing the path to rise is most certainly not the easy path but it’s the brave one.
People are way too hard on themselves. Comparing yourself to other people can be damaging; the most important thing is just to be you and to try to engage with your child. If you're constantly working, so you don't have that much time to spend with them, but you have 20 minutes at the end of the day to read them their favourite book, children will remember that.
I'm just glad to get any role... the fact that they're all 90 is neither here nor there! Actually, it was Hook that started it. I think it was Peggy Ashcroft who couldn't do the part and somebody was asked how old was I and would I be able to do the part, and the person replied "92" very quickly. And so I've been stuck ever since! But I'm actually very grateful.
It's nice to be able to explore both sides of my personality. I definitely relate more to Debbie, my character on The Grinder. But it's really nice because I get to play a character who's down on her luck and kinda slipping off the edge in It's Always Sunny, while at the same time getting to play this character who's a mom and holding it together on The Grinder.
Breakup blackout is when you're so upset and you've been crying so much that you basically black out for a couple of days. You wake up to mascara caked on your face and empty ice cream cartons everywhere, and your iTunes has, like, four new really bad romantic comedies you've rented. And your friends are texting you, and for three days you're in this black hole.
I believe in second chances, but I don't believe in third or fourth chances. I love talking through things, and I always want to make things work, if I really love someone, but eventually, if they can't fix whatever is wrong, or if they've done something and then they continue to do it, they're probably not going to change for anybody. You can't change a person.
I guess it's a pretty common experience while making a movie. You have to let go of the result and just hang on to the experience and the process, where each role takes you to a different country, as it were: You're shipwrecked on this new island, you have no clothes, you have to figure out how you're going to live in this new character. All of that turns me on.
You have two stark choices when you find yourself in a really desperate situation. You can either fold and cave-in to it or you can become really passionate about getting out of it. When you're really passionate, you're going to grab hold of every rope you see, and wrap them around your arms and legs to claw your way out. And that's the way I've felt in my life.
So, absolutely, [my Dad] will call and say, "I just got offered this or that and what do you think?" My Mom [Lisa Bonet] will do the same. And we all trust each other's opinions. And we all know each other so well and what we're capable of so, if someone's scared to do something, we encourage them to take that chance because we believe in each other as a family.
By the time I was seventeen, I was on my way to Hollywood and didn't look back. My family is supportive now, but like any adult guardian of a seventeen-year-old daughter, they were not thrilled with my plan to run off to the LA to make it as an actress. Even a somewhat functioning parent would think that was a bad, bad idea. Lucky for me, I didn't listen to them.
Part of our business is that you read interviews with these people and they don't really talk candidly about what's going on and the struggle - the struggle to do what you love and to maintain body image and to maintain this sort of false stature of who you're supposed to be as a role model and also who you are supposed to be to yourself personally and privately.
If you just sit and spend time with yourself - you were born as you, just you, and that's how you're gonna die. Why do we spend the time in between trying to not be ourselves? That's what meditation is. You just sit with yourself. Through all of it. It's like John Patrick Shanley said: "Where the terror is, you must go." Where the terror is, is where you must go.
When I was twenty-one, a friend gave me a book called Diet for a New America by John Robbins, which exposed the brutal practices of American factory farms. That, coupled with a lecture from Leonardo DiCaprio (when he was nineteen and I was twenty-one) about how such animals are kept and processed, made me lose my desire for factory farm pork and beef right there.
Before you go alter body, do some research and find out how many women have major life-threatening complications from nose jobs. Ask about how many nose jobs gone terribly wrong, and if you thought your face was wrong before, look what happens after. The more we start augmenting our bodies, the more and more we start to look alike, then nobody is special anymore.
If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.
I think I look good for my age. I've always looked younger than I really am. I'm 67 and I look about, maybe 62 or something like that. And I think my healthy lifestyle has paid off. I suffer from osteoarthritis. That's genetic and there's nothing I can do about that, except to try and not jump up and down, but rather swim and bike, instead of jumping up and down.
A mid life crisis is nothing but getting to the point where you go, have I done what I wanted to do? Am I living the life that I want to live? Am I appreciating what I have? If you don't get to that point developmentally, you're not doing it correctly. The people who get to that age and haven't reassessed usually haven't faced the fact that that's where they are.
It's a fine line of doing what's good for your life and what your parents want you to do, but also following your dreams. With my parents, when I was younger, I always had to do two things. If I was acting, I always had to do a sport or something on the arts side of things, along with that. That way, if one fell apart, I always had something else to fall back on.
If I took perfect pictures all the time, the people standing in the room with me, or on the carpet, would think, 'What an actress! What a faker!' That thought embarrasses me so much that I look like s**t in half my photos, and I don't give a f***. What matters to me is that the people in the room leave and say, 'She was cool. She had a good time. She was honest.'
This year, I'm most thankful for the people around me who've supported me—my friends, and my family and boyfriend. It's been a really crazy year. There have been a lot of changes with moving to America and a lot of adjustments for my family and friends in Australia to let me go off on this journey and miss me a lot. I miss them a lot, but am so grateful for them.
I have a love/hate relationship with my body, Some days I'm happy with it and other days I wasn't born with Gisele Bundchen's body unfortunately, so you got to work for it - but it's okay.” Madonna “Do I sometimes look at Gisele Bündchen and wonder how awesome life would be if I never had to wear Spanx? Duh, of course. That's kind of the point of Gisele Bündchen.
For almost every character I've played in the 43 years I've been working as a professional actor, I've found parts of myself. We are all bipolar in the tiniest essence of what it is. We are all multiple personalities, in a sense, and to be healthy mentally, I think, learning what those multiple personalities are and inviting them in your life is really important.