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Harvard's Kennedy School of Government asked me to serve as a fellow at its Shorenstein Center on the Press, Politics, and Public Policy. After my varied and celebrated career in television, movies, publishing, and the lucrative world of corporate speaking, being a fellow at Harvard seemed, frankly, like a step down.

When I turned 50, I asked some of my girlfriends, all actresses of the same age, 'What are we going to do now?' I wanted to go live somewhere for a while, learn archaeology, or take part in healing the world on some level. I wanted to dig deep and say, 'Who am I now? What do I have to offer? What do I have to learn?'

When I see Kate Moss out and about, I think she looks more beautiful than when her hairdresser and make-up artist try and make her look like something else. And I remember when Madonna first asked Versace to book me to shoot a campaign with her, she came to see me wearing hardly any make-up, and she looked incredible.

So I go to my first book signing, and these two girls came up and gave me a piece of paper: '10 reasons you should date our dad. He climbed Mount Kilimanjaro. He's a lawyer.' He didn't know what was going on. He didn't even know me. They called him, and he came down and asked me out that day. Now I'm dating their dad!

It is not a coincidence that we have managed to send rockets into space, but our literacy rate continues to be below the world average. It is because governments don't want an educated electorate. Because if we get educated, we will start asking the right questions. And they don't want the right questions being asked.

An inevitable question asked of a performer who has made a modest success of his career is, 'How has success changed you?' It's a loaded question because it automatically assumes that there has been a change. And, in a sense, the assumption is a correct one. Basically, however, most people remain pretty much the same.

Have you ever asked yourselves what you are going to do when you grow up? In all likelihood you will get married, and before you know where you are, you will be mothers and fathers; and you will then be tied to a job, or to the kitchen, in which you will gradually wither away. Is that all that your life is going to be?

Ralph Fiennes was a pivotal influence on me. He asked me, 'So what is it you want to do?' I very shyly, timidly admitted that I wanted to be an actor. He sighed, and he said, 'Lupita, only be an actor if you feel there is nothing else in the world you want to do - only do it if you feel you cannot live without acting.'

Increased spiritual strength is a gift from God which He can give when we push in His service to our limits. Through the power of the Atonement of Jesus Christ, our natures can be changed. Then our power to carry burdens can be increased more than enough to compensate for the increased service we will be asked to give.

WhatsApp provides phone-number-based messaging, and people asked, 'Isn't that what SMS is?' Yes, but SMS is expensive, antiquated, and what WhatsApp did was modernize and level that playing field. For example, in Europe, if France wants to talk to Belgium, it's extraordinary costly because of border and telecom charges.

My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.

There's so much to argue about. That was the goal with 'Really Really.' Somebody asked me once, 'How should I feel when I leave?' and I said, 'Hopefully, you're talkative.' I don't really care if you're happy or sad or loved it or hated it or hate me. The goal is that you have something to say, that you have a response.

I'll tell you who I really like - the lawyer Imran Khan. I did my dissertation on stop-and-search powers, and I put in loads of quotes from him. Years later, when I was selling insurance over in Harley Street, he rang up and asked for insurance. He told me his name, and I asked him if he was the lawyer, and he said yes.

I started out at Procter & Gamble marketing panty liners, so basically selling women insecurity. I thought there must be more to life than this. Then I was on set for a Dr. Scholl's commercial, and I asked one of the execs, 'How do you get a job behind the camera?' and he said, 'Film school.' So I quit and applied to NYU.

Project 523 was both a good and a bad thing. They held so many meetings, and there were so many competing centres, it was a real mess. Nearly every province had their own research centre, and they all asked me to share my research, which I did. But that's no way to do science. They wasted a lot of money and a lot of time.

We had this neighbor who was an actor, and he was going to an audition one day, driving by our house, and he asked if I wanted to tag along. He was reading for the part of the father, and they were reading for the part of the son the same day, and he told me to sneak in there and make it look like I knew what I was doing.

A few people have tried to make me see that my writing isn't quite their thing by saying to me: 'What about realism?' To which my general response is, 'What about it?' However, I wouldn't be at all surprised if one of my favorite writers, Marilynne Robinson, was to say something similar if asked 'What about the fantastic?'

I joined an all-girl band in Detroit and, although I was a pianist and drummer, I was asked to play bass because no one else wanted to. When I strapped it on, it fit me as good as my leathers. At the first gig we played, I looked out at the audience and thought, 'This is what I'm going to be doing for the rest of my life.'

No one ceases to be a man, no one forfeits his rights to civilization merely by being more or less uncultured, and since the Filipino is regarded as a fit citizen when he is asked to pay taxes or shed his blood to defend the fatherland, why must this fitness be denied him when the question arises of granting him some right?

The weekend after 'Kimmy' started streaming on Netflix, I did notice a definite difference in people on the street recognizing you. I think that's such a strange thing to happen. It's like, you asked for it, you went and put yourself in the public eye, so don't be surprised people recognize you, but that part can be strange.

When I was 10, I asked my parents for a set of weights. I had my Charles Atlas book to go along with that. Every time we went to the grocery store, I'd rush to the magazine area and read the ones with Arnold Schwarzenegger and all those guys on the covers: 'Pumping Iron,' 'Muscle and Fitness,' 'Muscle Builder by Joe Weider.'

I keep getting asked how I write about such smart, strong women, and my response is, what's the alternative? Weak, stupid women? They're just normal people, not role models - if you're aspiring to be like any of them, something's a little bit wrong. You may want to dress like one or have her job, but do not aspire to be her!

I was honoured when they asked me to appear at the president's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing 'Happy Birthday,' like if I had been wearing a slip, I would have thought it was showing or something. I thought, 'Oh, my gosh, what if no sound comes out!'

All this talk of equality remains merely on paper. In real life, women are still bound by several psychological shackles and emotional boundaries imposed on them by their families and others. If a girl comes home late, she is asked 100 questions, whereas boys are not answerable for anything. And this prevails across segments.

When I was asked to write an article about what it was like to work with my husband on a TV show, I assumed it was because people thought it would be titillating. He's a creator/writer/producer, I'm an actress; there must be lots of gossip, in-fighting, maybe some crazy-sexy time on the set, right? Actually, it's pretty tame.

In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.

I was with my mum in the shops, a ladies boutique or something, and I was asked what I wanted to be when I grow up. I think you're supposed to say an ambulance man or a footballer or a soldier or something like that, and I told all my mother's friends that I wanted to be Minister for Health. She was mortified, needless to say.

The thing that separates Sophie from the music I do for other people is that it's 100% written by me. In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have.

I went to school at MIT with a whole bunch of engineers. And then I started work one day and asked myself, 'Why do all of these MIT Ph.D.s work for Harvard M.B.A.s?' Why should it be like that? I was one of those engineers who thought, 'Why are these people making those dumb decisions?' So it's fun to be the person making them.

When I was asked to be a part of 'The Face,' I was like, 'This is exactly what I do without cameras.' I didn't find it any different than what I usually do for young girls - giving runway tips or just explaining how the whole industry works - but now you have, like, 19 cameras on you, documenting you while you scratch your nose.

When I encountered rich people for the first time, I discovered that not only do they holiday in places that are hard to find on a map, but that they also use the names of seasons as verbs. When they asked me, 'Where did you summer and winter growing up?' I would usually say, 'As a child? The same place I springed and autumned.'

Over the years, a number of people have asked me why I tend to write at this great length. I've put some thought into the answer, and it can be boiled down one word: consequences. Well, maybe two words: consequences and characters. Or perhaps, consequences, characters, and the subconscious mind - above all the subconscious mind.

My days in hostel were tough. I was ragged by my seniors. We were asked to wash their dirty clothes, do their odd jobs, etc. When it came to eating, we would be often given burnt rotis and milk that had awful odour. But, never once did I call home. I knew if I had to become a tough cricketer, I would have to handle the pressure.

I got scouted for modeling on the street. I'm such a tomboy - still am. I just never thought about modeling before, but I thought, 'Ooh, interesting, similar world, perhaps it's a way into something.' Then, I was on my third photo shoot ever, and Adam Leech from 'Downtown Abbey' saw me reading poetry and asked me to recite some.

I asked all of our recruiters to give me all resumes of prospective employees with their name, gender, place of origin, and age blacked out. This simple change shocked me, because I found myself interviewing different-looking candidates - even though I was 100% convinced that I was not being biased in my resume selection process.

During their service, men and women in our Armed Forces live by a common creed, promising never to leave a soldier behind. We should live by the same principle. When our veterans are asked to travel hundreds of miles for care that's offered right next door, we simply aren't living up to that standard, and something has to change.

My grades put me in about 5,000th place in all of South Korea. If I kept going down that path, I would've become a successful man with a regular job. However, I was positive I'd be number one in the country as a rapper. So I asked my mother whether she wanted to have a son who was a first-place rapper, or a 5,000th-place student.

I went into a Beverly Hills shop to buy an attache case. They had 250 cases on their shelves. I asked an attractive saleswoman if they carried one made of belting leather. She said 'no.' That was the end of the conversation. She made no attempt to show me another case that would provide equal service. I didn't buy an attache case.

The attorney general called and asked me if I was willing to be interviewed for FBI director. And the truth is I told him I didn't think so, that I thought it was too much for my family. But that I would sleep on it and call him back in the morning. And so I went to bed that night convinced I was going to call him back and say no.

I was at a point of asking God whether acting was what He really wanted me to do. Oprah Winfrey came to one of my workshops, and a couple of months later, she reached out to Uncle BeBe, who co-wrote 'Born For This.' Oprah told him she was interested in me for the role of Charity on 'Greenleaf' and asked him to help her contact me.

One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable blue sky, the familiar world returning - I could think of no other way to express my relief than through poetry. I made a decision there and then that it was what I wanted to do. Every time I pulled a wishbone, it was what I asked for.

The fact that Phil Jackson asked a young kid when he didn't have to and said, 'Hey, do I have permission to coach you?' Those are very powerful lessons that you learn. That's only happened to me a couple times in my entire career, that coaches would actually ask me that question. That just lets me know that he saw me for who I was.

I remember being at Greenblatt's on Sunset, and some guy just walked straight up to me, and he had some bling on and whatever, and said something about a party down in Malibu and asked if I would jump in his car and go to the party. All I could think was, 'Who are you? I don't know you, and I don't care about how good your car is.'

My journey began with a single pencil. While traveling through India in 2006, I asked a boy begging on the streets, 'If you could have anything in the world, what would you want?' and he answered me with two words: 'A pencil.' Luckily, I had one in my pocket, and in the second it took me to give it to him, a defining dream was born.

Before Dream Theater took off I used to teach a lot, and one of the things my students often asked me was how to apply the chromatic scale to practical playing situations. You see, their other teachers would give them chromatic warm-up exercises without providing any explanation of how important and versatile this scale actually is.

If you don't have the time or desire to do whatever is being asked of you, say, 'no.' Even if you want to bake those cookies for your kid's fundraiser or take on a new freelancing gig, sometimes you just have to politely decline until you do have the extra time. The other party may be disappointed, but it's not the end of the world.

I was asked by an NPR reporter once why don't I talk about race that often. I said, 'It's because I'm a neurosurgeon.' And she thought that was a strange response... I said, 'You see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.'

I did a movie with Christopher Reeve when I first came to L.A. called 'Switching Channels.' I asked him if it was weird to be Superman. He said, 'You know, George, I've fought against this whole Superman thing, but one day I realized, 'Hey, I'm Superman.'' So, at some point, I just started saying, 'Good for me, I'm Bryan MacKenzie.'

'Don't Kill My Vibe' was made in a writing session, by Martin Sjolie and I, after he'd asked me what I'd been thinking about lately. I started talking about this earlier writing session that was quite difficult. The song is about the feeling of not being respected as a person, and I think that's something that speaks to millennials.

New Year's Day. A fresh start. A new chapter in life waiting to be written. New questions to be asked, embraced, and loved. Answers to be discovered and then lived in this transformative year of delight and self-discovery. Today carve out a quiet interlude for yourself in which to dream, pen in hand. Only dreams give birth to change.

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