Quotes of All Topics . Occasions . Authors
The first book I could call mine, my first book, was a picture book, The Magic Monkey - it was adapted from an old Chinese legend by a thirteen-year-old prodigy named Plato Chan with the help of his sister.
I do 30 to 40 books a year, so it's a fair amount of reading. Back and forth between nonfiction and fiction. I usually have three or four things that are open on my desk, on my bed, on audiobook in the car.
I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures.
For me, the experience of making the show is very much like being in a novel. I enjoy getting the new script. I make a cup of tea and I read it the same way I would read a book, with the same amount of joy.
A certain type of critic doesn't really want French movies to be visual. They think movies started from books and they forgot this part of moviemaking, like Chaplin and Buster Keaton, which I didn't forget.
Just because I've extricated myself from religion doesn't mean I'm not interested in the scriptures. I look at the Bible as itself. It's a holy book, it has incredible literature in it and beautiful poetry.
Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.
Films and television and even comic books are churning out vast quantities of fictional narratives, and the public continues to swallow them up with great passion. That is because human beings need stories.
We have to be there at the birth of ideas, the bursting outward of their force: not in books expressing them, but in events manifesting this force, in struggles carried on around ideas, for or against them.
Marvelously entertaining, Gabrielle Donnellys The Little Women Letters evokes the spirit of Louisa May Alcotts Little Women with warmth and affection. I thoroughly enjoyed every word of this wonderful book.
I wrote about Herschell in my book 'Shock Value,' for which I interviewed him. We became friends; I had dinner with Herschell the last year before he died. He was elderly, but his mind was perfectly intact.
When I die there may be a paragraph or two in the newspapers. My name will linger in the British Museum Reading Room catalogue for a space at the head of a long list of books for which no one will ever ask.
I have both experienced and witnessed a great deal of suffering in my life, and that has informed my art. I'm here today, because I'm a fighter. I didn't survive my life to ask permission to write my books.
In a book, even the real bastards can't hurt you. And you can never loose a friend you make in a book. When you get to a sad part, no one's there to see you cry. Or wonder why you don't cry when you should.
I don't know if any single book made me want to write. C.S. Lewis was the first writer to make me aware that somebody was writing the book I was reading - these wonderful parenthetical asides to the reader.
Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.
This book blew me away. Kelly Parra writes with the keen eye of an artist. Graffiti Girl is warm, gutsy, and true-to-life - an unflinching, honest portrayal of young adults. A seamless and impressive debut.
I was never a great reader, but there were two stories I loved best: Kipling's 'The Elephant's Child' and 'The Jungle Book.' Deep down, I've always wanted to write a book about a wild child and an elephant.
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
I re-read a lot of books that I like a lot. There are some books that I try to reread every couple of years. A good book changes for you every few years because you are in a different place in your own life.
Whether I'm on the road or at home, I get a great deal done on elliptical machines. I use my iPad to conquer my email inbox, listen to audio books, use my Voxer Walkie Talkie app, and read through documents.
I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
I just love the idea that people disappear into the story for a while. You grab a book, and you want to get back to it, and your life becomes a bit of an interruption. I would love readers to feel like that.
People who believe in freedom of expression have spent several centuries fighting against censorship, in whatever form. We have to be certain the 'Net' doesn't become the site for technological book burning.
This outer world is but the pictured scroll Of worlds within the soul; A colored chart, a blazoned missal-book, Whereon who rightly look May spell the splendors with their mortal eyes, And steer to Paradise.
[Before the Spirit] I had been producing comic books for 15-year-old cretins from Kansas [I wanted to aim for] a 55-year-old who had his wallet stolen on the subway. You can't talk about heartbreak to a kid.
My husband and I like cities. We like to go to other cities. Madrid, Barcelona, Paris, London. We're not big beach people. We're the type that get those books out and go to every museum. We are those people.
And when the book of Daniel was showed to him (Alexander the Great) wherein Daniel declared that one of the Greeks should destroy the empire of the Persians, he supposed that himself was the person intended.
When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.
[Jonathan] Edwards definitely shows up in the book [Saving Calvinism]. He appears as one of the interlocutors in the chapter on free will, the other being the Southern Presbyterian theologian John Girardeau.
I like all things grammatical, and I had already written several books about parts of speech, and even the alphabet, so everything that makes up a sentence and even a word was covered except for punctuation.
A weird sort of awareness set in, like, 'Wow. My stand-up isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.
He [Michael Jackson] would choose specific moments. They were art history books that I prefer. They were paintings that he prefers. It's this dance back and forth. We were halfway through the dance. He died.
The best thing you can do when you're not feeling funny is go out and get more stimuli from the world, get out and walk around, read a book, go talk to some birds or a dog and replenish the well, as it were.
A writer stops writing the moment he or she puts the last full stop to their text, and at that point the book is in limbo and doesn't come to life until the reader picks it up and the reader flips the pages.
Just as art brings you to another place, so does religion - and to ask questions of factuality tends to reduce both. If you say you were inspired by a novel, that implies that your book is a work of fiction.
There's a scripture in the Book of James which says, 'Become a doer of the word and not a hearer only.' A hearer is someone who looks into a mirror, walks away, and quickly forgets what sort of person he is.
I was sick all the time, one exotic illness after another, which lasted throughout my twenties. My worst decade. But from the day the first book was accepted, I never got sick again. Writing changed my life.
I love old books. They tell you stories about their use. You can see where the fingerprints touched the pages as they held the book open. You can see how long they lingered on each page by the finger stains.
I think that there is a tragic misfit at the core of me, and I've just done a lot of work on myself. I love a good self-help book; I've read a ton of them. I love self-help seminars and therapy and all that.
I love those adult writers with the pranking ethos, [Don] DeLillo and [Donald] Barthelme and David Foster Wallace. I don't see any reason not to bring those kinds of influences to bear on books for children.
Spray a book with insect spray, drop it in a bag, add some mothballs and seal it. Put it in another bag and seal it. Another. The packages piled up on the floor, each a book sealed in four plastic envelopes.
I am really impressed by lawyers who write books and tell us that they never lost a case. Most lawyers who have never lost a case have not had enough hard cases. But there are very difficult cases out there.
When I am working on a painting, everything that I am thinking about at the time - be it current events, the books I am reading, personal events, influences, emotions, etc. - all find their way into my work.
Much as I love stories, I think I'll only be satisfied with myself as a writer if I'm able to produce a novel that feels publishable. The books that truly take me away - for weeks at a time - are all novels.
If it had anything to do with the PC or networking industry I was on top of it. I bought manuals. I read every book and magazine. Then I would get involved with industry conferences and put myself out there.
I am completing a book I began back in 2002 called 'Poems in the Manner of.' 'The Matador of Metaphor' is from this manuscript. It is an homage to Wallace Stevens that appropriates certain of his techniques.
There are certain phrases in books of mine, and I don't know where they came from, or how I was capable of thinking up these formulations. It's only in the heat of composition that these things occur to you.
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they're acting. Here (in Hollywood), you can see everybody wants his break.
Time travel may be achieved one day, or it may not. But if it is, it should not require any fundamental change in world-view, at least for those who broadly share the world view I am presenting in this book.