Quotes of All Topics . Occasions . Authors
Final Execution is Wolverine's spotlight arc. He goes through a crazy thing here. I think the fear with him is that he's in so many books that his growth can become stagnant. He ends this story in a very different place.
I'm trying to break myself of that habit [of not writing out a first draft ] because I'm working on a couple novels and I know if I tried to write those books the way I wrote the stories it would take me years to finish.
I've always operated with a great deal of self-doubt. Every time I start a new book it's like, well, this one will destroy the career and I have to overcome that feeling especially in the first hundred pages of the book.
Few [books] get translated and the ones that do have trouble making it into the mainstream. It's more likely that Americans will discover another culture through an American writer rather read a writer from that culture.
In an ancient though not very populous settlement, in a retired corner of one of the New England states, arise the walls of a seminary of learning, which, for the convenience of a name, shall be entitled "Harley College.
Delicious... Everything I'd hoped for in a new Wild Cards book. The character interactions and plot twists have exactly the complexity, surprise, and unsentimental realism I'd expect out of a George R. R. Martin project.
I think at a certain point the book develops a certain weight, or pressure. You've been pushing the rock up the hill for a long time and then it starts to roll and things do start to come together in the last two thirds.
You can go to the pictures or read a book, but football constantly comes back into your mind. It's not a job, it's a life. It takes up your time, thoughts and energy and it can damage relationships with those around you.
This book is written for those who want more Jesus. It is for those who are bored with what American Christianity offers. It is for those who don't want to plateau, those who would rather die before their convictions do.
*Appendix usually means "small outgrowth from large intestine," but in this case it means "additional information accompanying main text." Or are those really the same things? Think carefully before you insult this book.
I think people need to remember that a book isn't done after a few rewrites and a publisher isn't going to buy an 'undone' book so the hard part is making it a book that at least ten other people want to pay for to read.
As much as I like it when a book I'm writing speeds along, the downside can be that an author becomes too eager to finish and rushes the end. The end is even more important than the first page, and rushing can damage it.
My general writing preface is to write an outline and then ignore about half of it, both on a micro level with the individual book, and on a macro level with the series as a whole, and that's pretty much what's happened.
I tend to look at the world more from Voltaire's perspective. Incidentally, if you haven't read Candide lately, it's a fabulous book. It's riotously, laugh-out-loud funny in a way that no Shakespeare comedy will ever be.
I was producing things I was acting in, but I had never directed and I felt it was time. I was looking for a piece of material that was about behavior and feelings. When I read Judith Guest's book, I thought, This is it.
I'm addicted to email, but other than that, there are practical things - being able to buy a book on the internet that you can't find in your local bookshop. This could be a lifeline if you live further from the sources.
I love to read different books on completely different subjects at the same time. I cannot focus on one. I read a few pages of literature, then I jump to philosophy and at the same time I'm reading biographies of Mahler.
As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselves and warmed the paper and ink inside the covers so that the smell of unread words hung in the air.
If a character is honest with a reader, then (hopefully) that will engage the reader's empathy centers; she'll meet that openness with acceptance, and they'll forge a nourishing and meaningful bond as the book continues.
I only wish that I had had the courage and the knowledge to have gotten that out of my system, out of my mind or my heart years earlier. But there is no book, there is no manual to tell you how to deal with sexual abuse.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
I wrote a story for my kids. It's fiction. It's not systematic theology. It's not a new book of the Bible. It's flawed, I wrote it. All of that goes into the mix, but I love the controversy. It elevates the conversation.
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process.
My progressive ideals are screaming in [Straight to the Heart: Political Cantos] book; what I believe. There is no muddying-up because of debate. You know exactly where I stand, because I put it down in the written word.
Remember that it's never a crime in the face of humanity and enlightenment to distribute the works of the great humanists among the merchants and moneychangers of this godforsaken country... You better slip me the dough.
The adjectives that are in the book ["Win"] - passion, persuasion, persistence, perfection, prioritization, being people-centered - none of them are as important as principles. Without principles, the language will fail.
I used to split my time between writing, music and painting. I would work on a book and then abandon it, start a band, do an album, quit music, then do a gallery show. Eventually I decided to give writing a serious shot.
If one has to choose between reading the new books and reading the old, one must choose the old: not because they are necessarily better but because they contain precisely those truths of which our own age is neglectful.
Home has always been wherever I am. I'm not very attached to walls - or people, for that matter - so I've always loved travelling around. A book in my back pocket, a diary, and a pen is all I need to call any place home.
History is written by the winners. The books say the Indians were bad guys and the whites just needed a little land. It's like, Excuse me, let me take your car. I'm discovering it. I'm putting my flag on your windshield.
... Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me... Surely goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.
Parents who struggle to get a witness of the Savior into the heart of a child will be helped as they seek for a way to bring the words and the spirit of the Book of Mormon into the home and all the lives in their family.
The best source for finding an agent is called Literary Agents of North America. It's a complete list of agents, not only by name and address, but by type of book they represent and by what their submission criteria are.
My first book was a historical novel. I started writing in 1974. In those days, historical novels meant ladies with swelling bosoms on the cover. Basically, it meant historical romance. It was not respectable as a genre.
I understand the atmosphere better than I ever did before. You feel the thermals while paragliding. You are in the clouds. Chasing a storm puts you in front of the cloud, not a book. I hope to learn as I do these things.
Some books and authors are best sellers, but most aren't. It may be easier to self-publish than it is to traditionally publish, but in all honesty, it's harder to be a best seller self-publishing than it is with a house.
This time, we stay in our bodies and remember. An important part of the book [The Pleiadian Promise] is about forming new communities on this Earth plane within our human selves - and new communities within the universe.
She looked at her shelves, filled with books in which the bad stuff that happened to people was caused by things like witches who lured people into the woods. In a weird way, the world seemed to make more sense that way.
Books don't exist unless you read them. And it's a two way process - you write the book as you read it and you fill in the gaps. You discover it and you put the marks together and without you doing it they're just marks.
As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.
It's a feature of our age that if you write a work of fiction, everyone assumes that the people and events in it are disguised biography — but if you write your biography, it's equally assumed you're lying your head off.
What I hear about the book does not sound like the Scott McClellan I knew for two years. I can say, without fear of contradiction, that I knew Scott better than any other White House correspondent or Washington reporter.
Teenagers are extremely smart, and if they think for even a second that an author is 'writing down' to them, or mimicking their voice poorly, or condescending to them in any way, they will throw the book across the room.
I remember that the day I finished 'The Angels,' part three of 'The Book of Laughter and Forgetting', I was terribly proud of myself. I was sure that I had discovered the key to a new way of putting together a narrative.
Books, for me, are a home. Books don’t make a home – they are one, in the sense that just as you do with a door, you open a book, and you go inside. Inside there is a different kind of time and a different kind of space.
I have 800 books of just Samuel Beckett's work, tons of his correspondence, personal letters that he wrote. I have copies of plays he used when he directed, so all of his handwritten notes are in the corners of the page.
Most of the books that I've written have been focused on, sort of, the individual, and sort of, either a voice, a personal voice, or a kind of transforming event where they step forward to fight for something they value.
I wrote in my first book that I was broken, and now it just makes me mad every time. This is why writing words in books is so precarious. This is why Jesus only wrote in the sand, right? I just - I hate that I wrote that.
At what price do we get our news? The role of economics in defining the nature of contemporary journalism has never been better explained. A valuable, important book for those of us who watch, read, or listen to the news.
I'm really interested with the way light plays on images and one of the artists that really reawakened my interest in comic books was Frank Miller and his treatment of Daredevil, and then Wolverine and, of course, Batman.