Quotes of All Topics . Occasions . Authors
We got Arbitron diaries at my house in the 1980s, when the family was down to just my mother and me, and we tried for a couple of days to fill it out (I of course treated it like we'd been asked to write a new book of the Bible), but we got really bored with it and gave it up.
By the end of the time I'm writing a book, I'm tearing my hair out and I want to go do stand-up. And then I want to do something else. I don't know why it is true with me that I can't just be satisfied doing the one thing, but I'm constantly flitting from one thing to another.
Today I begin to understand what love must be, if it exists... When we are parted, we each feel the lack of the other half of ourselves. We are incomplete like a book in two volumes of which the first has been lost. That is what I imagine love to be: incompleteness in absence.
It's easy to be pessimistic. Nobody needs to be taught how. You don't need to buy a book on it. You don't need to go to classes to learn how to be pessimistic. But you do read books on how to think positively, and people who write them become very rich because it takes effort.
I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.
The book[ The Thorn and The Blossom] is a love story about two people, Brendan and Evelyn, who meet in a small town in Cornwall where Evelyn has gone on vacation and Brendan is working in his father's bookstore. The story is told from both perspectives, Brendan's and Evelyn's.
You go into a book and you're in the dark, really. You go in with a certain fear and trembling. You know one thing. You know you will not be the same person when this voyage is over. But you don't know what's going to happen to you between getting on the boat and stepping off.
So the difference between most books about love and Love For No Reason is that traditional love books focus on love as a stream of energy between two people, whereas this book focuses on love as a deep state of being that you can live in no matter what's going on in your life.
Lost in my dreams, I somehow cross at the traffic signals, bumping into street lamps or people, yet moving onward, exuding fumes of beer and grime, yet smiling, because my briefcase is full of books and that very night I expect them to tell me things about myself I don't know.
But you have to look at your work with an honest critical eye. Work on the things that you need work on. Scare yourself. Surprise yourself. If you don't like the way it's going, you have complete control over changing the course. That's one of the best things about doing this.
In my writing I wanted to be liked for writing really unlikeable stuff. There were books that people, particularly women, hated so much. They said, "I threw it against the wall!" Which, in my opinion, was a compliment. Because it's very hard to get somebody to throw something.
In several speeches and interviews, Donald Trump has brought up his book 'The Art of the Deal,' and said that Obama would have negotiated a better deal with Iran if he had read it. It got even more awkward for Obama when Iran was like, 'It worked for us - you guys got screwed!'
A man's bookseller should keep his confidence, like his physician. What can become of a world where every man knows what another man reads? Why, sir, books would become like quacks' potions, with every mountebank in the newspapers claiming one volume's superiority over another.
I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
I've been reading Greek mythology since I was a kid. I also taught it when I was a sixth grade teacher, so I knew a lot of mythological monsters already. Sometimes I still use books and Web sites to research, though. Every time I research Greek mythology, I learn something new!
And through meditation comes wisdom - not through studying books, not through scriptures. Through scriptures one can become knowledgeable but no wise. and knowledgeable people are sad, they are bound to be sad because all their knowledge is borrowed. There can be no song in it.
I like to walk around my neighborhood, late in the afternoon. I sometimes wind up at the wonderful, old Shell station that's been changed into a coffee shop. Right where Johnny used to change my oil, I have a latte and take out my little book bag. It doesn't sound very austere.
A character like Wonder Woman is so iconic and yet, over the course of her history, there have been lots of subtle changes. We couldn't stray too far from the comic book look, but you do have a certain amount of leeway in terms of how you interpret those elements for animation.
My theory in the '90s was that I didn't want to take a Jane Austen book I loved and reduce it to a 90-minute movie. The Emma Thompson-Ang Lee 'Sense and Sensibility' was beautiful, but other ones, I didn't think justice was being done. It's not a slam dunk to adapt these books.
As we all saw in grade school, once you learn how to read a book, somebody is going to want to write one - that's how authors are made. Once we know how to read our own genetic code, someone is going to want to rewrite that 'text,' tinker with traits - play God, some would say.
I grew up with that completely fictive idea of motherhood, where the mother never strayed from the kitchen. All the women in my books are very afraid that if they do anything with their minds they won't be complete women. I don't think my daughters' generation has that feeling.
Glimpses is dead-on about the high and tight nineties even as it reaches out for the sweet hereafter of the sixties. It longs for something better, and finds it, I guess, as much as anything is ever found anymore. It's a mean, sweet, wry, and disturbing book, in equal portions.
Fifty percent of all meaningful education takes place in the home. What do you share with your child? You share your interests. I was a book person. I read with my son. My wife is an artist. She dragged his little butt around to museums. He's an illustrator of children's books.
And I know I'm supposed to feel guilty for wanting people to buy my books... and books in general? Novels and poetry, they belong to the realm of art. How dirty of us to try to hawk art! But, after a decade of hand-wringing and apologies, I can't quite muster the guilt anymore.
To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.
And it would be a spare life he would be certain to lead as a schoolteacher in some urban location. But he had a serenity that came with the choice of the life he wanted to live. And this serenity and certainty I have seen only among those who have the armour of books close by.
I don't know why the world has changed so much that writers are now expected to appear in public and talk about their work. It's something I find very difficult. And yet, one does have some sense of responsibility towards one's publishers, to the people trying to sell the book.
When you read a book [The Hunger Games], you create that tonal bandwidth. You set a tone for yourself, as you're reading it, in which everything exists within the world of your imagination. In the book, it's great when she can push a button and food comes up, as per your order.
Spoilers are cowardly. They're just people who want to anesthetize themselves against the tension and the experience that the director and the artist have set up. If you go in there knowing what's going to happen, it's like reading the last page of the book. It's just cowardly.
If somebody can act out one of the books as a play, if they can see a play, film, or television show that's related, that can be so stimulating for them. Anything that makes children engage and think - and love what the story is about - can only bring the most enormous rewards.
I'm excited for everybody to see the books. In Justice League #15, there's a lot of other stuff too that's setup in this storyline that's going to explore Superman and Wonder Woman and Cyborg. Cyborg has a huge role in this story, actually, that sends him on a new path as well.
I'm not Mother Teresa. But I'm not Frank Bough, either. I am getting older and a bit more sensible. I'm not going to be popping up in dungeons every six months. If you catch me preaching fidelity while I am shagging chickens then throw the book at me. Otherwise, leave me alone.
Yes, yes; you’ve read thousands of books but you’ve never tried to read your own self; you rush into your temples, into your mosques, but you have never tried to enter your own heart; futile are all your battles with the devil for you have never tried to fight your own desires.
In You Are Not Dead Wendy Xu breaks all the old rules that have never done us any favors anyway. She writes beautifully, noticing who we are, and letting us see ourselves with a little more humanity, a little more humor, a little more humility. I'm happy to have read this book.
Tom Paine was a great American visionary. His book, Common Sense, sold a couple of hundred thousand copies in a population of four or five million. That means it was a best seller for years. People were thoughtful then. Hope is one thing. But you need to have hope with thought.
I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.
My home has a split personality. Some of the rooms are very French antique. Think Aubusson rugs, turquoise ceramic jugs, sandbag pillows, and broken birdcages. The other half is very Aztec. Neon ikat fabric pillows, vintage books piled up to the ceiling, and shutters from Bali.
Take a book, the poorest one written, but read it with the passion that it is the only book you will read. Ultimately, you will read everything out of it, that is, as much as there was in yourself, and you could never get more out of reading, even if you read the best of books.
I hope [white brothers and sisters] read this book [Tears we cannot stop] and engage with it, but other white people have a better chance of speaking more directly to the white folk they know, because they're less likely to be subject to ridicule. They're insiders, so to speak.
The Death of Money is an engrossing account of the massive stresses accumulating in the global financial system, especially since the 2008 financial crisis. Jim Rickards is a natural teacher. Any serious student of financial crises and their root causes needs to read this book.
A forward critic often dupes us With sham quotations peri hupsos, And if we have not read Longinus, Will magisterially outshine us. Then, lest with Greek he over-run ye, Procure the book for love or money, Translated from Boileau's translation, And quote quotation on quotation.
In order to read one must sit down, usually indoors. I am restless and would rather sail a boat than crack a book. I've never had a very lively literary curiosity, and it has sometimes seemed to me that I am not really a literary fellow at all. Except that I write for a living.
You get to relive your childhood when you have a baby and you see these toys and these books you read when you were little - the innocence that you are able to maintain because you have to find that again in order to connect with your child keeps you in a special state of mind.
I don't want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of The Book of Mormon . And Girls felt very much the same way - there was an excitement about it as we were doing it; I knew it was something special.
It doesn't matter if I'm only to be gone four days, as in this case; I take six months' supply of reading material everywhere. Anyone who needs further explication of this eccentricity can find it usefully set out in the first pages of W. Somerset Maugham's story "The Book-Bag.
There are so many other people involved in the making of a play or a television series or whatever... even if you're a novelist there's so much in just the marketing of a book, or even the time... the zeitgeist, the moment at which it comes out. There's a lot you can't control.
I think the Internet gives too much for a young artist to compare themselves too. I'm not sure that "notes" or "likes" are what we should be aspiring to, but the Internet means something different to me because I've always been primarily interested in publishing physical books.
Because it's so easy to medicate our need for self-worth by pandering to win followers, 'likes' and view counts, social media have become the metier of choice for many people who might otherwise channel that energy into books, music or art - or even into their own Web ventures.
I went to a white school over here in Mason, Michigan. The white man made the mistake of letting me read his history books. He made the mistake of teaching me that Patrick Henry was a patriot and George Washington - wasn't nothing non-violent about old Pat or George Washington.