Quotes of All Topics . Occasions . Authors
The difference between people who believe they have books inside of them and those who actually write books is sheer cussed persistence - the ability to make yourself work at your craft, every day - the belief, even in the face of obstacles, that you've got something worth saying.
Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
The Bible is not a book of magic. It's a book of mystery. You can't just quote verses that support your prejudices or guarantee your health, wealth, and happiness and demand that God 'follow through' as promised. God is not limited to the words of Scripture. God is still speaking.
When you think of the huge uninterrupted success of a book like Don Quixote, you're bound to realize that if humankind have not yet finished being revenged, by sheer laughter, for being let down in their greatest hope, it is because that hope was cherished so long and lay so deep!
I want my words to survive translation. I know when I write a book now I will have to go and spend three days being intensely interrogated by journalists in Denmark or wherever. That fact, I believe, informs the way I write - with those Danish journalists leaning over my shoulder.
I think I was always writing books that had very clear scenic structures. I do tend to write in scenes. I do tend to have a fair amount of dialogue. And I do tend to use stories that don't sprawl all over the place, that have a very sharp focus in terms of how they unfold in time.
My father's little library consisted chiefly of books in polemic divinity, most of which I read, and have since often regretted that, at a time when I had such a thirst for knowledge, more proper books had not fallen in my way since it was now resolved I should not be a clergyman.
Sometimes when I pick up a book off the shelf, when I'm buying a new book to read, I'll look at all of them and they all have the exact same words inside, but I'll think that one is meant to go home with me. I'll never pick the first thing off the shelf, I'll always go one behind.
I wanted to be a witch when I was a kid. I was obsessed with witchcraft. At school, me and my two friends had these spell books; I always wanted a more magical reality. I had a little shrine at home and I did a spell to try and make the boy in the other class fall in love with me.
It must have meant something, though, that at this turn of my life I grabbed up a book. Because it was in books that I would find, for the next few years, my lovers. They were men, not boys. They were self-possessed and sardonic, with a ferocious streak in them, reserves of gloom.
Marcus Buckingham has a keen sense of what it takes to excel, and he backs his insights with an impressive body of in-depth interviews and research. This is an important book for anybody who aspires to effective leadership, managing, or any kind of enduring individual achievement.
The revolutions of thought which shape the basic outlook of an age are not disseminated through text-books- they spread like epidemics, through contamination by invisible agents and innocent germ carriers, by the most varied forms of contact, or simply by breathing the common air.
Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same book over and over, ate infrequently, and devoted quite a bit of my abundant free time to thinking about death.
To be completely honest, I didn't know Twilight was a book. I thank God for Ashley Greene [who plays Alice Cullen]. She's like, 'Did you read the books?' And I'm like...'What books?' But they were easy reads so it was fine. Emmett's such an easy guy, so it was awesome to play him.
I suffered most inconvenience from the difficulty of getting news from the civilised world down river, from the irregularity of receipt of letters, parcels of books and periodicals, and towards the latter part of my residence from ill health arising from bad and insufficient food.
You may read any quantity of books, and you may almost as ignorant as you were at starting, if you don't have, at the back of yourminds, the change for words in definite images which can only be acquired through the operation of your observing faculties on the phenomena of nature.
There's something not normal about you if you're writing a book about yourself, or about anything. And if you're the kind of person who can deal with being recognized by strangers and if that's tolerable or pleasing to you, and not immediately terrifying, that's not normal either.
The most difficult book I wrote was the fourth in a series of linked children's books. It was like pulling teeth because the publisher wanted exactly the same but completely different. I'd much rather just do something completely different even if there's a risk of it going wrong.
What's important about the artists we learn about in art history and see in all the art books is that they have somehow pushed the boundaries of what people think art is or should be, and that's how they've made their work relevant. That's what I'm trying to figure out for myself.
I think I work much harder on the children's books. I suppose I enjoy that. I find it interesting that although there are more than 30 books in the Discworld series, it is the four that were written for children which have won the awards. I've never been quite certain why this is.
I want to open myself. ... I want the light of God, I want the sweet love of Jesus. I danced for the Devil; I saw him, I wrote in his book; I go back to Jesus; I kiss His hand. I saw Sarah Good with the Devil. I saw Goody Osburn with the Devil. I saw Bridget Bishop with the Devil!
I used to think [Shoji] Hamada never drew, until there was a book by Bernard [Leach] published about his work [Hamada: Potter, Tokyo; New York: Harper & Row, 1975] and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.
New Self, New World is an extraordinary work—an awesome display of wisdom distilled from the world’s great wisdom traditions and the majestic individuals who have experienced them. This book is about achieving the highest dimensions of which humans are capable. Highly recommended.
I didn't have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal - because I think cinema should come from cinema. I never adapted anything. Beautiful books are beautiful books, that's it. I don't know why we should transform them.
It's not even so much about publicity, it's more just letting people know that things are available, because books aren't a flash in the pan thing. It's more like: "It took 20 years for this book to be done and now it'll be on a shelf for 20 years until the right person finds it."
If you read Mein Kampf, Hitler's book, which I have outside, I bought it when I was eleven, Hitler said, "democracy inevitably leads to Marxism" - now you work that one out. It's so interesting that when the poor have the vote they will use it to remove the privileges of the rich.
I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
The sure foundations of the state are laid in knowledge, not in ignorance; and every sneer at education, at culture, at book learning, which is the recorded wisdom of the experience of mankind, is the demagogue's sneer at intelligent liberty, inviting national degeneracy and ruin.
All my life, I never believed most things I read in history books and a lot of things I learned in school. But now I've found I don't have the right to make a judgment on someone based on something I've read. I don't have the right to judge anything. That's the lesson I've learned
My first book was called, 'Mountain, Get Out of My Way,' where I did an autobiographical sketch, if you will, looking back at myself and looking back at things in my life, and juxtaposing them against things that are happening in other people's lives and trying to be motivational.
The Book of Books Within this ample volume lies The mystery of mysteries. Happiest they of human race To whom their God has given grace To read, to fear, to hope, to pray, To lift the latch, to force the way; But better had they ne'er been born That read to doubt or read to scorn.
I despair of ever getting it through anybody's head I am not interested in bookshops, I am interested in what's written in the books. I don't browse in bookshops, I browse in libraries, where you can take a book home and read it, and if you like it you go to a bookshop and buy it.
I can’t talk about my books. I have written them and tried to forget them. I have written once, and readers have read me many times, no? I try to think of what I wrote, it’s very unhealthy to think about the past, the case of elegies is very sad, as much as the case of complaints.
The frontiers of a book are never clear-cut: beyond the title, the first lines, and the last full stop, beyond its internal configuration and its autonomous form, it is caught up in a system of references to other books, other texts, other sentences: it is a node within a network.
Every new book is a challenge. I could, of course, have stopped many years ago if it was only for money. But no, it is about building bridges among cultures, different cultures... When you want someone to understand something that is not forcefully in your culture, you use stories.
There are 20,000 million books I could have to read, but I can pick the ones and know that I'm learning something that I didn't know before. That's the glory of writing. It's not even so much the writing, it's what you learn - especially history - because so much of it is research.
My father taught me to love detective fiction writers such as Raymond Chandler. When I decided to have a hard-boiled detective series I did a lot of studying before I wrote the first book. I learned police procedure, the California criminal law, and many areas outside my expertise.
I just love those [saying of Christ ]: "Father forgive them, they know not what they do. I thirst. It is finished. Into Your hands I commit My spirit. Today you will be with Me in paradise." That was really the heart of the second book I wrote called No Wonder They Call Him Savior.
Libraries, whether my own or shared with a greater reading public, have always seemed to me pleasantly mad places, and for as long as I can remember I've been seduced by their labyrinthine logic, which suggests that reason (if not art) rules over a cacophonous arrangement of books.
Get a book, so you know where to put your fingers. Otherwise it would be tough to learn. Also you have to fight through getting callouses on your fingers because it hurts, you are pressing your fingers on metal strings, they will hurt at first until you start building up callouses.
A letter doesn't communicate by words alone. A letter, just like a book, can be read by smelling it, touching it and fondling it. Thereby, intelligent folk will say, 'Go on then, read what the letter tells you!' whereas the dull-witted will say, 'Go on then, read what he's written!
The Bible is still the only dirty book I've ever read, at least in its current incarnation as a weapon of the homophobes. Bible scholarship keeps trying to catch up, proving that all the hatred of gay is just stupid translation, though the snake-oil preachers don't want to hear it.
I write books to change the world. Perhaps I can only change one little piece of that world. But if I can empower teachers and good citizens to give these children, who are the poorest of the poor, the same opportunity we give our own kids, then I'll feel my life has been worth it.
Aldous Huxley took the drug mescaline and then chronicled his experience in the book The Doors of Perception. Now, I don't actually think that's the first thing he wrote: he probably wrote 'my brain is melting' ten thousand times, but it was the book that the critics latched on to.
The most difficult book I wrote was the fourth in a series of linked children's books. It was like pulling teeth because the publisher wanted exactly the same but completely different. I'd much rather just do something completely different, even if there's a risk of it going wrong.
Hands down, the hardest part for me is coming up with an idea. I spend about 14 months writing a book, and that's a lot of hours spent thinking about a single project. I simply have to love the idea. I'll go through dozens of workable ideas until I find the one that lights my fire.
...Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature.
Even though I'm a writer and I love books and writing books is my favorite thing to do, when you teach, and you can go through the history of children's television, and I show certain things, the students' jaws just drop. You're never going to hit the hammer quite as hard in print.
I'm always reading. Here's where an ebook reader really comes into its own. When I travel, it allows me to carry a huge chunk of my library with me. Usually, when I am writing one project, I am researching the next or beginning to pull together the material for the book after that.
People who write books - they live in their own world as they're writing. But people who are doing shows or big movies - not only are you writing this world that you're living in, but you're also simultaneously running a circus, and you can kind of start losing your mind like that.