Writing is incidental to my primary objective, which is spinning a good yarn. I view myself as a storyteller more than a writer. The story - and hence the extensive research that goes into each one of my books - is much more important than the words that I use to narrate it.

It's funny, because I don't have a very addictive personality in any way except for things like stories or books or movies or TV. I just get, like, completely enamored and lost in that world, especially when one really hits the right way. Like, I just can't do anything else.

Two temptations that impair the value of their work inevitably beset public men who write memoirs. One is a tendency to reconstruct the past to suit the present views and feelings of the writer; the other is a natual desire to set his own part in affairs in a pleasing light.

Laura Alicia Deverell was born on May 10th, 1862, at precisely a quarter past one o'clock on a Thursday morning. Those interested in that pseudo-science astrology or astromancy may trace her life and character, if they wish, among the stars, where no doubt it is all written.

Even books are nurses, medicines are nurses. But we must work to bring about the time when man shall recognise his mastery over his own body. Herbs and medicines have power over us as long as we allow them; when we become strong, these external methods are no more necessary.

Vernon Reis opened the world to me through books. He taught me that while I was physically firmly planted in blue-collar Auburn, Washington in the 50s and early 60s, intellectually I could go anywhere, explore anything, and sample exciting new ideas simply by opening a book.

I saw that on Small Business Saturday, the president went shopping at a bookstore and bought 17 books, including "The Laughing Monsters," "Being Mortal," and "Heart of Darkness." Or as the cashier put it, "You OK, man? Maybe a little 'Chicken Soup for the Presidential Soul?'

I have great concern, but my concern is probably not what most people would think it would be.My concern is why is our faith being targeted as part of this inquiry when there are laws on the books and there is legal jurisdiction any time there is abuse in financial handling?

You became a reader because you saw and heard someone you admired enjoying the experience, someone led you to the world of books even before you could read, let you taste the magic of stories, took you to the library, and allowed you to stay up later at night to read in bed.

He was no longer quite sure whether anything he had ever thought or felt was truly his own property, or whether his thoughts were merely a common part of the world’s store of ideas which had always existed ready-made and which people only borrowed, like books from a library.

There are no witches. The witch text remains; only the practice has changed. Hell fire is gone, but the text remains. Infant damnation is gone, but the text remains. More than two hundred death penalties are gone from the law books, but the texts that authorized them remain.

I think it's crucial to recognize that we are so fortunate to have this human birth where we can practice what we want, pick up and not just read books but actually understand them. This level of education is very rare throughout history, so we shouldn't take it for granted.

I want her to be powerful on these covers, and sometimes that's a quiet power and other times it's a more bombastic power. But when you're going to have a book out there that's called Wonder Woman and she's on it, you have a responsibility to put out a certain kind of image.

Books, like all art, breed in us desire. In times of crisis and fear and misrepresentation we need desire, or else we shut down and hide out in our houses, succumbing to infotainment and the ease of an available latte, turning off our brains and emotions. Books breed desire.

I was 45 when I wrote most of this book [Hungry Heart ], at what felt like a halfway point in my life, and I thought, If I can't be honest now, when will it happen? It was so hard to step away from the [protection of] fiction, but I'm ready to talk start telling their truth.

It's always hard when you're playing someone for a lot of people out there who are going to see the movie after reading the books. There's a communion between a reader and the writer, so people will have an idea who Sirius Black is and I might not be everyone's idea of that.

To begin with, it's true, she read with trepidation and some unease. The sheer endlessness of books outfaced her and she had no idea how to go on; there was no system to her reading, with one book leading to another, and often she had two or three on the go at the same time.

Dollars damn me; and the malicious Devil is forever grinning in upon me, holding the door ajar. ... What I feel most moved to write, that is banned - it will not pay. Yet, altogether, write the other way I cannot. So the product is a final hash, and all my books are botches.

It never occurred to me when I was young that I could be an author. That would be like saying, "I want to be a movie star" or "I want to be a wizard." I didn't have any concept of what that path would look like. Maybe that's why I didn't publish my first book until I was 38.

Take away from Genesis the belief that Moses was the author, on which only the strange believe that it is the word of God has stood, and there remains nothing of Genesis but an anonymous book of stories, fables, and traditionary or invented absurdities, or of downright lies.

I saw a lot of lousy movies and watched a ton of crappy television and read a bunch of utterly forgettable books and comics and listened to hours of junk music as a kid. And I'm still drawing profitably in my own art on some of the tawdry treasure I stored up in those years.

The advantage of horror books is to take the reader and cut him out of the pack and work on him one on one. It has its advantages because the people that are there in the movie theater really are a mob. If you get one guy alone you can do a more efficient job of scaring him.

There were thousands of brown books in leather bindings, some chained to the book-shelves and others propped against each other as if they had had too much to drink and did not really trust themselves. These gave out a smell of must and solid brownness which was most secure.

Wisdom is not book learning but, rather, a quality or state of knowing what is true or right coupled with the judgment to discern constructive action. Wisdom is the insight and intuition contained in the proverbial still, small voice that only a quiet mind can hear and know.

My dad was in the Swedish armed forces, he was always reading up on different weapons from the Americans and Soviets. When I was a kid, I was in bed looking at his books, reading about the Red Army. So I was very aware of it. I had an interest in military matters ever since.

What I do is, I'm like a disease that infects real people and I take them over. We can start off in a very journalistic mode describing a character and observing a character - and that's what I do with a lot of characters in my books. And then my imagination eats them alive.

I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.

Was it all inevitable, John?" Reeve was pushing his fingers across the floor of the cell, seated on his haunches. I was lying on the mattress. Yes," I said. "I think it was. Certainly, it's written that way. The end of the book is there before the beginning's hardly started.

I have long profited from Adele Ahlberg Calhoun's gifts in the field of spiritual development, and I am delighted that she has compiled her experience with spiritual disciplines into book form. I highly recommend it and I look forward to using it as a resource at our church.

Set we forward; let A Roman and a British ensign wave Friendly together. So through Lud's town march, And in the temple of the great Jupiter Our peace we'll ratify, seal it with feasts. Set on there! Never was a war did cease, Ere bloody hands were washed, with such a peace.

Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.

I was a very quiet child, quite introverted, really. Independent, yes; I didn't need a lot of supervision. Less so than I did when I got older, maybe. But I was a bookish child, not surprisingly. I could sit quite happily in a corner for hours and entertain myself with books.

Not counting Small Steps, I think Holes is my best book, in terms of plot, and setting, and the way the story revealed itself. It hasn’t changed my life, other than that I have more money than I did before I wrote it. I’m still too close to Small Steps to compare it to Holes.

Grandpa did everything at his own pace, a speed that my sister and I referred to as 'when snails attack.' ... My grandparents' house was only about ten miles from ours, but the ride there would necessitate sandwiches packed for the trip, and several books to keep us occupied.

I thought if I had a Twitter feed and say I had a following of a 100,000, that means 100,000 of them would be interested in my book. It was logical, but it didn't turn out to be true. It turned out if I had a Twitter feed of a 100,000, four of them were interested in my book.

Mr. Pewter led them through to a library, filled with thousands of antiquarian books. 'Impressive, eh?' 'Very,' said Jack. 'How did you amass all these?' 'Well,' said Pewter, 'You know the person who always borrows books and never gives them back?' 'Yes...?' 'I'm that person.

One of the nice things about a second book is that your readers already have so much of the introductions on board, they don't have to put all their attention into figuring out the world and can more easily let that play out as a background to the other things you want to do.

The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.

Don't ever let the other stuff get in the way of your inherent skills as a kick-butt storyteller. Move the reader, make them happy and sad and excited and scared. Make them stare into space after they've put the book down, thinking about the tale that's become a part of them.

Perfection is an unattainable goal. It isn't going to be perfect. Just get words down on paper, and when you stumble to what you think is the end of the book, you will have hundreds of pages of words that came out of your head. It may not be perfect, but it looks like a book.

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him by the mild morning air. He held the bowl aloft and intoned: ----Introibo ad altare Dei.

When I and the other young artists were working in comics, our work carried with it a particularly American slant. After all, we were Americans drawing and writing about things that touched us. As it turned out, the early work was, you might say, a comic book version of Jazz.

The tradition I was born into was essentially nomadic, a herdsmen tradition, following animals across the earth. The bookshops are a form of ranching; instead of herding cattle, I herd books. Writing is a form of herding, too; I herd words into little paragraph-like clusters.

I was a big reader as a child. My father is a great book lover and a librarian, but he forbid me to read bad literature. I was not allowed to read Nancy Drew or books like that. I often say to him that me becoming a crime author is both a way of pleasing him and annoying him.

If you find yourself loving any pleasure more than your prayers, any book better than the Bible, any house better than the house of the Lord, any table better than the Lord's table, any persons better than Christ, or any indulgence better than the hope of heaven – be alarmed.

I am incredibly passionate about my life, I am absolutely unable to hide any emotion. If I wrote a book, I'd have to call it 'P is for Passion'. I don't go in for anything halfway. My feelings about things are instant, on the spot. And my heart is always, always on my sleeve.

As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer.

My process with starting a new project and whatnot is I begin around a title. Usually, based off of just a title, I'm able to put together themes and concepts from there. I've always admired Hunter S. Thompson's titles for his books. They're always wordy and pretty elaborate.

I look for two things when I am about to launch into a book. First, there has to be a dramatic arc to the story itself that will carry me, and the reader, from beginning to end. Second, the story has to weave through larger themes that can illuminate the world of the subject.

As a teacher, I can help my students see what is working and not working. I can show them certain solutions. I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.

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