Book Quotes - Page 311

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We over-estimate the conscience of our friend. His goodness seems better than our goodness, his nature finer, his temptations less. Everything that is his,--his name, his form, his dress, books, and instruments,--fancy enhances. Our own thought sounds new and larger from his mouth.

In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.

...Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands.

I make the case in the book that Standard English, that language we all aspire to live and move and have our being within, is actually based on a fiction. It's not anyone's native way of speaking or writing. That's why we have to take classes in it. Language is just really squishy.

I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.

As a graduate student at Oxford in 1963, I began writing about books in revolutionary France, helping to found the discipline of book history. I was in my academic corner writing about Enlightenment ideals when the Internet exploded the world of academic communication in the 1990s.

You would have to be very optimistic to think that any of your books will be among the books that survive in the very long run. I think if a writer is lucky enough to still have a few books around after he's gone, a few that are still being read, then he's accomplished quite a lot.

You realize that especially when you're writing a book like this, looking back on your life, that there's just such a depth of understanding you acquire over time with the help of the people who love you that that's when you can really get down to what you really think and believe.

I am writing a book called 'The History of Australia in Hundred Objects.' It's of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes - those big long cranes used on construction sites.

What I wish I had said in the book [Falling Upward] is that part of the attraction of conservative religions, such as Mormonism, Mennonite, Amish, groups we would consider very traditional, is that they actually do the first half of life very well. They are often very happy people.

He had no money and no home; he lived entirely on the road of the racing circuit, sleeping in empty stalls, carrying with him only a saddle, his rosary, and his books...The books were the closest thing he had to furniture, and he lived in them the way other men live in easy chairs.

I felt so liberated when I first saw Charles Mee’s 'The Glory of the World' at BAM play, because for me this is the gateway to contemplation, or this is the gateway to love, or this is the gateway to faith, not sitting and reading a book by an isolated monk, god bless him. This is.

Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

At Oxford University, I studied languages so I could read the great novels as they were originally written. I took what in the United States would be a double major in Russian and French, but I have to admit that the pressure of getting through so many books spoiled reading for me.

I endorse a lot of people - sometimes people say I endorse too many books. And my response has always been the same: If I can get one case study that can give me one good idea that I can implement for $25, or for these days one-third of that on Kindle, I've gotten a very good deal.

In his brilliant new book Pankaj Mishra reverses the long gaze of the West upon the East, showing modern history as it has been felt by the majority of the world's population from Turkey to China. These are the amazing stories of the grandfathers of today's angry Asians. Excellent!

In my contact with people, I find that, as a rule, it is only the little, narrow people who live for themselves, who never read good books, who do not travel, who never open up their souls in a way to permit them to come into contact with other souls – with the great outside world.

I've been writing a book called The Economics of Innocent Fraud. I published part of it already in The Progressive ("Free Market Fraud," January 1999). But I've been interrupted these last few months. It deals with all of the things we do, in an innocent way, to cover up the truth.

I think you need humour and a sense of fun, which is what I try to bring to my books to leaven the danger and action. The ones that really transcend the genre always have a great laugh in them, such as 'Fright Night,' 'Lost Boys,' 'American Werewolf in London' - just to name a few.

Our society accepts the book as a given, but the act of reading -- once considered useful and important, as well as potentially dangerous and subversive -- is now condescendingly accepted as a pastime, a slow pastime that lacks efficiency and does not contribute to the common good.

Successive generations of middle-class parents used to foist their own favourite books on their children. But some time in the late Eighties it began to wane - not because children had lost interest in adorable animals but because most of it was available on useful, pacifying video.

For after all, what is there behind, except money? Money for the right kind of education, money for influential friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O lord, give me money, only money.

I followed her into the library. The pale light from our chamber below dissipated in the room, but I could still make out – my heart leapt at the sight – row after row, shelf above shelf, floor to ceiling, a city of books. Speck turned to me and asked, Now, what shall we read first?

When I say Afro-American aesthetic, I'm not just talking about the United States, I'm talking about the Americas. People in the Latin countries read my books because they share the same international aesthetic that I'm into and have been into for a long time. And it's multicultural.

In the time of Spanish rule, and for many years afterwards, the town of Sulaco--the luxuriant beauty of the orange gardens bears witness to its antiquity--had never been commercially anything more important than a coasting port with a fairly large local trade in ox-hides and indigo.

If you just read Joseph Campbell, who has written amazing books on mythology and religion, they all do come together at some point. There are some of the greatest stories that there have ever been in the Bible. All you have to do is read the book of Maccabi, it's like a film script.

So then the year is repeating its old story again. We are come once more, thank God! to its most charming chapter. The violets and the Mayflowers are as its inscriptions or vignettes. It always makes a pleasant impression on us, when we open again at these pages of the book of life.

[Why] should not the Bible regain the place it once held as a school book? Its morals are pure, its examples captivating and noble. The reverence for the Sacred Book that is thus early impressed lasts long; and probably if not impressed in infancy, never takes firm hold of the mind.

I don't write huge books any more. I used to write 1,000 printed pages, but now I write short books. I did one on Napoleon, 50,000 words - enjoyed doing that. He was a baddie. I did one on Churchill, which was a bestseller in New York, I'm glad to say. 50,000 words. He was a goodie.

I've read about 80 books a year for the past 50 years. I come from cultural breeding. I don't have a cellphone. When you spend all your time checking your cellphone messages, or updating your Facebook (of course I don't have a Facebook page) then you don't have any time for reading.

First of all there will appear to you, swifter than lightning, the luminous splendor of the colorless light of Emptiness, and that will surround you on all sides. ...Try to submerge yourself in that light, giving up all belief in a separate self, all attachment to your illusory ego.

I have carefully and regularly perused the Holy Scriptures, and am of opinion that the volume contains more sublimity, purer morality, more important history, and finer strains of eloquence, than can be collected from all other books, in whatever language they may have been written.

Many aspects of the writing life have changed since I published my first book, in the 1960s. It is more corporate, more driven by profits and marketing, and generally less congenial - but my day is the same: get out of bed, procrastinate, sit down at my desk, try to write something.

I wanted to write a book that showed how the subjectification of the "the murderer" has changed little in over a hundred years, and to argue that this "exceptional figure" serves a conservative function in modern culture that bears closer interrogation than it has commonly received.

After long absence, of return / To my dear home - Oh, happiness! / To lie in blissful consciousness / Of all around: The picture there - / The books - the flower-glass filled with care / By a kind hand - And then to know, / 'Twas but to rise, and meet below / Such a heart's welcome!

Somebody once said that my look was like if Aileen Wuornos got acquitted and got a book deal. And I was like, 'That's wrong, but it's really funny.' And I've always thought that she was kind of like a gold mine for parody because there's all these things that went wrong in her life.

Mark Twain was an artist working at the highest level. He wrote a book, his masterpiece, The Adventures of Huckleberry Finn, that put America on the world stage for literature. It's almost as if, if you start reading that book as a racist, you cannot finish it and still be a racist.

Reading fiction not only develops our imagination and creativity, it gives us the skills to be alone. It gives us the ability to feel empathy for people we've never met, living lives we couldn't possibly experience for ourselves, because the book puts us inside the character's skin.

Noam Chomsky has a book, which I read for the first time when I was in Spain, called 'Fear of Democracy'. There is your answer. Fear of democracy. In Honduras, they had a sham democracy. It was run by elites, what was called a liberal democracy, but in reality was a false democracy.

I agree that we should regard all books of the Bible as equally inspired - and important. But some come into sharp focus at certain times, as particularly relevant and sharp in what they have to say to our culture at any given moment of history. And Jeremiah is a book for our times.

It was beguiling to live in a country, Scotland, that didn't look enough like itself to be a location for its own movies... I remember consulting a film book and discovering that Arthur Freed decided to shoot Brigadoon in Hollywood because nowhere in Scotland looked Scottish enough.

There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.

As with companions so with books. We may choose those which will make us better, more intelligent, more appreciative of the good and the beautiful in the world, or we may choose the trashy, the vulgar, the obscene, which will make us feel as though we've been 'wallowing in the mire.

Not so, however, with books, for books cannot change. A thousand years hence they are what you find them to-day, speaking the same words, holding forth the same cheer, the same promise, the same comfort; always constant, laughing with those who laugh and weeping with those who weep.

I talk to my readers on social networking sites, but I never tell them what the book is about. Writing is lonely, so from time to time I talk to them on the Internet. It's like chatting at a bar without leaving your office. I talk with them about a lot of things other than my books.

Book publishing was never a heaven "run by editors", and it is by no means today a hell "run by accountants." If our "sole interest" was "instant profit," not only would we never do any number of the things we actually do every day, we probably wouldn't be in book publishing at all.

If you were a medieval scholar reading a book, you knew that there was a reasonable likelihood you'd never see that particular text again, and so a high premium was placed on remembering what you read. You couldn't just pull a book off the shelf to consult it for a quote or an idea.

I've found that there's a pretty wide range of silly. I don't want to do outright parody, because I like keeping my own characters and stories at the core of the books. And to be honest, I'm not smart enough to do the kind of wickedly sharp satire you get from someone like Pratchett.

When I have something to say that I think will be too difficult for adults, I write it in a book for children. Children are excited by new ideas; they have not yet closed the doors and windows of their imaginations. Provided the story is good... nothing is too difficult for children.

This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.

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