Quotes of All Topics . Occasions . Authors
I remember playing in Union City, and we had crap games after we finished playing at night. We would go next door to the cab stand where they were playing gin rummy and betting $1,000 a hand.
Sometimes I get frustrated in traffic. I typically start going deep with my cab driver and Twitter feed - simultaneously - to take my mind off the gridlock. I enjoy live-tweeting my cab rides.
No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.
Driving a cab is not really a nurturing type of relationship. You take people and they tip you, they may not tip you, you don't know their names, they don't care about you, you don't care about them.
I remember flying in, driving down 101 in a cab, and passing by all these tech companies like Yahoo! I remember thinking, 'Maybe someday we'll build a company. This probably isn't it, but one day we will.'
When I was 9, my parents let me take a cab to the mall all by myself. I had hardly any money to spend, but I did have a very specific list of things I wanted to do: buy cookies and sit on the furniture at Sears.
The greatly anticipated 2009 Masters was like going to a Broadway hit and finding out that the star, Sir Tiger Woods, was off that night, and his replacement was the cab driver who dropped you off at the theater.
I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.
XTC is my favorite band; I'm a huge Neil Young fan, Jayhawks, all that type of stuff. I like Death Cab for Cutie, also Ryan Adams. I try to impress my children: 'Have you listened to such-and-such?' They're not impressed.
I look around my neighborhood, and I see people hailing a cab or ordering their food and then paying for it all with their phone. I've read about that stuff for a really long time, and now it's starting to become commonplace.
If you look at a company like Uber, a company that so anti-establishment that cab companies are trying to find ways to shut it down, one could compare that to how Public Enemy and NWA went after then-modern society in hip hop.
I found my first novel difficult. I don't want to make it sound like it's any more difficult than driving a cab or going to any other job, but there are so many opportunities for self-doubt, that you just kind of need to soldier on.
With cab drivers, I always say I'm from Brazil. I don't say I'm from Israel. It's happened more than once that someone is blaming me for the government's policy. And I say, 'Listen, I live here. I'm a musician. I don't call the shots.'
I got so broke that I had to take a job on a show called 'BrainRush.' That was purely for money. I was hosting this game show where it's like 'Cash Cab' on a roller coaster, which is extreme, especially for me, since I hate roller coasters.
Consider one possible future that could occur soon, where autonomous trucks travel highways with a human 'monitor' in the cab who can assist with particularly challenging driving like navigating city centres and ensure goods are delivered safely.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
Brits are far more intelligent and civilised than Americans. I love the fact that you can hail a taxi and just pick up your pram and put in the back of the cab without having to collapse it. I love the parks and places I go for dinner and my friends.
There were days when my dad and grandpa had to work and I would call a cab to get to school. I felt a little embarrassed and would get out a block before school. There were kids getting dropped off in a Mercedes or Lexus. I didn't want them to see me.
I keep mementos from everything I've done. I've got my cab driver's license from 'Happiness.' I've got a pair of glasses and a belt buckle from playing John Lennon. I've got a pair of sunglasses from playing Andy Warhol... It's all in a box in the garage.
I recently had a few days off while shooting a movie in Budapest, so I took a cab from the set to the airport, looked at the departure board, and decided where I wanted to go right then and there. I spent four days in Rome and didn't tell anyone I was going.
Death Cab always gets right of first refusal on everything I write, but I tend to know early on. There's a song that has yet to be released - it might come to light at some point in the near future - that when I was writing it, I was really proud of it lyrically.
Astana is a government city, not a tourist city, but all you do is tour it. You tour it in the cab from the airport, passing the gleaming new English-language Nazarbayev University and then the new soccer stadium, speed-skating track, and ten-thousand-seat velodrome.
The first time I landed in New York and got a cab to my hotel, I was completely struck by it: a feeling of life and chaos, 24 hours around the clock, just like in London. And whatever your problem is, it's insignificant. You're just a small part of something very big.
Men don't know enough about being courteous toward women. You should get into a cab before a woman so she doesn't have to slide across the seat. And you should always go first into a revolving door so she doesn't have to push - unless it's moving, then let her go first.
I've endured humiliating experiences trying to get a cab in the various cities I've visited and lived in. Available taxis - as indicated by their roof lights - locked their doors with embarrassingly loud clicks as I approached. Or they've just ignored my hail altogether.
Some of us are born rebellious. Like Jean Genet or Arthur Rimbaud, I roam these mean streets like a villain, a vagabond, an outcast, scavenging for the scraps that may perchance plummet off humanity's dirty plates, though often sometimes taking a cab to a restaurant is more convenient.
I've been driving in the city for years because, as a stand-up in N.Y.C., you can perform at more comedy clubs a night if you have a car. Getting from club to club by subway is too slow at night and too expensive by cab. So, many comics live far out from Manhattan and drive in every night.
In my early teens, I was working in a Wimpy Bar and delivering cab company cards to make cash. I also ran a tuck shop at school. I struggled academically because of being dyslexic. When I saw other families and what they had, it inspired me. I thought, 'I can get that, too, if I work hard.'
If I am a 35-year-old woman, and I hail a cab on a Friday evening, and a cab driver picks me up, there are two people in the world that know I am in that cab. Me and the cab driver. With an app like Sidecar, there is a electronic record. I know exactly who that person is because they are screened.
From folk to tribal to Cab Calloway, Cole Porter, Gershwin to the Rolling Stones, whose first record was all covers, to country-western, bebop, blues, and even the referencing in classic hip hop to cliched love ballads of the '80s or whatever - that is kinda gone, and that's just terrifying to me.
I was at a book convention, in a cab. On one side of me was Arthur Schlesinger; on the other side was William Manchester - real heavyweights. All they were doing was asking me about Charles Manson. The only thing that enables me not to be bored is the people talking about it - they're so interested.
Maps help us in tracking our cabs - if they're idle, headed for a booking, or in the midst of a trip. With custom systems built atop maps using available APIs, we are able to manage our inventory extremely well, predict ETAs for customers, and optimally allocate the nearest cab to a booking request.
My father worked in the Post Office. A lot of double shifts. All his friends were in the same situation - truck drivers, taxi cab drivers, grocery clerks. Blue collar guys punching the clock and working long, hard hours. The thought that sustained them was the one at the center of the American dream.
I would still rather be in Silicon Alley. I like the West Coast also, but it's sort of fragmented. You have companies in downtown San Francisco, companies in Mountain View, and people are driving between them all. It's kind of nice in New York to just jump in a cab and reach another company so easily.
I've always been so confused about being a girl. Not in a Bruce Jenner way, just... there's that expectation where you walk into a room, and it's like, Is it OK to be a woman?' Or, you know, you're looking for your keys in the back of a cab, and sometimes the driver can treat you like you've had a lobotomy.
On a Friday night in 1983, I was in a taxi in New York riding home from dinner with friends. A drunk driver ran a red light and hit the cab, and I was thrown toward the glass partition. I tried to duck, but my face hit the glass, and the impact fractured my cheekbone, my eye socket, my collarbone and several ribs.
When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
What people fear most about tragedy is its randomness - a taxi cab jumps the curb and hits a pedestrian, a gun misfires and kills a bystander. Better to have some rational cause and effect between incident and injury. And if cause and effect aren't possible, better that there at least be some reward for all the suffering.
I was in New York City and my sister and cousin came out to see me, and I brought a guitar on stage. But all the audience wanted was for me to play so they weren't listing to anything I was saying, I bombed hard. On the cab ride home, my sister pulled a sticker off the cab and put it on my guitar which I still have today in my man cave.
People are always asking me if the industry is changing, and my answer is always that it is changing only as much as we are. Many South Asian actors complain about being pigeonholed into playing terrorists and cab drivers, but it's time that we stop talking about it. The industry will always say 'No' till we have enough to convince them.