Guy Quotes - Page 151

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I'd go to conference after conference and it would essentially be the talking points. Either pro or con. It's amazing how polarized the tech conversation is. There's also this neurological fixation, the incessant wondering what the Internet's doing to our brain: "Does it make us stupid, does it make us distracted?" And then the other guys say, "No, it's making us smarter than ever, and better than ever, and more connected." And it's like, where is the economic and social context? Why is that rarely considered?

Donald Trump always puts himself first. He built a business career, in the words of one of his own campaign staffers, "off the backs of the little guy." And as a candidate, he started his campaign with a speech where he called Mexicans rapists and criminals, and he has pursued the discredited and really outrageous lie that President Obama wasn't born in the United States. It is so painful to suggest that we go back to think about these days where an African-American could not be a citizen of the United States.

If you think about Don Quixote, Don Quixote is this guy who wants to live as if he was in a medieval chivalric romance, when actually he lives in sixteenth-century Spain, which is already going through secularization, industrialization, modernization. He goes out to kill a giant, and instead he collides with this huge windmill and injures himself and also damages the windmill. I think that's a metaphor for the collisions we all have over time, as our ideas of ourselves get out of synch with the historical moment.

We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night, it's not like we could all go out and have a drink because Molly [Ringwald ] and Michael [Hall] weren't old enough. And Ally [Sheedy] pretty much kept to herself. So Emilio and I, every Saturday night, would go into Chicago because we were shooting outside of Chicago in Des Plaines. It's so funny, because even though we might be adversaries in the film, we certainly weren't off-camera. He's a very funny guy.

Especially when I first came up here to New York, everybody wanted to hook me up with this guy who's Prince's sound engineer. Almost everybody wanted me to hook up with him and go to L.A. and do all that just because that's the route Prince took. And for a while I was listening to all of that. "Yeah, if it's good enough for Prince, it should be good enough for me." But I mean, that's not the case, really. Prince is a different person than I am. You just got to find the right person for you, whoever you click with.

I do not make films which are prescriptive, and I do not make films that are conclusive. You do not walk out of my films with a clear feeling about what is right and wrong. They're ambivalent. You walk away with work to do. My films are a sort of investigation. They ask questions . . .. Sometimes I hear that some [Hollywood] studio is interested in me. Then they discover that this is the guy who works with no script, that there is no casting discussion, no interference, that I have the final cut, and that does it.

Has Donald Trump ever called himself a populist? I don't think Donald Trump's ever called himself a populist. I think other people have called him a populist, and other people have called Steve Bannon a populist. But I don't think Trump's ever called himself that and he may not know what one is, within the political realm or definition. He's not a political person, and that I think is leading to many people having just a devil of a time translating the guy, analyzing the guy, predicting the guy, projecting the guy.

When I first became "controversial" and the fanbase became divided it was backwards! Because normally in our industry, when you hear a certain noise, you become a bad guy. My job wasn't to do that, which was a bit of wandering into no man's land. At the WWE, it's our job to tell stories. I'm one of the few characters who can be in the WWE and can then take that experience and spin it out to real-life lessons. When you can clock into work and make a difference in someone else's life, that's a good way to make a living.

He shook me, and despite it being one-handed, it made my teeth rattle. “If anything like that ever happens again. You. Leave. Me. Behind. Do you understand?” I would have argued, but I was feeling a little shocky for some reason. “I’m not good at abandoning people,” I finally said. A front-desk person scurried over, first-aid kit in hand, but Pritkin snarled at the poor guy and he quickly backed up a step. “Then get good at it!” He stomped off, limping, one shoulder hanging at an odd angle. “You’re welcome,” I murmured.

Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.

Surely it wasn't possible that Vin diPietro was the first assignment. "Hello?" DiPietro waved. "You in there?" Nah, Jim thought. Can't be. That would be above and beyond any call of duty. Over the guy's shoulder, the commercial that was on the TV suddenly showed a price of $49.99-no, $29.99, with a little red arrow that ... considering where Vin was standing, poined right at his head. "Sh*t, no" Jim muttered. This was the guy? On the Tv screen, some woman in a pink bathrobe smiled up at the camera and mouthed, Yes, it is!

Even CEOs police their own bureaucracy. Trump is not that. He does have more in common with these guys than most elected officials would have, particularly in the Obama administration. Obama didn't have anybody that'd ever worked in the private sector. All they had is a bunch of theoreticians who thought they were smarter than everybody that runs businesses in the private sector. And who knows what kind of pressure was brought to bear. Remember, Obama's agenda was one that was to be governed against the will of the people.

At a lecture, a guy said to me, "You know, when I look at your work, I don't know what I'm looking at, but when I look at a Willem de Kooning painting, I know what that is." I said, "Well, the paintings I'm doing have a very legible sentence at the top of the canvas." At a lecture, a guy said to me, "You know, when I look at your work, I don't know what I'm looking at, but when I look at a de Kooning painting, I know what that is." I said, "Well, the paintings I'm doing have a very legible sentence at the top of the canvas."

Donald Trump and Sean Spicer do one thing after another to keep the media attention focused on them. And it works. These legislative achievements are being made which are chipping away at anything the government has that's of any use to anybody. Paul Ryan, I think, is the most dangerous guy in the government. He knows what he's doing. And it's very systematic. I presume he's behind the cabinet appointments, but it's pretty amazing that every single cabinet appointment is somebody devoted to destroying that part of government.

Some things I won't do for any amount of money. That's so demoralizing and goes against every principle that I hold. It's like, okay, some rich people can buy me because I'm a talented guy. They can buy talent. You can't buy it for yourself, but you can buy other people's talent to serve your purposes. And once an artist does that, he becomes like a plaything of the rich. You know, some of these wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them.

There is not a single person in the media today that could wear Dr. Benjamin Carson's uniform, whatever uniform he puts on in a day, a business suit, if it's surgical scrubs, there's not a single member of the media that could do anything close to what Ben Carson has done with his life. But he gets - and he's not the only one - ripped to shreds, denigrated, destroyed, and for what? He holds to traditional values. He believes in morality. He is just a decent guy and he ends up a target for destruction. And he's not the only one.

You make yourself available to the movement. At that point, for example, battered wives were not on the top of anybody's list. It was, "What did you do to provoke him? Why would he do that to you?" Stuff like that. I called the hotline, and I said I was available to help get orders of protection. I would help do whatever needed to be done, serve their papers. Many times, they'd go to court, get their papers, and then be afraid to serve them on the guy. So that was one source of income. But I took anything that came across my doorstep.

When I watch TV, and TCM isn't on, I just switch channels and look at all the information about everything. The internet is perfect for that, which is why I didn't really want to get a computer in the first place. I thought, "If I have a computer and know about this whole Google thing, I am not going to be able to sit still for a second; I'm going to think about something and then have to look it up." I have never bought myself a computer or a phone, but guys in my life have bought them for me, for whatever reason. So now I have them.

A bronze plaque read: GAIUS PLINIUS CAECILIUS SECUNDUS Dan made a face. "Get a load of the guy with the funny name." "I think that's Pliny the younger, the famous Roman writer," Amy supplied. She bent down to read the English portion of the tablet. "Right. In A.D. 79, Pliny chronicled the destruction of Pompeii by the eruption of Mount Vesuvius. It's one of the earliest eyewitness accounts of a major disaster." Dan yawned. "Doesn't this remind you of the clue hunt? You know–you telling me a bunch of boring stuff, and me not listening?

The Cable Guy was underbudgeted, so it was always a debate about whether we could have more days or certain things that we needed, because the budget was determined before the script was written. So that made it a hard production on everybody. But it's also a funny thing, because it's one of those movies that cost $40 million to make and made $100 million around the world, but at the time, it seemed like a disaster that it didn't make hundreds of millions of dollars, because Jim was on such a tear. But it was actually a successful movie.

Google is reeling right now. This is the kind of thing, this is the kind of charge that just sends leftists up the tree, that they're unfair, that they're discriminating on the basis of gender. Ladies, tell Google to prove it to you that the guy who wrote the memo is wrong. What you say to Google is, "Show me the money." Go for the money. Tell 'em you want money. Tell 'em you want raises. Tell Google to prove it. Don't join the protest march and start throwing underwear and bras. Just demand the money. They're reeling right now. Hit 'em!

It's strange, somebody asked for my autograph the other day. Because I finished school and I'm not really doing anything at the moment, I was just kind of aimlessly wandering around London and these two guys who were about 30 came up and asked for my autograph. I was really quite proud at the time, and they wanted to take photos and stuff. And then they were sort of wandering around and I was kind of wandering around and I bumped into them about three times, and every single time their respect for me kept growing and growing and growing.

Pardew has come out and criticized me. He is the worst at haranguing referees. He shoves them and makes a joke of it. How he can criticize me is unbelievable. He forgets the help I gave him, by the way. The press have had a field day. The only person they have not spoken to is Barack Obama because he is busy. It is unfortunate but I am the manager of the most famous club in the world. Not Newcastle, a wee club in the North-East. I was demonstrative. I am always demonstrative. Everyone knows that. I am an emotional guy but I was not abusive.

There was a lot that was tricky about playing with [Thelonious Monk]. It's a musical language where there's really no lyrics. It's something you feel and you're hearing. It's like an ongoing conversation. You really had to listen to this guy. Cause he could play the strangest tempos, and they could be very in-between tempos on some of those compositions. You really had to listen to his arrangements and the way he would play them. On his solos, you'd really have to listen good in there. You'd have to concentrate on what you were doing as well.

If you come across an insane person who's talking gibberish, you can't make any sense of it at all and that would be one way that enlightenment is different. If you read Dogen, a lot of his stuff is very strange and is coming from a different place than what we're used to, but at the same time, it's not senseless ramblings and that's part of what attracted me to Dogen. I didn't get it, but it was sane. It's not some guy raving about UFO's or Moses living in his bathtub, it's was actually something sane that I just didn't get, if that makes sense?

My grandfather was a Holocaust survivor and his life and history were very formative to myself and my family. The almost unimaginable dichotomy between the different eras of his life always crushed my brain on some level. That this guy who was shoveling carob chips out of a barrel and restocking yogurt popsicles could also have those numbers on his arm. It was an inconceivable juxtaposition. His experience was the main window for our family into any kind of social consciousness, or sense of history, or politics, even though a lot of it went unsaid.

The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."

Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.

In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.

Your boyfriend and Micah will both be speechless." I unfastened my seatbelt. "That's the third time I've heard 'your boyfriend.' What's going on about that? Why won't anyone say Brayden's name?" Neither of them answered right away. Finally, Jill said sheepishly, "Because none of us can remember it." "Oh, come on! I'd expect that from Adrian but not you guys. It's not that weird of a name." "No," admitted Eddie. "But there's just something so...I don't know. Unmemorable about him. I'm glad he makes you happy, but I just start to tune out whenever he talks.

Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]

A few years ago I had a weird relationship with performing live. I didn't enjoy it as much because the nerves took over. My first ever gig was with Disclosure at Bestival. There were so many people, thousands and thousands of people. It's been an amazing start to my live shows, to experience that type. My only aim when I perform with those guys is to make sure the crowd has the best time. You hype them up. The energy is crazy. It's completely different, but I need both of them because I love dance music, but I also love soul music and slower, acoustic stuff.

It's always interesting to me when one platform of media crosses into another. We've been on the Terry Gross show Fresh Air a couple of times, and I suddenly felt like we could actually represent ourselves as exactly who we are, in this sort of ultra-vivid way. But the weird thing to me is that the questions she asks are in some ways no different than the questions the guy from the high-school paper asks. She might even ask us where we got our name. But something about it, it's like the pH balance of the trajectory of the questions. Maybe it's just her voice.

Richard Branson is probably the most visible of the private commercial space guys, and what is venture, Virgin Galactic is about is sub orbital flight. That is, you'll see a spacecraft that looks more or less like an airplane and it will fly into space, but only spend about 15 minutes. It'll go up in a parabolic arc and then fall back down, and so the customers on that flight will only get about five minutes of weightlessness. They'll get to glimpse the horizon of the Earth, take a look at it before just before they start coming back down into the atmosphere.

Business success is not determined by government policy. It's not determined by regulation. The people succeed in business have to overcome all the obstacles put in their way by people like Democrats and Obama. That's what Trump knows, how to overcome these guys, how to get the things they put in his way out of the way, while they don't even know it's happening. And that would go for much of the political commentariat, too, folks, that are totally immersed in politics and know nothing else, other than they swear allegiance to free markets, but that's about it.

There are a lot of guys who think that if they show weakness or vulnerability they're not sexy anymore or attractive. In my opinion, you can't be too open or too gentle or kind or sensitive. If you really want to work on a relationship and have one that lasts, you have to be willing to go deep into human psychology and emotion. If you don't want to go there, you can be a serial dater, and I guess that's okay, but if you want a relationship with a woman, you have to be introspective and look at yourself and your family and where you've been and where you're going.

I began to think of war, even so-called "good wars" like World War II, as corrupting everybody. Violence begetting violence. The good guys beginning to act like the bad guys. And when I studied the history of wars, it seemed to me that that was the case. Athens vs. Sparta in the Peloponnesian War. The Athenians presumably the democratic state. The Spartans the totalitarian state. But as the war went on, the Athenians began to act like the Spartans. They began committing atrocities and cruelties. So I saw this as a characteristic of war, even so-called "good wars."

I remember one afternoon when we were out on a golf course somewhere, and Lauren Bacall, James Garner, and Jack Lemmon were sitting there in deck chairs when I went off to do another scene. And I said something like, "Hey, where have you guys been?" And they said, "Oh, we were down at the clubhouse. We saw your scene!" And Jack Lemmon looked at James Garner, and James Garner looked back at me, and then they both looked back at me and said in unison, "You bet your ass it is!" So I've been up there with the greats. I've had my fleeting moments with theatrical genius.

If you're a human being, you'd have to be terrified. The impunity ... That these guys can sit on a TV show and just chat in a relaxed way about killing people like Julian Assange. They're joking, but at the same time, it's a vicious kind of rhetoric. The degree of enmity and the show of power and force against Assange must have terrified him. He was prepared to be paranoid when he was young - when nobody was actually after him. But this easy kind of vitriol and hatred that you now see as part of common discourse, it's become part and parcel of our everyday chatter.

I can make some calls. There is a guy. Dagfinn Heyerdahl. He used to be with Norse Heritage Foundation." Norse Heritage Foundation wasn't so much about heritage as it was about viking, in the most cliché sense of the world. They drank huge quantities of beer, they brawled, and they wore horned helmets despite all historical evidence to the contrary. "Used to be?" Curran asked. "They kicked him out for being drunk and violent." Curran blinked. "The Norse Heritage?" "Mhm." "Don't you have to be drunk and violent just to get in?" he asked. "Just how disorderly did he get?

Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.

We felt that as blacks there was a quota. We used to talk with other blacks on other clubs. There was a way they use to do it called stacking. If you had five halfbacks instead of one being a left halfback and one being a right halfback then you would stack them all at left and let them cut each other. It kept the numbers down. A lot of them went to Canada. We would talk with guys on the other clubs including Detroit, Pittsburgh, Chicago, Cleveland, San Francisco and whoever. The numbers remained relatively about the same in the 1950's. They weren't carrying more then six.

Even though I grew up in an area of England that was more conservative than my personal politics and my family's personal politics, I grew up with a lot of guy friends. There was no real difference between us. When I moved to London, it really became apparent that gender was going to make a mark. I started experiencing sexual intimidation and aggression. People coming up to women on the streets and telling them how hot they are and what they wanted to do to them. For me, that was shocking coming from a village. I thought intersexuality was a great way of exploring that shock.

I did an embed in Afghanistan on the Pakistan border in 2008. One of the things you realize when you're talking to low-ranking enlisted men is that no one listens to them. So when I showed up they loved having someone to talk to. That's a real privilege for me. The guys on the ground are the guys I care about. I've had the most satisfaction telling their stories. There is trust and there is stuff that you learn to hold back, especially when you're dealing with younger guys or lower ranking officers. That's different from the top brass who are basically just politicians anyway.

In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.

T-Mobile is a young, consumer-driven business, and the average age of my customer outside of Bellevue is 27 or 28. They like outspoken, frank discussion. There was an event where it started to come together, I thought the audience would only care about the MLB guys, but they wanted to know what was on my mind. And I literally snapped about the state of the wireless industry. Over the next 24 hours, there was a lot of stuff that was coming out of my mouth that was meant to stay in Vegas, but it hit a chord. It was an action statement for me that I was going to fix this industry.

For me, I felt bad for people asking the questions, cause you know their boss sent them out saying, 'Get me something on Mission Impossible.' And you ask the question, and it's just a polite, 'I'm not going to tell you.' Then, every so often, they'd go, 'Well, can't you just tell us a little bit?' I have to say, 'You know what guys, I'm under contract and I'm not going to tell you anything.' So you keep asking the questions and I'm just going to keep smiling. And it's hard, cause I don't want to seem rude, but it's part of my job just like it's part of their job to keep a secret.

It's always tricky to watch yourself, always. When I first had to watch myself, it was really hard because I'd done quite a few plays and I've never seen myself. So I was professional but I'd never watched myself. So I was like hearing you know... I'm sure you guys are all much more familiar with that because everybody has a phone, and everyone's taking pictures of themselves and making movies of themselves. And so people are more accustomed to it now. So I had to get used to it because there's a lot to be learned, of course, as an actor. When you watch yourself, you learn a lot.

The Russians right now require a customer coming in and spending about six months or so in Russia and they have to learn some Russian. They have to learn some critical words so they can, in an emergency, at least have minimum communication with the Russian commander of the Soyuz. They also have to learn systems and I think this just evolved that way. They just thought, what is the minimum set of things we think we can train someone to be more or less competent in our systems? And so that's what these guys go through. So, it's not just like buying a ticket and getting on an airliner.

I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.

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