People often call me saying: 'Johnny, we have a role that we think only you can do.' If I like the character, then I instantly say yes to them.

People are always asking, 'Where does Michael Pennington end and Johnny Vegas begin,' and you're going, 'It's not like that: it's blurred right across.'

You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.

You can go down the list of great artists and kind of understand that they are products of their environment. Whether it's U2 or Henry Rollins or myself or Johnny Lydon, they're gonna be products of their environment.

Working with Mellencamp, I made new fans, people that may have never heard of me. They may have heard I was related to the Carter Family or Johnny Cash somehow, but what they got was pure Carlene.

I've always been a guy who's pretty supportive, its just my nature, so I came in to the situation with the attitude that I wanted to support Johnny and make it work.

It was a dream come true working with Johnny Depp. He's always been my acting idol. Working with him and watching him work taught me a lot as an actor. He's very down to earth and a lot of fun to hang out with.

My dad used to work a night shift when I was five years old, so I would get up when he went to work and watch Johnny Carson. I remember not knowing what was going on, but loving it.

One of my first interviews was Keira Knightley, Orlando Bloom, and Johnny Depp for 'Pirates of the Caribbean.' I was in eighth grade at the time, little teenybopper. I was so, so nervous. I just remember Johnny had an aura around him.

In 1970, I was turning 29 years old, just 4 years out of art school. I had created a black and white drawing style mascot portrait called 'Johnny.' I made a poster for it and sent it around the world to corporate art departments.

I was born on March 3, 1970, as Mom and Dad's stardom was nearing its peak, while The Johnny Cash Show, was airing regularly on network TV.

I turned down more offers to be Jack Paar or Johnny Carson or Steve Allen before the people on the 'Donna Reed Show' gave me a chance to earn while I learned.

I ended up being friends with all my heroes. Lefty Frizzell, George Jones, Johnny Cash - it was incredible.

Favorite country singer of all time... Hank Williams... Well, then there's Willie Nelson. Can I have three? I can't do one. Then if I have three, I'll need five. Hank Williams for sure. Willie Nelson. Johnny Cash and Waylon Jennings.

When I met Johnny Cash, I didn't know what to ask: where were you born, who was your favorite recording artist, what's your favorite color - I didn't know.

Johnny Carson was a big influence on me - all of those shows I did with him over the years, like, 100 of them, they made a bit of a name for me at the time, so that part of my life was very good.

There's nobody that's ever really been able to take care of me. Johnny did for a bit. I believed what he said. Like if I said, 'What do I do?' he'd tell me. And that's what I missed when I left. I really lost that gauge of somebody I could trust.

When I was 5 years old, I got my first record. It was 'Flatt & Scruggs' Greatest Hits.' The second was 'The Fabulous Johnny Cash.'

I always liked 'Johnny Blaze,' but we announced it on TV, and it was under copyright by Marvel. Then I had 'Johnny Spade,' and that name sucked, then I had 'Johnny Nitro.' Johnny Nitro was one of my favourite names.

That was the day I began cutting classes and returning to TV tapings; it ultimately led to a friendship with Johnny O, and an increasing fascination and respect for what he did.

I want to be judged by who I am, not what I am. I mean, I am Johnny Weir. Judge me the way you see me, love me the way you see me, hate me the way you see me.

Ever since I'm done with Zim everyone thinks that I'm going to go back to comics. I've been flooded with emails asking me if I'm working on the new Johnny over and over again.

I will get in the ring and pour my heart out. I'll do whatever it takes to make sure that when the Cruiserweight Classic is over, the one name on people's minds is Johnny Wrestling.

Johnny Walker and I were very close. My house is just next to his, we were neighbours. Some time back, he came to my place with his children and we spent some lovely moments together.

Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that.

The first time I heard Johnny play at the Fillmore East, I wasn't really impressed. He had come on the scene with everybody telling me how great he was, and I didn't hear it.

There are thousands upon thousands of new Johnny Cash fans every year, inspired by the music, talent, and - I believe hugely - by the mystery of the man.

I grew up listening to Hank Williams and Johnny Cash, so arriving in Nashville in the '60s was really exciting for me.

I didn't know if I should tell people that Johnny Cash had an affair with his sister-in-law while his wife was pregnant. How much does the public need to know about a performer?

An insult is mean or unkind. Milton Berle called me the Sultan of Insult, and I was called the King of Insult. But the guy that gave me the best title - and I use it to this day - was Johnny Carson. He called me Mr. Warmth.

I learned things by being in Lester Flatts' band, and I learned things by playing with Johnny Cash, and I learned from Pop Staples. I'm a sponge.

I can't tell you how many spot shows little Johnny Nitro, like, pulled the chair out in the arena in Shelbyville Fair and did a moonsault only to get chewed out by Rip Rogers and Jim Cornette about it. I mean, I did years of it.

That's where this exciting bundle of energy and joy named Johnny Olson made his entrance and ultimately did the announcing. I had never seen anything like what I was involved in for the next 15 minutes!

Johnny Wrestling, to me, isn't just a cool nickname or a fun thing for the crowd to chant. To me, it's a state of mind, and it's just who I am. I first stepped foot in a wrestling ring when I was 8 years old.

'Johnny' was a coping mechanism who could take those things which could have ordinarily destroyed me, by tweaking my past and throwing it back out there, getting laughs from things that would have otherwise upset me.

We played all of the songs on the first Johnny Winter AND every day before we recorded them, so that when we got in the studio, it was totally easy, as we knew exactly what we wanted to do.

My father saw a separation between Johnny Cash the entertainer, his business, and the person. The good ole boy. He carried that with him. Or he tried to. Sometimes the lines got crossed.

Dylan's relationship with Johnny Cash was the biggest influence on Nashville in my lifetime - they opened up country music.

He is irreplaceable. Even in death I have no doubt that Johnny Cash will continue to live on as an inspiration to musicians and songwriters and all of America.

I was a socially awkward 8-year-old kid who fell in love with wrestling when he felt like the whole world was against him. That's the key word: love. I don't do this for revenge; I do this because I love it. That's Johnny Wrestling.

I've been offered all the reality TV shows but have turned them down. If I did it as 'Johnny,' there'd be no jungle left! It was really hard regaining control of myself, so I am reluctant to let 'Johnny' back out of the box.

There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.

I don't think anyone in the world could play my father, look just like him, act just like him, and make you believe he's Johnny Cash. Joaquin Phoenix gets as close as anybody I think ever could.

If it hadn't been for Johnny Cash, I'd probably have been a Nashville songwriter because that's what I had done for almost five years.

Nobody in my school knew who Bill Monroe was, or Lester Flatt and Earl Scruggs, and barely Johnny Cash. Nobody spoke that language. I proceeded to get myself kicked out.

I am very proud of what 'Johnny' achieved in stand-up comedy because he believed entirely in giving an audience the best kick he could. But he was someone who was quite detrimental to my health, both emotionally and physically.

I can't think of another artist who has a fan base as diverse, in that the ladies in their 70s at the 4-H club have the same collection of Johnny Cash records as the punk on the street in Amsterdam.

I gave everything I ever wrote to Johnny Cash. I think he said later in some interview that he would take them home and throw them in the lake with all the other demos. I'm sure he got a million of them.

I saw footage of Johnny Cash and Elvis Presley just hanging out together in Memphis when they were young guys getting started at Sun, listening to records together. That was beautiful to me.

When I was stationed in Germany, Johnny Cash was already a legend over there because he'd done some shows, then gone off to some bar straight afterwards and played just for the troops. So he was a real hero.

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