Quotes of All Topics . Occasions . Authors
If you take a step back, you realize that the TV landscape really has been... There have been some amazing shows in terms of representation, but not for Asian people.
How do you find a buried city in a vast landscape? Finding it randomly would be the equivalent of locating a needle in a haystack, blindfolded, wearing baseball mitts.
Being a conglomerate, each of our businesses has a different challenge; business landscape is different for each business. It makes it challenging as well as exciting.
I love Texas itself. The landscape is remarkable. The combination of cultures here is incredible. And the history here is pretty remarkable, too, going back centuries.
Soap operas are such a great way to break-in to the industry. The diminishing landscape of daytime TV means it's going to be harder for young talent to get discovered.
The landscape is like being there with a powerful personality and I'm searching for just the right angles to make that portrait come across as meaningfully as possible.
The automobile, both a cause and an effect of this decentralization, is ideally suited for our vast landscape and our generally confused and contrary commuting patterns.
Early 1900s Hollywood was full of farmers battling to hold onto their land against a new influx of filmmakers who dug Hollywood's reliable weather and diverse landscape.
The rich diversity of the cuisine in Nashville is something that I'm incredibly proud of, and I think Tansuo will find a worthy place in Music City's culinary landscape.
The Arctic is among the least understood places on the planet; however, we do know that its landscape is changing and evolving as quickly as cell phones and the Internet.
I've discovered I love the vast landscape a series offers. I tend to write long anyway, so, it turns out, series gives me the perfect vehicle for writing 'large' stories.
I once saw an elaborate landscape in a gallery, drawn in pencil, that took my breath away. Then I realized the artist probably didn't have enough confidence to use a pen.
I wanted to contribute to the landscape tradition in art. By now I guess we are comfortable with the thought that man has been everywhere or affected everything in nature.
The sigh of History rises over ruins, not over landscapes, and in the Antilles there are few ruins to sigh over, apart from the ruins of sugar estates and abandoned forts.
Major social movements eventually fade into the landscape not because they have diminished but because they have become a permanent part of our perceptions and experience.
I've never put myself in the mindset that I'm actually any good at taking pictures, I just love to shoot things that catch my eye, whether it's landscapes or just my kids.
Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light.
I just love shows that don't hand everything to you, that ask you to be smarter. I think that's something really important that HBO has done to change the landscape of TV.
Black Lives Matter has already demonstrated that it has the power to shift the societal landscape by bringing awareness to age-old issues that have plagued us as a people.
Youth is in a grand flush, like the hot days of ending summer; and pleasant dreams thrall your spirit, like the smoky atmosphere that bathes the landscape of an August day.
If you think about the amount of critical thinking that has come into the field of economics, two universities have dominated the landscape in my life: Chicago and Harvard.
What I did for my last act as a painter, if you call me a painter, was to photograph the weave of the canvas, and enlarge it and enlarge it until it became like a landscape.
Even in a less exaggerated description, any verbal account of a person is bound to find itself employing an assortment of waterfalls, lightning rods, landscapes, birds, etc.
The freeways of America are like giant veins twisting and turning, rushing life from one zone to the next. The landscape is a giant body just lying there feeling the rumble.
Disney is our contemporary landscape. The best art will reflect that and challenge you. Disney comforts you, whereas the best art shakes up your comfort level and perception.
Pierrot le Fou is something I keep coming back to. Its so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.
The books I read, if they intrude on my writing, do so as weather will pass through and touch a landscape - affecting it, yes, but only now and then leaving a permanent mark.
I have high hopes that GIS will become increasingly relevant for landscape architects as we make the tools easier to use for the design process of just inventory and mapping.
You cannot, in human experience, rush into the light. You have to go through the twilight into the broadening day before the noon comes and the full sun is upon the landscape.
Consciously designed landscapes which mimic the patterns and relationships found in nature, while yielding an abundance of food, fibre and energy for provision of local needs.
I have always believed that a single talented analyst, working very hard, can cover an amazing amount of investment landscape, and this belief remains unchallenged in my mind.
Early in my career, I tried to bring an artistic feeling to architecture. That's really the intent and impression of what I think about: context, space, shapes, and landscape.
Our retinas and brains have been wired by a hundred million years of evolution to find outlines in a visually complex landscape. This helps us to recognize prey and predators.
The 'Station to Station' film is a fast-moving journey through the modern creative landscape. It's a kaleidoscope of voices and impressions rather than a standard linear film.
A good question is never answered. It is not a bolt to be tightened into place but a seed to be planted and to bear more seed toward the hope of greening the landscape of idea.
The institutional scene in which American man has developed has lacked that accumulation from intervening stages which has been so dominant a feature of the European landscape.
The best moments any of us have as human beings are those moments when for a little while it is possible to escape the squirrel-cage of being me into the landscape of being us.
The greater number of landscapes I explored, the more it seemed that they had traits in common and that the essence of each was not its uniqueness but its similarity to others.
To myself, mountains are the beginning and the end of all natural scenery; in them, and in the forms of inferior landscape that lead to them, my affections are wholly bound up.
I'm just a landscape painter. I look out the window and I see what's going on, and I paint it. While I'm painting it, I also write thoughts about what I see going on out there.
My childhood landscape was not land but the end of the land - the cold, salt, running hills of the Atlantic. I sometimes think my vision of the sea is the clearest thing I own.
As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty.
The one thing I'm really excited about is that the Saint Heron shop is not grounded in just fashion and clothing. We have connected with artists and artisans in every landscape.
'Pierrot le Fou' is something I keep coming back to. It's so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.
What I loathe is the multi-national conglomerates who must take responsibility for the degradation and pollution of so much of our landscape with their factory farming and greed.
On and on they flew, over the countryside parceled out in patches of green and brown, over roads and rivers winding through the landscapes like strips of matte and glossy ribbon.
As a white Australian, you're surrounded by this vast landscape you know isn't yours, so you're always intimidated. You expect to vanish up a mountain or get eaten by the ground.
If we can think of a place, the physicality of a place, as a kind of 'material,' I would say the landscape of Florida in particular was especially important while writing 'Isle.'
Part of the work is determining through what instrument you are playing. Actors are physical, olympian storytellers and we should be able to create entire landscapes with nothing.
We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.