Each time I seem to go through one of life's huge things, I want to play music.

Most of the people who write pop music were outsiders at some time in their life.

Music is a part of my life all the time - on the plane, before matches, driving out to the court.

For me, music is a magical life force that has the ability to make me cry, pick me up, and take me back in time.

I'm always excited about music, but having spent so much time in its pursuit - well, my musical life is complicated.

I honed in on a great time, the Motown era, the '60s and '70s. That type of music has always been a staple in my life.

I take a baths all the time. I'll put on some music and burn some incense and just sit in the tub and think, Wow, life is great right now.

Music makes time fall away like almost nothing else. You hear a song from another moment of your life, and it really is like you're still there.

We have fans that come up all the time and say, 'This song helped me through this tough time in my life' or whatever. The music helps us through it, too.

All roads for me lead back to Mozart. In his tragically short life, he breathed new life, fire and meaning into every form of music that existed in his time.

I have absorbed my life now. I am ready for my music to unfold. I know time flies, but before the end of this year, the album will be out. Even if it kills me.

Backstreet has been around a long time. Normally, groups like us have a shelf life of two to four years. We always wanted to have a long stay in the music world.

I would be a huge hypocrite if I didn't tell you that at one time in my life I thought the way that you made music was you got on a major label and you got famous.

For a person as obsessed with music as I am, I always hear a song in the back of my head, all the time, and that usually is my own tune. I've done that all my life.

The mountain music... is compelling music in its own right, harking back to a time when music was a part of everyday life and not something performed by celebrities.

I thought that my life would be spent working in a bookstore, teaching community college, and making music in my spare time that no one would be willing to listen to.

I always say that music is a small drop in the ocean of life. I was told a long time ago that your horn, or whatever instrument you play, is a means to be in the world.

I like to keep morale up and not take things so seriously all the time. I enjoy life and laughs but I'm serious about the music. Serious about the craft of songwriting.

People speculate on your personal life all the time anyway. So I just think it's important to keep my private life private and my public persona more into music, you know?

I always say this about my music, and music in general: Music is like a time capsule. Each album reflects what I'm going through or what's going on in my life at that moment.

I remember singing as a chorister in Peterborough Cathedral, having won a music scholarship to go to school there, and realising for the first time in my life what true excellence was.

I don't know why people can't believe that I can be mellow. In real life, I'm goofy around people I know but my music portrays me to be hype when most of the time, I'm actually mellow.

My music is really my therapy. I really lay all my feelings into the songs, and really just leave 'em there. I don't carry that weight when I'm going throughout life. I'm not sad all the time.

The music industry's actions at the time of 9/11 and since have been actions driven by patriotism in most instances, and greed and stupidity to a lesser degree. Sounds like real life doesn't it?

I was always a visual artist my whole life, and I came to music really late - when I was 21 or 22 was the first time I ever touched a musical instrument. For me, it was always this fun side hobby.

I grew up loving classic rock music - The Beatles, The Rolling Stones - and then one day I heard 'Baby One More Time' on the radio and I thought 'What is this?' I was eight and it changed my life.

Music was something I had put aside to make movies. Somehow I earlier felt there was only so much creative energy allotted to your life and only that much time to pursue your creativity. But I was wrong.

My music is almost like vomit! It's a horrible way to put it, but I feel it, I say it, and I doubt myself all the time throughout my whole life, but when it comes to music, I just don't. I don't doubt myself.

I would say country is the one type of music I've spent the least amount of time with in my life. I grew up in Virginia, where there was a lot of it, but I was more interested in rock and roll. Southern rock.

When I was 17 or 18 and it was time to figure out what to do with my life, I realized that I didn't enjoy anything as much as I enjoyed playing music. I felt that I had no choice: that I had to become a musician.

About 50 percent of the songs on the radio are like, 'Live like tomorrow doesn't exist. Like it's my birthday. Like it's the last day of my life'... Such a large percentage of pop music is really about party time.

Today begins a new saga in my life which I expect to strengthen me and allow me time for reflection... I plan to write music while in prison, read and pray regularly and will come out a stronger, more confident woman.

Music, even if I ended up doing something different or do end up doing something different in the long run, it's just something that is life blood. If I'm not participating in some way, I feel like I'm wasting my time.

I guess people have a hard time dealing with humour in music. But sometimes life is depressing, and sometimes life is fun, is about just laughing with your friends, and I wanted to express that as well as the darker stuff.

No matter what went down, music was always going to be a part of my life. What ultimately happened is that, over a period of time, I just kind of looked around and when like, 'Wow! I'm actually making a living doing this.'

On reading the first part of Anthony Powell's four-part masterpiece, 'A Dance to the Music of Time,' I was struck by one of the characters - an irritating peripheral character- who keeps showing up in the main protagonist's life.

I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.

Surfing and music have always been two separate sides of my life. I'm quite a fun-loving person most of the time, but I feel like I always get the serious side out when I'm playing music, and then I have fun the rest of the time when I get in the sea.

Music and musical instruments were proximal to my life from very early on - I took piano lessons for a brief time, but then my dad had a guitar and when he was not playing it, I would pick it up and mess with it. He jokes that I used to complain that it hurt my fingers.

I've been on shows that are very comedic and happy, and you really only get to see one side of my personality. They're not shows about my life or my music, or my struggle or anything like that. They're shows where you pretty much see me laughing and smiling all the time.

I really am not interested in making political music per se. I'm making personal records, but at the same time, I'm very much aware of my surroundings. And those surroundings, what's going on in the larger picture, affects my everyday life and affects the way that I think.

I suffered a bout of depression that pushed me to reevalute things in my life, and I learned a lot about myself and the world and my spirituality. I sat at a piano, and the ideas fell into my head. I started playing, and I felt comfortable with my music for the first time.

Most of the time, I'm making music. There'll be moments of my life where I feel like I gotta to take a break and come back to the music. It's hard to explain, but you need to get a break from it and then come back to it. It's like you gotta lose something to appreciate it.

I'm a mad thinker in general. I think about everything, all the time. Especially when I write music, a lot of the influences come from personal experiences or from being on the outside looking in, being that person who witnessed things that stuck with me throughout my life.

If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.

My ambition, a long time ago, was to be a film music writer. A compromise then was to be the guy who wrote songs for a band and played slide guitar. Then the singer didn't turn up for an audition, and I was the only one who knew the words. That was it - bingo! Life took a different course.

I wanted to have a label to not only release my own stuff but to also give young talent a chance to release their music without signing away their life. I had a great time with Spinnin', and the people I worked with were amazing, but the contract wasn't really for me. It wasn't what I wanted.

I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song, and it means something different.

The '60s in London obviously brought about the explosion of music, the 'Beatles' especially, and then the 'Rolling Stones' and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our 'nouvelle vague' in Britain, films that talk about real life.

I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.

Share This Page