Consciousness is a pitiful hostage of its flesh-envelope, whose surges, circuits, and secret murmurings it cannot stay or speed. This is the chthonian drama that has no climax but only an enedless round, cycle upon cycle. Microcosm mirrors macrocosm. Free will is stillborn in the red cells of our body, for there is no free will in nature. Our choices come to us prepackaged and special delivery, molded by hands not our own.

No one knows what capacities for doing and suffering he has in himself, until something comes to rouse them to activity: just as in a pond of still water, lying there like a mirror, there is no sign of the roar and thunder with which it can leap from the precipice, and yet remain what it is; or again, rise high in the air as a fountain. When water is as cold as ice, you can have no idea of the latent warmth contained in it.

Hey, our hair's the same color," I said, eyeing us side by side in the mirror. Sure is, Girlfriend." Eric grinned at me. "But are you blond all the way down?" Don't you wish you knew?" Yes," he said simply. Well, you'll just have to wonder." I am," he said. "Blond everywhere," I could tell as much from your chest hair." He raised my arm to check my armpit. "You silly women, shaving your body hair," He said, dropping my arm.

One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories.

I am reminded that no matter how hard you try, you can never be more than twelve years old with your parents. Parents earnestly try not to inflame, but their comments contain no scale and a strange focus. Discussing your private life with parents is like misguidedly looking at a zit in a car's rearview mirror and being convinced, in the absence of contrast or context, that you have developed combined heat rash and skin cancer.

We have the ability to be the ocean. And access all that infinite possibility, understanding, knowledge, awareness. Or we can get caught up in identifying ourselves as being the droplet, which cannot disconnect us literally from the ocean but does disconnect us from the awareness of the ocean, which means that we isolate our point of observation to that of the droplet. That’s when we identify with being the image in the mirror.

The 7 Principles for Spontaneous Fulfillment of Desires 1. You are a ripple in the fabric of the cosmos 2. Through the mirror of relationships you discover your nonlocal self 3. Master your inner dialogue 4. Your intent weaves the tapestry of the universe 5. Harness your emotional turbulence 6. Celebrate the dance of the cosmos 7. Access the conspiracy of improbabilities Living synchrodestiny & spontaneous fulfillment of desires.

'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.

I am the owner of my choices. I am the source for the perspectives I choose to hold regardless of how aware I am of why or how I come to possess that particular perspective. It takes courage to look into the mirror of our souls, absent excuses. I will look into that mirror little bits at a time. SEE and ACT. SEE what I can bear to see and ACT upon what I am able. This is the heart of a gentle invitation to personal responsibility.

Traveling through the Dragon's Den, it has just been explained that Haroun, the Ifrit, has been caught in a mirror trap. Here is the passage that follows: "So," said Silas. "Now there are only three of us." "And a pig," said Kandar [the mummy] "Why?" Asked Miss Lupescu, with a wolf-tongue, through wolf teeth. "Why the Pig?" "It's lucky," said Kandar. Miss Lupescu growled, unconvinced. "Did Haroun have a pig?" asked Kandar, simply.

My research suggests that when people get rebuffed they become frustrated and angry, but they would do better to become curious about the reason for the rejection. I also found that people assume that others are like them, operating under the same knowledge, beliefs, constraints and priorities. This mirror assumption makes it easier to speculate about why others act in the way they do, but sometimes the mirror assumption is wrong.

The moon had risen behind him, the color of a shark's underbelly. It lit the ruined walls, and the skin of his arms and hands, with its sickly light, making him long for a mirror in which to study his face. Surely he'd be able to see the bones beneath the meat; the skull gleaming the way his teeth gleamed when he smiled. After all, wasn't that what a smile said? Hello, world, this is the way I'll look when the wet parts are rotted.

Joe [Wright] reached out to me and sent me a treatment, and I said yes on the spot just from the treatment. Within six weeks, I was in Cape Town and there was a script [of Black Mirror episode 'Nosedive'], but I didn't realize until I received the full script that Rashida [Jones] and Michael [Schur] had worked on it. It's a particularly funny episode. Joe and I always looked at it as a satire; it has a lot of comedic elements to it.

One would love nonetheless to know how to be a man, how to be a woman before God, in the mirror of one's own conscience, in the looks of those who surround us. One would wish to find the strength to beautify one's thoughts and to purify one's heart. It is everyone's hope and expectation to live in serenity and to plod along in transparency: the palms of the hands patiently directed towards heaven, at the heart of all this modernity.

Leibniz accepted the argument that there must be indestructible simple entities if there is to be a complex world, but Epicurean morals and politics and anti-theology dismayed him. His 'monadology' which said that the true atoms of nature were unextended 'living mirrors,' was an imaginative and beautiful system, and even in many ways more modern than Epicurean atomism, than Epicurean atomism, but there was a reactionary aspect to it.

To know the self as the only reality and all else as temporal and transient is freedom, peace and joy. It is all very simple. Instead of seeing things as imagined, learn to see them as they are. When you can see everything as it is, you will also see yourself as you are. It is like cleansing a mirror. The same mirror that shows you the world as it is, will also show you your own face. The thought 'I am' is the polishing cloth. Use it.

The good enough mother, owing to her deep empathy with her infant, reflects in her face his feelings; this is why he sees himselfin her face as if in a mirror and finds himself as he sees himself in her. The not good enough mother fails to reflect the infant's feelings in her face because she is too preoccupied with her own concerns, such as her worries over whether she is doing right by her child, her anxiety that she might fail him.

I can see her clearly, standing on the rock beside Peg Gratton, unflinching before Eaton and the rest of the race committee. I can't remember when I've been that brave, and it shames me. The truth is, I feel myself being fascinated and repelled by her; She's both a mirror of myself and a door to part of the island that i'm not. It's like when the mare goddess looked into my eye; I felt that there was a part of myself that I didn't know.

One of the stall doors swings open and a fortyish-year-old woman walks out tucking her shirt into her jeans. Her heavy lined eyes land on Seth. "This is the women's restroom." She points a finger to the door. "Can't you read?" "Can't you see that everyone in this club is about twenty years younger than you?" Seth retorts, turning to the mirror. With his pinkie, he messes with bangs. "Now if you'll excuse us, we're going to have some fun.

There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.

That's our mirror. Every dip, every crash, every bubble that's burst, a testament to our brilliant stupidity. This one gave us the railroads. This one the Internet. This one the slave trade. And if we hope to do anything about saving the environment, or getting to other worlds, we'll need a bubble for that too. Everything I've ever done in my life worth anything has been done in a bubble: in a state of extreme hope and trust and stupidity.

In order to understand, it is immensely important for the person who understands to be located outside the object of his or her creative understanding—in time, in space, in culture. For one cannot even really see one's own exterior and comprehend it as a whole, and no mirrors or photographs can help; our real exterior can be seen and understood only by other people, because they are located outside us in space, and because they are others.

I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."

You told me once, long ago, to look into a mirror and see your face. I refused to then. But now Mnimi has forced me to look at my own reflection. I’ve seen it through my eyes and I’ve seen it through yours. I wish to the gods that I could change what happened between us. If I could go back, I would never deny you. But I can’t. We both know that. Now I just want the chance to know you as I should have known you all those centuries ago. (Styxx)

You, Beloved, who are all the gardens I have ever gazed at, longing. An open window in a country house - , and you almost stepped out, pensive, to meet me. Streets that I chanced upon, - you had just walked down them and vanished. And sometimes, in a shop, the mirrors were still dizzy with your presence and, startled, gave back my too-sudden image. Who knows? Perhaps the same bird echoed through both of us yesterday, separate, in the evening.

I don't see makeup as a defense. I see it as a creative outlet. I am a woman who has my extreme vulnerable side and my baggage--and at times I feel extremely weak. And who's to say a little mascara doesn't make you feel more confident when you pop it on and look in the mirror? It helps, especially in my position, where I have people waiting down the street to take pictures of me so they can evaluate and criticize every little flaw on my face.

My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses–the baffling mirror, the black velvet backdrop, the implied associations and traditions–which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way.

As I stepped out to face myself in the mirror, reaching a hand to smooth away the steam, I saw myself differently. It was as if I had grown again as I slept, but this time just to fit my own size. As if my soul had expanded, filling out the gaps of the height that had burdened me all these months. Like a balloon filling slowly with air, becoming all smooth and buoyant, I felt like I finally fit within myself, edge to edge, every crevice filled.

The president stands between the twin mirrors of the past and future, causing his being to become reflected an infinite amount of times. At first, this can be very disorienting. But it induces the president to move quickly. He may, for example, mimic a wave with his arms in order to see how his actions extend across this mirroring of time, observing if the figure at the end acts at the same instant as the figure before him, and so on and so forth.

With your ego you cannot know. Only in an egolessness, in a deep abyss, in the absence of the ego, does the perception happen - then you become a mirror. With the ego you will always interpret, you cannot know the truth. With the ego you will always be there interpreting in subtle ways, and your interpretation is not the truth. You are the medium of all falsification. Through you everything becomes false. When you are not there, the true reflects.

As regards the quietude of the sage, he is not quiet because quietness is said to be good. He is quiet because the multitude of things cannot disturb his quietude. When water is still, one's beard and eyelashes are reflected in it. A skilled carpenter uses it in a level to obtain a measurement. If still water is so clear, how much more are the mental faculties! The mind of the sage is the mirror of heaven and earth in which all things are reflected.

Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people - what an airless, shallow, bald, prominent world it becomes! A world not to be lived in. As we face each other in omnibuses and underground railways we are looking into the mirror that accounts for the vagueness, the gleam of glassiness, in our eyes.

10 Rules for Being Human: Rule #1 - You will receive a body. Rule #2 - You will be presented with lessons. Rule #3 - There are no mistakes, only lessons. Rule #4 - The lesson is repeated until learned. Rule #5 - Learning does not end. Rule #6 - "There" is no better than "here". Rule #7 - Others are only mirrors of you. Rule #8 - What you make of your life is up to you. Rule #9 - Your answers lie inside of you. Rule #10 - You will forget all this at birth.

I've never planned ahead.I just sort of go through life checking the menu of three meals that day. I never worry about tomorrow. It's only since I've gotten older that I've begun to wonder about time running out. Is it sufficient unto itself that I don't plan? Because maybe next Thursday won't come one day. And then, I'm concerned about that. But that's not uniquely the writer's concern, that's the concern of every middle-aged man who looks in the mirror.

Seeing clearly within himself and always able to dodge around the ends of any position, including his own, Shaw assumed from the start the dual role of prophet and gadfly. To his contemporaries it appeared frivolous and contradictory to perform as both superman and socialist, sceptic and believer, legalist and heretic, high-brow and mob-orator. But feeling the duty to teach as well as to mirror mankind, Shaw did not accept himself as a contradictory being.

Our environment, the world in which we live and work, is a mirror of our attitude and expectations. If we feel that our environment could stand some improvement, we can bring about that change for the better by improving our attitude. The world plays no favorites. It's impersonal. It doesn't care who succeeds and who fails. Nor does it care if we change. Our attitude toward life doesn't affect the world and the people in it nearly as much as it affects us.

Our sport is in a changing of the guard right now. It happens every 10 or 15 years, and Brad is the leader of that change at the moment. Sometimes his words and outspokenness offend some folks, but he doesn’t back down from his comments. He doesn’t back down in his driving either, and when competitors see him coming in the rearview mirror, they have to be wondering what he’ll do and what he’s thinking. I think fans love that and gravitate to drivers like Brad.

There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.

He didn't see anything." She rolled to her feet. "I was in your bed! We could have scarred him for life!" "Grace, we weren't doing anything. Well, I wasn't. You were snoring." "I don't--" She smoothed her dress down and searched out her sandals, shoving her feet into them. She glanced at herself in the mirror over his dresser and groaned. Hair, wild. Lips, swollen. Face, flushed. Nipples, hard. "Dammit!" She clapped her hands over them. "It's like they're broken!

When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors. It takes some strength of soul--and not just individual strength, but collective understanding--to resist this void, this nonbeing, into which are thrust, and to stand up, demanding to be seen and heard.

In case any are puzzled by the different translations from which I draw strength and help and delight, it is like this: In studying any object with the microscope we use different lenses and turn the mirror in various ways; each change brings out some new wonder and beauty. So it is for those who are not Greek or Hebrew scholars, and who use the work of scholars to open the meaning of the exhaustible Word-the Bible is richer than any single version can fully show.

I gaze lovingly at "Hilal" a love that is reflected through time or what we imagine to be time, as in a mirror. She was never mine and never will be; that is how it is. We are both creators and creatures, but we are also puppets in God's hands, and there is a line we cannot cross, a line that was drawn for reasons we cannot know. We can approach and even dabble our toes in the river but we are forbidden to plunge in and let ourselves be carried along by the current.

Awareness means to listen to me unfocused - alert of course, not fallen asleep, but alert to these birds, their chirping, alert to the wind that passes through the trees, alert to everything that is happening. Concentration excludes much, includes little. Awareness excludes nothing, includes all. Awareness is a state of no-mind. You are, yet you are not focused. You are just a mirror reflecting all, echoing all; see the beauty of it and the silence and the stillness.

We now know that whatever you vibrate, you create and attract to yourself. So, you work on healing yourself in order to create peace around you. You become peace. If there is conflict living within you, you cannot live in a world of peace. The world mirrors back to you perfectly the condition of your love and of your intent. And if the world you re living in is not a world that is at peace and at joy and at grace, then you have to find peace, joy, and grace within you.

Many times people ask me, "What is sin and what is virtue? And how to decide?" If you decide your decision will be wrong. If you choose you will be wrong. All choice is wrong. There is no way to decide. There is no need to decide what is sin and what is virtue. You only need a transparent mind, a clarity, a thoughtless mind, a no-mind, a mirror-like consciousness. In that consciousness WHATSOEVER HAPPENS is virtue. In that consciousness WHATSOEVER CANNOT HAPPEN is sin.

The act of writing itself is much like the construction of a mirror made of words. Looking at certain illuminated corners of or cracks within the mirror, the author can see fragments of an objective reality that comprise the physical universe, social communities, political dynamics, and other facets of human existence. Looking in certain other corners of the same mirror, he or she may experience glimpses of a True Self sheltered deftly behind a mask of public proprieties.

Don’t you do that.” She turned away from the mirror, toward him. “Don’t you dare make a joke. It took a great deal of courage to say what I did. And you don’t have to speak a word in return, but I will insist you be man enough to take it. I won’t have you making light of my feelings, or making light of yourself—as if you’re not worthy of them. Because you are worthy, Colin. You’re a generous, good-hearted person, and you deserve to be loved. Deeply, truly, well, and often

They can romanticize us so, mirrors, and that is their secret: what a subtle torture it would be to destroy all the mirrors in the world: where then could we look for reassurerance of our identities? I tell you, my dear, Narcissus was so egotist...he was merely another of us who, in our unshatterable isolation, recognized, on seeing his reflection, the beautiful comrade, the only inseparatable love...poor Narcissus, possibly the only human who was ever honest on this point.

See yourself being a master of gratitude in the future. Mentally picture how this will help you feel joy the moment you are awake and are grateful for being alive. See how you can be grateful and happy for each breath. Realize that when you master gratitude, you will see a happy face every time you look into the mirror. See how your entire quality of life will be improved. See how other people will tell you that they enjoy being around you because you are such a happy person.

Religion is not based on belief or faith: religion is based on awe, religion is based on wonder. Religion is based on the mysterious that is your surround. To feel it, to be aware of it, to see it, open your eyes and drop the dust of the ages. Clean your mirror! and see what beauty surrounds you, what tremendous grandeur goes on knocking at your doors. Why are you sitting with closed eyes? Why are you sitting with such long faces? Why can't you dance? and why can't you laugh?

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