Quotes of All Topics . Occasions . Authors
President Reagan's one-liners were terrific.
I became a specialist at comedic one-liners.
High-concept one-liners were huge when I got my start in the film industry.
I don't do one-liners, because you don't learn anything about that comedian.
I'm not too keen on jokes that are one-liners. I want the situation to be funny.
One-liners that must land perfectly in just the right nanosecond can be terrifying.
Twitter is comedy writing. It's one-liners that give way to fully fleshed-out thoughts.
Twitter is basically just writing a bunch of one-liners - it's a short form or whatever.
My career will come full cycle one day when I play the father of a cute little kid missing teeth who spouts one-liners.
It hurts me not to be able to communicate like I used to. I used to be pretty good at coming back, you know, quick one-liners.
I can't just say the words, do a lot of one-liners. I love each person I play; I have to be that person. I have to do him true.
I definitely still like writing one-liners, but I also think that I've changed a lot in that I've allowed myself freedom to grow.
If you do weave one-liners into a story, you have to have an overall story as well, otherwise it doesn't really count as narrative.
Comedy ages quicker than tragedy, to the extent that we can't know if the 10 commandments may originally have been 10 hilarious one-liners.
I was trying to do one-liners and it took me years to realise I just had to be myself. My fear was if I was myself and no one found it funny, I'd have nowhere left to go.
Winning supporters over can only really be achieved by what you do, not what you say. It's no use just smiling and shaking hands and getting quoted with witty one-liners.
It never felt real to me. I never felt I had complete ownership over Bond. Because you'd have these stupid one-liners - which I loathed - and I always felt phony doing them.
I've gone through several cycles. When I was little, I was the cute kid with missing teeth and funny one-liners. Then I moved on to be the young guy who wanted to be a grownup.
I'm the ultimate studier of comedy. I grew up in a very funny household. My dad is the king of one-liners; my brothers are great at telling stories, and my mom is funny without knowing it.
For years, I've worn my dainty gold bracelets with inspirational sayings and encouraging one-liners to motivate me in my career. I liked to look down at my wrist and be reminded of my goals.
I'm slightly obsessed with drag queens and performers. Their quips and their one-liners, their style, their singing... I find it fascinating. And thoroughly entertaining. I'd love to play one.
When I was in high school I saw Steven Wright, a brilliant one-liner comedian, and I thought: 'That's what I should do; I should write one-liners.' And I did. My first album is mostly one-liners.
I like jokes and one-liners. I enjoy entertaining and making people laugh, being the funny man. But when I'm launched into unfamiliar environments I shut down, and as I relax then my character emerges.
I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
Mike Myers as Austin Powers makes me laugh - that was genius - and Daffy Duck makes me laugh, but I like odd behavior. I don't like hip dialogue and one-liners and all that sort of cool, sophomoric comedy. It's just not for me.
In its brief 14-episode run, 'Firefly' gave viewers as much chance of witnessing a horseback chase or train robbery as a laser gun and spacefight in any given episode. Snappy one-liners and silly hats were a constant, of course.
Unapologetically, absent me, there is no Deadpool. Period. I am the name, the costume, the look, the origin, and the attitude. Great one-liners are the result of other writers. But there's no Deadpool at all in existence without me.
One of the attractions of translating 'Heroes' is that it's not the kind of play that I write. If it had been, I probably wouldn't have wanted to translate it. There are no one-liners. It's much more a truthful comedy than a play of dazzling wit.
I think you often say more by saying less. And interestingly enough, I mean, Jesus really set the standard. I mean, he could say more with fewer words than anybody. Most of the parables were less than 250 words. And, boy, did he have some one-liners just packed with truth.
The more you know about somebody's back story, the deeper you can delve into that well, and the more your comedic choices resonate full-body instead of just being quick, quippy one-liners that are just like a bunch of people trying to be clever. Because after a while, cleverness is just really obnoxious!
I'm not a confrontational person or comedian. I think we can explore more things if one of us is not fighting with the other. I take it easy. But I do like comedians who are very different from myself: I love dry comics with deadpan one-liners. I look on and think, 'That's amazing; why didn't I think of that?'
When I want to make someone laugh in real life (as opposed to when I'm on stage where I tell one-liners), I tend to do prop comedy. For example, if I'm at the supermarket with my husband, I might put 16 bags of marshmallows in our cart when he's not looking, or if I'm trying to make a kid smile, I'll put my glasses on crooked.
For other comics, it's about full-spectrum dominance, being on panel shows and having one-liners and being a good chat show guest and having a good seven minutes you can do on 'Live At The Apollo.' But I really think about these subsequent finished pieces, you know? And they don't always chop up well into one-liners and routines.
No, and in fact I get a bit frustrated, because I'm actually quite good at one-liners, and I've had hundreds of them over the years, and they sink without trace, and I get very frustrated. Every party conference I really work on the speeches, and I always have two or three things I'm quite proud of, and no one ever remembers them.